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You know what the funniest thing about this book is? Everything in it is true...from the different kinds of nuns to Father What-a-Waste (sigh); from the description of mortal and venial sins to the purchasing of pagan babies. Well, they don't sell pagan babies anymore, but they did in my mother's day.
Even a staunch Catholic like my grandmother would have to crack a smile at the descriptive, colorful language and the abfab portrayal of the sometimes ridiculous traditions of the world's most scandalous, under-fire church. This book is a must-read for all Roman Catholics, practicing or no.
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The author presents unrestrained speculation and passes it off as solidly established scientific fact. For example, he suggests that because the nerve fibers from certain pressure points enter the spinal column at the same segment as nerves that innervate the heart, then hitting those pressure points will obviously have an effect on the heart. But there is no evidence presented (or in existance presumably) that these nerves actually make contact with one another! Simply because they are in the same room does not mean they shake hands.
That example is indicative of the general style of the book. In the instances where the author actually does make reference to some published study, the evidence cited typically relates to basic physiology and medicine and has no direct connection to pressure points per se.
The subject matter of this book is quite interesting -- that's why I bought it after all -- but to say that the author presents what is *known* about the physiology of dim mak is misleading and incorrect. At best the author has presented a theoretical framework for future scientific investigation. At worst, he has presented a completely incredible, wildly speculative, totally unproven view of the science behind dim mak.
Besides that, the diagrams included in the book are under-labeled, unattractive, and marginally useful (simply including a labeled point chart for each meridian or vessel would be a vast improvement). The reader shouldn't be forced to refer to another text with better figures just to have an idea where on the body a certain point is.
This book contains roughly the same information, but in a hard copy version with references that you can easily review. I highly recommend it! It is a real concise reference.
What's not included in this book is detailed breakdown of forms or techniques or a discussion of the methods of analyzing kata. In fact, a couple of the examples aren't even best ones for the techniques shown (that might have been intentional based on the authors premise of deterring people from practicing the techniques). Revival techniques are discussed for those who know them but it definitely is not a "how to" book. There are a few other books on the market that focus on form interpretation. If that is your interest, look for one of those and find a qualified Kyusho Jitsu, Dian Xue, or Dim Mak instructor. Having Dr. Kelly's book should help you stay safe, i.e. don't just let anyone practice on you -- know the risks, have everyone learn both western CPR and eastern revival techniques, and learn from the experience of others so no one has to get hurt intentionally or accidentally.
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You are not getting controversy from him, not getting hard edges. Mike will never say anything bad about anyone else.
However, when you look at the guest list, wow!!!!!
His editors must have had a miserable time deciding what to leave out.
Am I imagining things or wasn't he based in Philadelphia for much of the show's run. Mike ignores that in the book and he ignores other things as well.
Still, I have extremely fond memories of him and wish he would come out of retirement. He is amazed that people remember him so well?
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The insights of principals on both sides of the camera, from Sheldon Leonard and Aaron Ruben on the production end to Andy Griffith, Don Knotts and Jack Dodson on the performance side, are fascinating. The book even includes a working script (season four's "The Sermon for Today") from Griffith's personal collection, which Kelly presents as good illustration of Mayberry's (usually) unhurried pace and the show's character dynamics. He's right, but a more appropriate script to share would have been "Man in a Hurry" (often cited as the series best episode) from season three.
The book closes with summaries of all 249 TAGS episodes, including official script titles, filming sequence and airing order.
All in all, this is a valuable resource for serious TAGS devotees and anyone interested in the nuts and bolts of television production. Those wanting just another feel-good book about the folks of Mayberry had best look elsewhere.
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This book was written in the aftermath of Desert Storm. It is, as Kelly states in the forward, an impressionistic account of his experiences during the run-up to the war, the hostilities themselves, and the aftermath. With politics and military science largely excluded, it all adds up to a superior piece of travel writing.
Kelly had a great eye for scene-setting, for the telling anecdote, the incongruous detail, and the contrasting pair of viewpoints. Also for the pithy description: he describes a gorgeous couple he met in an elevator in Israel thus: "She looked like Darryl Hannah, and he looked like money and tennis."
The people's tales he tells are sometimes funny, and sometimes haunting. The funny ones often involved himself, as when he records himself gaping across a restaurant in Baghdad for a glimpse of the TV news. No one else shows any interest, and it dawns on him that it's because the Iraqi TV newscast is just a series of Saddam's Great Leader proclamations, boringly familiar to everyone. Some scenes are funny and haunting, as in one where a British TV crew is filming an interview with a Kuwaiti man who is describing his torture ordeal at the hands of the Iraqis. The tearful man is repeatedly interrupted by the blasé producer, to amend some technical difficulty or other.
It's a fine wartime travelogue, and it is a great pity that there won't be any more such from Michael Kelly.
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Overall, this book is for experience VB developer who is not looking for VB training but the changes and how to deal with them. Good Book.
Fortunately, this book did a nice job of presenting the new concepts, that we all have to look forward to, and backing them up with concrete examples of how we will have to change our current "code thought" to make them work.
I was a bit disappointed with the lack of discussion about some of the larger issues that may present themselves in .NET, like late-binding not being supported; however, all in all, the book covered most other "rumors" that I had heard, and questioned.
One other plus, was the coverage of Object Oriented Programming with VB.NET. Having never programmed C, I was glad to see a good deal of attention given to explaining concepts like "encapsulation" and "inheritance", which I, for the most part was unfamiliar.
I'm very pleased with this book, and have recommended it to several co-workers, who also purchased it and were happy with it. It's a good buy, and it's good preparation material, for what's to come.