This is, as far as I know, the first attempt by a psychiatric professional to write a life of Lawrence. So much about Lawrence's personality - his illegitimacy, his craving for anonymity after the war even as he contrarily managed to worm his way into the spotlight so many times, his name change ostensibly in honor of G.B. Shaw, and probably most of all his experience at Deraa, made him an object of general interest, not to say lurid speculation. Lawrence, with his usual flair, manages to give us enough about his interior life in "Seven Pillars" to pique our interest without actually telling us anything.

While I must admit that I enjoyed the book, I must also say that I walked away from it feeling that I did not know any more about Lawrence after finishing it than I did before. The author covers a great deal of terrain, but I think that we're all not any closer to understanding Lawrence. Maybe the definitive biography is still waiting to be written. Maybe it never will be.

If you saw the movie, read this book.

Anthony, a 13 year old blonde haired kid, and his two friends, Roderick Childermass,and Fergie, a tall red-head, join together to defeat Mr. Stallybrass to stop from destroying the world.

At the old estate, Anthony finds himself sleeping one night in the estate when something is standing right next to him and says "You might be close to the clue of all time," Anthony ponders then finally dozes off to sleep. One day they meet up with a strange person and little dwarves fall out of his trench coat. But in the tower room they find a chessboard? What could that mean? The man Mr. Stallybrass has the power to destroy the world by using comets? How wil Anthony and his friends save the world form this wizard? Can a pin and a witch save them from the evil!

I really liked this book, because it has a lot about mysterious things,and riddles that you can follow through the story. So I give it two thumbs up! So if you like riddles, mysterious, science-fiction books this one is right down your alley. So get down to your local bookstore and buy The Chessmen of Doom by John Bellairs!

John Steinbeck, the great fiction writer, is just as intriguing as a nonfiction writer. In fact, there is more scope here than in any of the novels.

Steinbeck was fascinated by his friend, Ed Ricketts, Baja California, The Sea of Cortez (located in Baja), the marine life there, and the people along the way. You can read this book for any of those dimensions and be well rewarded. In fact, it is interesting to learn more about Steinbeck, the man, through his reminiscences of this trip.

Although I enjoyed all of these dimensions,to me the element that is most appealing is the story of two friends simply traveling and learning. It is very much a tale of the voyage that we all make through life, by way of analogy. In a way, it reminds me of a literal Pilgrim's Progress, except that this actually occurred. Fact, in this case, is more interesting than fiction.

If you liked Steinbeck's novels, read this. If you like travel stories, read this. If you like stories of scientific research, read this. If you like adventure, read this. Even if you don't fall into one of those categories, read this. Enjoy!

I read this book while preparing to follow the footsteps of Steinbeck and Ricketts to the Sea of Cortez (the Gulf of California).

I was living, at the time, in 'Steinbeck Country,' Monterey, California--where Ed 'Doc' Ricketts kept his lab (referred to in "Cannery Row.").

In this book, "The Log From the Sea of Cortez," Steinbeck sheds his fiction-writer persona, and regales his readers with the story of his trip, which Ricketts initiated for scientific purposes.

The thing that interested me the most, aside from the descriptive passages about the area in question, was the juxtaposition of Ed Rickett's pragmatism and Steinbeck's unabashed idealism and populism. Steinbeck comes across as a flaming socialist--not too surprising, considering "The Grapes of Wrath" and some of his other works.

The friendship of these two men, despite the radical differences in their philosophies, is intriguing.

If you are a fan of Steinbeck's fiction, this book will give you more insight into his character and philosophy than any of his other books save, perhaps, "Travels With Charlie," which came much later.

Recently we have a case of cerebrospinal fluid-cutaneous fistula following spinal anesthesia used for indirect inguinal hernia repair. But we couldn't see any comment in the textbook about the management of cerebrospinal fluid fistula from inthratecal space to skin due to postdural puncture for purpose of spinal (intrathecal) anesthesia.

Cutaneous cerebrospinal fluid (CSF) fistula are known to occur rarely under spinal puncture during spinal anesthesia, and CSF leaks via that fistula. This complication is often self-limiting but sometimes needed some treatment procedures such as intravenous fluid restruction, patient prone position, strecth dressing of wound, epidural injection of autologous blood patche or fibrin glue, or uncommonly use of CSF drainage system.

We think that if this complication and its' management is included in new edition of the textbook it will be better.

