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This is a must read for any Sandy Weill fan, businessmen and businesswomen alike, or simply a CEO star in the making.
Fascinating...once you pick this book up, you won't be able to put it down!

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know about MIchael Jackson's life I'm a fan. I've been a fan all my life. SInce I'm only 13 . Buy this book u may love it but don't take it from me read a chapter!



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then takes him to embattled Europe (Kosovo specifically) and the book's conclusion, which might or might not be a happy ending.
On the way you learn about his life as a rock and roll guitarist, a photo-journalist and, finally, a cynical paparazzo. He loves the go-getting Rose and has a rival in the equally ambitious Johnny 'Barbican' Begg.
This threesome offers typical Moorcock dynamic. But there are dozens of other great characters. I particularly liked the chain-smoking French giant journo Fromental, who goes with him to Rwanda. The set pieces are great, as you would expect from the Moorcock of Mother London, Byzantium Endures and, of course, The Condition of Muzak.
As a character Danny is most like a 'realistic' Jerry Cornelius (though the book's described significantly as 'a fable') and the concerns are closer to the JC stories, with direct confrontations with modern social problems and politics. Moorcock's understanding of modern politicians, like Clinton or Blair, is wonderful, as is his writing. This is some of the most powerful writing he's ever done -- an incredibly sustained roll of words and ideas, like a great, prolonged rock performance. His descriptions of the rock and roll life have the feel of autobiography, as does much of the Notting Hill material. Where he dealt with real places in Mother London, he here invents or resurrects London backgrounds, such as the Mill at Tufnell Park,
the thieve's sanctuary in Seven Dials and a whole London district, Brookgate, sandwiched between Holborn and Clerkenwell.
Dickensian? Yes. Sentimental? No. The resolution offers a happy ending much in the manner of Condition of Muzak -- ironic, sardonic, hopeful. Moorcock likes his fellow human beings, even some of the worst of them, though he rarely sees them as anything but what they are. The scenes in Rwanda -- angry, accurate, urgent -- are as good as anything Moorcock has done. I loved this book which, like Mother London, rewards several readings. It seems almost a different book every time you come back to it. A classic from one of our finest modern novelists. Totally recommended!

This is an angry, eloquent, all-encompassing book dealing with modern greed and lack of spirituality, our obsession with vulgar fame and money. DeLillo's book concentrates on a relatively small canvas -- one day in New York in the year 2000.
Moorcock starts in London and goes to Paris, New York, Rwanda,
Bosnia and back again. These two books are two different 'takes' on the same modern problems. They are both hugely entertaining, beautifully written, with a keen ear for modern speech. Read them together as I did. You won't regret it!

greed, terrorism and the means of overcoming both, is very timely. This novel
is worth it for its affirmative ending alone. Admittedly I read it at a very emotional time, but as in much of Moorcock's work, the note of affirmation and optimism on which it ends somehow offers a beacon of hope and humanity. As an answer to 'Why ?', this book has some profound and, for me, useful suggestions. As usual with Moorcock, his characters are wonderful, alive, engaging, warm and memorable, affirming life as hard as they can!

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Highly recommended.


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Don Aronow was the Babe Ruth of boat racing. It's refreshing to see him finally get the recognition he deserves.
Michael Aronow did a great job.

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An interesting character, Shallot describes himself : "I am not a coward. I just run very fast. I am also not a fool," who lives by his favorite maxim: "He who fights and runs away may get out of fighting on another day." And author Clynes makes him the ultimate hero of Tudor England (among his boasts: being special adviser to King Henry VIII and Cardinal Wolsey, confidant of Catherine of Aragon and Anne Boleyn, and lover of Elizabeth I and the father of their "love child." He also claims "ownership" to several of Shakespeare's best lines. The Bard, Shallot, and Kit Marlowe are all drinking and wenching buddies! (An original fairy tale!)
Whatever. What Clynes does, however, is weave a yarn that is entertaining at best; however, the author is quite an authority on medieval England and his expertise is readily apparent in his descriptions of the period. While his concoctions may be historically far-fetched (and far from actuality!), still, his "accounts" offer a literary intrigue (if not a "gossipy account" of the times!) and an enjoyable tale!
In this episode, Shallot finds himself involved in another of Henry's misadventures. The Great Mouldwarp of Merlin's prophecies is ever so insecure about his own kingship and now messages arrive signed and sealed by King Edward V (one of the little "princes of the Tower" of Richard III fame), demanding that Henry pay extortion fees. Henry expects Shallot to solve the problem and clean up the mystery. Intrigue and murder/mayhem follow, one after the other and rivals Act V of "Hamlet" for seeing which has more dead bodies!
Light, light, light, but clever, clever, clever. And amusing. A relaxing afternoon's read!
(Billyjhobbs@tyler.net)

