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The book is padded with two academic articles. These not only clash in style with the rest of the book, but are based almost entirely on conjecture rather than ethnography. One is on race, the other on homosexuality. Astonishingly, Lancaster who eventually admits (that is the most accurate verb for how HE presents it) he is gay, did not study males who have sex with males in Nicaragua. Joseph Carrier, Don Kulick, Annick Prieur, and others have done ethnographic work with males who have sex with males, while Lancaster just recycles dubious majority culture conceptions of shame and honor.The data on racial conceptions are also very thin.
In sum, good on women and how the revolution was lived in a Managua barrio, but the last part of the book is marred by stereotyped fantases about race and homosexuality.
Over the course of the book, the author takes the reader through various vignettes, life stories, and analyses. At the same time, Lancaster reveals different facets of himself, in context-appropriate passages: socialist, Southern working-class origins, white, gay... The result is an implicit argument about how complex, compound, and contingent identities are. The result is also that alert readers get a very good sense of how the author's experiences shaped his research questions- and how they affected his interactions with Nicaraguan informants spanning a broad social gamut: single mothers, soldiers, adolescent boys and girls, "macho" men, and a number of gay men (clearly quoted, sometimes at length, in the chapter on same-sex relations).
Lancaster's overarching analysis is complex. In a feminist vein, he argues that the Sandinista revolution failed, in part, because its leadership failed to undertake an effective renovation of gender relations and family life. In a gay studies vein, the author shows how the everyday stigmatization of male same-sex relations regulates and supports conceptions of "appropriate" manhood (nobody wants to be called a "queer"!)-- and how, in no small part, it was this quotidian homophobia that undermined Sandinista efforts at changing family life.
The nuanced picture Lancaster draws of family life in a culture of machismo, and the innovative analysis he develops of how same-sex relations function in that culture, have been corroborated by a host of scholars working in different fields: Tomas Almaguer, Ana Alonso, Annick Prieuer, Don Kulick, David Whisnant, Richard Parker, and many others. With good reason, this important book received both the Society for the Study of Social Problems' C. Wright Mills Award, and the Society of Lesbian and Gay Anthropologists' Ruth Benedict Prize. I should add: this book has been used in several undergraduate and graduate courses I've taken. Invariably, students vote this the best-realized ethnography in the class.
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Possibly I have gotten a bit overly picky by looking at too many garden books, but there were several areas that could be improved. First, the text and pictures tend to neglect the overall plant in favor of flowers. He does treat with texture extensively elsewhere, but it is not the most user-friendly arrangement, and the plant selection does not overlap at all points. Plants will not be flowering all year, so as a gardener I will generally want some sense of what the plant looks like overall. Any lapses in that area tend to irk me. Second, although he covers a large number of plants, that figure is greatly inflated by the fact that he is reviewing _varieties_ of the same plant as distinct solutions. There are definitely sections where variety _does_ matter, but surely not all! By not specifying, he forces us to guess. If any variety of a species will do, I want to know this. Finding, for instance, the "rosa" variety of lily-of-the-valley is a much more difficult proposition than going out and buying a lily-of-the-valley, any kind. He's also very patchy about mentioning important attributes of plants, like 'poisonous' and 'invasive.' Because he specifies it in some cases, there is a tendency to assume that he'll treat with it in every important instance. There are quite a few truly egregious omissions, however.
There are compensations in other areas, though. Many of the perennials lovingly described by Lancaster are less well known. He shines light into those dubious corners of the perennial world where suspiciously unfamiliar perennials languish, forgotten and underutilized despite having wonderful attributes and beautiful flowers. Many of them are more 'natural' types than the overbred beauties we love to stick in our pedigree beds, but not so uncommon that they're impossible to find. Many of these are plants that I've seen here and there, but haven't known enough about in the past to want to try. I also very much liked the section on flowers which die back attractively for dried winter interest. And, for those people living in very cold and very warm climates, he does a respectable job of suggesting plants for a range of zones. (Zones 3 three through 11 showed up in most sections.)
Probably the most positive thing I have to say about this book, however, is that it got me thinking about my garden in a new light. His descriptions excited me. They gave me new ideas for old problems. It made me think about areas that I have neglected out of frustration & a longstanding sense of defeat. In total, I would have to recommend this book. It's attractive enough to make a good coffee-table or gift book, but also good for inspiration. It's not as thorough as I would like about the overall plant, & it doesn't touch on care & maintenance at all, but I would recommend it as a user-friendly starting point for people who want to investigate natural solutions for problematic garden conditions. A second, more generalized perennial book would be handy as a cross reference to this one.
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Penrose knew everyone in British aviation in this period and it shows. Well worth reading.
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The chapters are well defined, and the glossary is quite descriptive. A great help to someone who does not have a clue of what the terms mean. The index too, is quite complete for such a small work.
Not the best book ever written on Art Nouveau Jewelry, but certainly a good one for the enthusiast's bookshelf!
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