With our regards,

Hakan Erbay, M.D. Assisstant Professor of Anesthesiology Pamukkale University, Medical Faculty Department of Anesthesiology and Intensive Care, Denizli, Turkey

Erkan Tomatir, M.D. Associated Professor of Anesthesiology Pamukkale University, Medical Faculty Department of Anesthesiology and Intensive Care, Denizli, Turkey

With our regards,

Hakan Erbay, M.D. Assisstant Professor of Anesthesiology Pamukkale University, Medical Faculty Department of Anesthesiology and Intensive Care, Denizli, Turkey

Erkan Tomatir, M.D. Associated Professor of Anesthesiology Pamukkale University, Medical Faculty Department of Anesthesiology and Intensive Care, Denizli, Turkey

The book begins when Dr. Coote shows his friends a drum that was given to him by a mysterious young man. As usual, the professor scoffs at it, although Dr. Coote is still worried, because of his extensive knowledge of voudon, an evil voodoo cult on a fictional Caribbean island. Fergie then takes the drum and beats it while screaming "babaloo! babaloo!" which sets a chain of terrifying events into action.

Dr. Coote has a nervous breakdown and a horrible old woman stalks Johnny and his family to find the drum, all while the friends scramble to figure out where the drum is and save their own necks in the process. There are some genuinely scary scenes involving a zombie, and later an exorcism.

Bellairs and Strickland have done an excellent job creating the mythology of Baron Samedi and the Priests of the Midnight Blood, the evil voudon cult on a French Caribbean island. It's a bit formulaic, and not absolutely perfect, but a taut, enjoyable mystery/horror book.

Johnny and Professor Childermass take a detour into the darkest side of voodoo, known as voudon. When, at a get-together with one of the professor's friends, Fergie begins playing and singing ("Babaloo") a tiny leather drum, the lights unexpectedly go out.

Soon the friend is ill, raving and finally falling into a coma. A creepy old woman and a mysterious man are lurking nearby. Some of the most affecting scenes is where the professor finds the hideous creature growing in a pillow, and when he battles the horrifying snakelike demon.

But taking the prize is the zombie mentioned in the title. Holy cow.

This is a genuinely scary book-for heaven's sake, don't read it at night.

Kindly witch Mrs. Zimmermann has lost her magic, except for a sixth sense and a residual aura of unusable protective magic, and Rose Rita Pottinger has broken her ankle. Her friends Jonathan and Lewis Barnavelt have left the two behind, while on their European vacation. But suddenly Mrs. Zimmermann is called on a mission into the heart of Pennsylvania Dutch country, and Rose Rita comes with her. Naturally, nothing proceeds as expected. Their car is transported back in time and crashes, leaving the two staying with the kindly Weiss family.

But the mystery deepens when the reason for their time travelling is revealed -- the ghost of the witch Hilda Wetherbee tells them that she has transported them back in time to save a good wizard, Grandpa Drexel, who is fated to die on the first of April. But an evil presence disrupts the message from Granny Wetherbee, and Mrs. Zimmermann becomes stricken with partial amnesia Rose Rita becomes increasingly suspicious that a hexer -- an evil witch -- is trying to drive out the Weiss family. But how can a de-magicked witch and a bespelled modern girl hope to stop a hexer -- and a demon?

This is neither the spookiest nor the tightest of Bellairs' fantasy-horror books, and it suffers slightly from an unfortunate cliche (time travel) and a dependence on previous Bellairs books. But it's a solid time-travel/ghost-story, with some hideously chilling scenes and some interesting new characters. There's a bit of a dull section in the middle, but Strickland picks up the pace near the end with some delightfully Bellairsian scenes of horror when Rose Rita inadvertantly conjures up the demon Aziel. And for people looking for a little educational info, there's some enlightening passages about the Pennsylvania Dutch.

Rose Rita is shown without the shadow of Lewis here, and while she is not quite as interesting as the timid ex-altar boy, she's a good heroine who shows a lot of the characteristics of her best friend. Mrs. Zimmermann is given extra dimension as she tries to regain her magical powers and gets stricken with amnesia. We also get to see two dimensions of Hilda Wetherbee -- as the ghost of a crabby old witch, and as a little girl who befriends Rose Rita. Favorites Jonathan and Lewis Barnavelt even show up for a cameo appearance.

While not the most outstanding of Bellairs' books, this is a good, spooky read, especially for fans of Rose Rita and Mrs. Zimmermann. Not to be missed.

The plot is basically- lame, lame, lame. The characters do not rise much above the plot. The magnificent thing about this book is that it was written before most other modern fantasy works- and it set the stage for them. Thus, it is worth reading to see how it influenced the genre. The author also has a clever wit and a gift for language. However, many of the scenes seem simply poorly thought out- which seems impossible because others have a deep intracacy. It is almost as if he were writing down a tale he was saying aloud- and in which he was forgetting certain bits and overemphasizing others.

However, with all that said- you should read the book. It disappoints me, but is fascinating at the same time. The culture of the 20's must have been unbearable to live in, if the book is any reflection whatsoever of the time period.

