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Chihuly is incredible.
Not much in the way of descriptions, just a brief introduction to each series (Macchia's, Persians, etc.), which I found just enough. What I'm interested in are the actual pieces, and there are plenty of exceptional pictures.
Again, amazing. Truly inspiriational for the novice glass blower and an absolute delight for everyone else!
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A must read for anyone who wants to enter the collective psyche of those two great peoples, the English and the ummm.... ummm... for anyone who wants to enter the psyche of those two strange peoples, the English and the Dutch.
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Enriching our understanding of the human heart in impossible circumstances is "Dear Sarah: Letters Home from a Soldier of the Iron Brigade," edited with loving care by the soldier's descendant Coralou Peel Lassen.
In my opinion it goes without saying that this recent contribution is refreshing, of great value to not only the modern reader but to posterity, too, to those who want to know more about the men --and women; the real human beings, who lived through and endured the American Civil War. This volume also illuminates the nature of not only the American Civil War but all war.
The Iron Brigade Soldier who wrote to Sarah was a young Union soldier named John Henry Pardington. The intense personal nature of his letters, what he writes about and how, is more than touching. The letters left by John Pardington offer a glimpse into the mind and soul of a man in the midst of a terrible situation and how he copes with it, how it defines him, shapes him, and how he continues to triumph over adversity.
After reading several pages I already felt like I was becoming familiar with the people "back home" that this soldier wrote about 140 years ago. I began to feel the pain of his separation from his wife and daughter, the pain of every aching joint and privation he endured. The more I opened up to John Pardington and the realities of his life at war, the more psychologically invested I became --and the more I read. Knowing the inevitable outcome made some letters particularly poignant. And painful. Often, I found the book emotionally overwhelming and put it down, reflecting. Sometimes I re-read passages with a fresh insight --from John's point of view. It isn't too much to say the book is, at turns and by its nature, not only a body blow but also eye-opening. Reading firsthand accounts of how soldiers of the Iron Brigade's 24th Michigan Infantry lived and died day by day in 1862-63 can leave one feeling "beat" inside, symptomatic of the tremendous impact the reality of John Pardington's life.
I think Ms. Lassen has really done an excellent job editing John's letters. One would think any student of history (or humanity) would want to read this book because John's words are universal. He was a Union soldier of the American Civil War, but his triumphs and failures, needs and wants, yearnings and hopes, etc., are an insight into the psyche of men away at war of all times. Her triumph is bringing John's words to the modern reader and to posterity. If one wanted to know how a soldier might be feeling or what he/she might be thinking, from Marathon to the Persian Gulf, one can find the essence of the human spirit, a soldier's dilemma, distilled and evolving in the letters of John Pardington.
John Pardington's human face on a large historical event; his evident love and longing; his deeply human and often tender observations made me again wonder why there must be conflict, wars that kill far too many John Pardingtons and leave the world a poorer place. Is there such a thing as a tragic triumph? If so, John Pardington's triumph in expressing himself, in his very being, is all the more tragic because of his death at Gettysburg. He probably never imagined his words would one-day reach out across the years to so many people. He would probably be surprised. Rather than flustered or embarrassed to have his innermost thoughts laid bare, I like to think he would ultimately see how his own life matters today, and always.
Ms. Lassen has helped John Pardington speak after all these years and still we hear him. And will hear him.
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The books doesn't have much text, just enough to cue you in to what his design methodology might be. Instead the book is filled with plans, elevations, and perspectives which clearly depict a man of great genius. Certainly of the keenest architects I have ever stumbled on.
I bought my copy out of pure luck...I'm a fan of Mr. Goff and read someplace this books' connection to a indigenous american architecture, Luckily for me I took the chance, and wouldn't hestitate to highly recommend this book to you.
If you like organic architecture, Bruce Goff, Frank Lloyd Wright, alternative architecture, architectures connection to music or drawings......then you should buy this book it's a real crowd pleaser.
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Nettleton saved me. I had been about to order a completely new edition of the plays (sample copy graciously sent to me by the publisher), albeit the edition was in many ways, well, let's say "not quite right for the course". Then I went to the library. Despite the recommendation of a friend -- a renowned 18th century expert -- I had been suspicious of Nettleton. The copyright on the edition I looked at was 17 years before I was born (sorry about the ageism, Mr. Nettleton). But the volume has everything. Lovely grandiose heroic drama (but not too much of it); Dryden's adaptation of Shakespeare's *Antony and Cleopatra*; five classic comedies of manners (the backbone of restoration drama), and a pleasant smorgasbord of the best of the 18th century.
I have a text. My students have a text. Life is good.