It isn't a very long story, so it isn't really a waste of time even if you don't like it. It is like taking medicine- your responsibility to be a complete fantasy reader.

Ramon Alonzo is a young Spanish nobleman sent to find a dowry for his sister Mirandola. He goes to a powerful magician to learn alchemy -- how to turn dross into gold. The magician agrees, at a price: Ramon Alonzo's shadow. At first he's inclined to give up his shadow, but an elderly charwoman warns him not to. She gave up her shadow, and now is shunned by everyone except the magician because if her contact with dark magic.

Eventually Ramon Alonzo agrees to give up his shadow in exchange for a replacement, which turns out to be a dud. His attempts at magic for his sister's sake begin to go horribly wrong, and he finds his very soul in peril as he struggles to fulfil his promise to the charwoman, and get back both of their shadows.

Most of Dunsany's fantasy stories are set in fictional lands full of magic and wizards and gods. This one is slightly different, as it is set in a sort of semi-fictional part of Spain, and magic is something which seeps naturally to great evil. But the entire world it's set in has the same sort of fantastical edge that his books usually do. Kids with a good attention span can read this, though some may be bored by the gradual pace and flowery language. And the language is very flowery. Dunsany writes in his standard dreamy prose, with a lot of very strange imagery (like the charwoman scrubbing a bloodstained floor stone, or Ramon Alonzo's fake shadow getting up and racing away).

Ramon Alonzo is a nice leading character -- he's a good guy who gets enmeshed in bad things for good reasons. His spiritual struggle and chivalrous rescue of the charwoman Anemone and her shadow are central to the plot. Anemone herself remains a mystery for most of the book, although one development is rather obvious early on. The magician is a cold, unsympathetic character who "scorns salvation" and shows no pity to someone he's wronged. Father Joseph serves as the counterbalance for the magician, a kindly priest who helps Ramon Alonzo out.

A beautiful story about love, magic, and kindness, this is a must-read for fans of classic fantasy. See why Dunsany is still one of the best.

The old iron bridge over Wilder Creek is being torn down by the county, to make way for a newer, more modern structure. Lewis Barnavelt's uncle Jonathan is nervous about this -- not only is the bridge a familiar landmark, but it was constructed by a wizard to keep a long-dead relative from returning. The dead relative was Jedediah Clabbernong, a man obsessed with his own aging, and determined to become one of the immortal alien Great Old Ones.

Now something is creeping from Wilder Creek. Under the sway of the equally determined Mr. and Mrs. Moote, a hideous squidlike humanoid is rising to the surface again -- and it can suck the life from any creature and reduce it to a disintegrating husk. Now as a comet returns -- the comet that claimed Clabbernong a century before -- Lewis, Rose Rita, Jonathan and Mrs. Zimmerman must stop the Mootes before more hideous creatures are unleashed...

Brad Strickland sure knows how to send chills down a spine. In excellent imitation of Bellairs' style, he creates some outstandingly horrifying situations. Jonathan Barnavelt's description of the disintegrating woodchuck he encountered (and pounded to death) is only outdone by the encounter that Lewis and Rose Rita have with an incredibly old, hideous horse. What's wrong? While Bellairs was never the most subtle of writers, the twelve-foot-tall tentacled squid-headed Lovecraftian nightmare seems more than a little excessive. However, his usage of preexisting Bellairs material -- the bridge in "House With a Clock In Its Walls" -- is flawless.

Despite this, Strickland shows excellent skill during the fight scenes and the gradual dramatic buildup. Lewis and Rose Rita are well-characterized and excellent counterparts. Jonathan is the good-natured fretter (portrayed as something of an older version of Lewis) and Mrs. Zimmerman is still the kindly, sharp-witted witch, and even the grandmotherly Mrs. Jaeger makes an appearance. The Mootes are also excellent, reminiscent of the couple in "Killer Robot."

While not outstanding, "Beast" is an excellent continuation of Bellairs' books. Strickland manages the right balance of drama, comedy, and horror.

This book is no exception. I was a very picky fan of John Bellairs, and when Brad Strickland began carrying on his work I was highly skeptical that he would be able to fill the shoes of an incredibly talented author. Not only has he done so with an uncanny ability to emulate Mr. Bellairs' style, he has also gone on to write some pretty memorable adventures involving the Bellairs characters.

I found this book to be one of the more inventive and memorable ones in the entire Bellairs/Strickland history since the Trolley to Yesterday. Strickland was not afraid to go to the same lengths that Bellairs himself did to give the reader a good scare, and I really enjoyed the added sci-fi element in this book.

Well done, Mr. Strickland!