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The third edition adds valuable new information on VMS logical names, the Emacs text editor, and the Perl scripting language. It also has been given a new and much improved layout that makes it considerably easier to read then the previous editions. All in all, highly recommended!
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The other villains, besides the Archbishop, in this unbelievable story are very well known Mafia, masonic and money laundering figures: Michele Sindona, Roberto Calvi.
An only average police novel but with an astonishing content. Not to be missed.
I recommend another book with the same main characters in another murky affair: David Yallop 'In God's Name. An investigation into the murder of pope John Paul I'.
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It is very complete, there is no doubt about it. Every subject of medicine is covered, and for a reference book is a must-have. It is also written in an easy-to-read way, but some chapters are more difficult to understand than others, and like a good meal, in excess it can get heavy and occasionally become a brick, so slow-reading is advised. Also worth to mention are the atlases, that give a lot of pictographic information.
I would recommend it only as a reference book, because for the USMLE, or as a course textbook, it is impossible to read it all, especially if time is scarce.
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Leave this book on the shelf...
This book covers the tuning tips and techniques in using newest features in Oracle 8i as well as the original features in Oracle 7 or 8. As Rich's first sentence indicates, "Oracle is a symphony and you are the conductor, with an opportunity to create a world class performance", his book will help you to achieve this opportunity and to become a great tuning conductor of Oracle performance.
The first chapter of the book serves as highlight notes, which sets up five quick goals to instantly improve performance. Through the rest chapters of his entire book, readers will gain detail tuning knowledge about disk I/O, init.ora parameters, OEM, Explain Plan, table joins, hints, PL/SQL, parallel query, using V$ views, accessing x$ tables, new features and many more tips and techniques for reaching the best performance. After reading this book, be sure to share your thoughts with others in your review.
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The most interesting part to me in the beginning was the way he had to change his life from a standard F.B.I agent to Mafia man. He has to find a new place to live and take time off from his family. Also the way he has to set his mood and become someone else. He is no longer Joe Pistone (F.B.I agent) he is now Donnie Brasco (jewel thief) and he has to live of, and become, a Mafia man.
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There is also a nice intro to this volume explaining certain things about Latin verbs, and this same introduction includes charts for English verb conjugations. The book is formatted like a dictionary, in alphabetical order, and each verb is listed with its conjugated form thoroughly described/demonstrated. 501 verbs may be limited but not too many students of Latin (who are perhaps simply trying to finish their languages in school) will use this many verbs, so in that sense 501 is enough. However, for the scholar of Latin, perhaps more might be needed. Nonetheless, the book serves it purpose well with the verbs that were included.
There are several appendices in the back which include an Index of English-Latin verbs, verb form locator, and Latin verb index. Each of these give added aid to the student and user of this volume. Overall, this is a great volume, and has been a big help for me in my past studies of the Latin language.
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"Autobiography" reads like a memoir, as it is intended, and follows two main trains of thought: the events the lead Stalin to have his main, exiled political rival, Leon Trotsky, assassinated, and the events that lead Stalin to assume the leadership of the newly-formed Soviet Union and set a standard for what Communism-cum-Stalinism was to be for the 20th Century. Stalin's story is as much a response to Trotsky's writings-in-exile as a memoir, and the entire story is told not as Stalin writing a history, but as Stalin shoring his fragments against Trotsky's potentially ruining exposes. Lourie's narrative shifts flawlessly from Stalin's "formative" years as the son of an alcoholic cobbler and a churchmouse mother in Georgia, to his time at the Seminary, to his career as a thief and revolutionary. Stalin isn't so much interested in the goals of Communism - a better life for the workers, and so forth - as his is at using an opportunity to gain wealth, power, and prestige (although, neither do any of the other revolutionaries, save perhaps Trotsky). Lourie outlines Stalin's disdain for intellectual, ineffectual Communist ideals and what eventually leads him to commit some of the most horrific crimes ever visited upon a group of people.
But, Stalin is difficult to classify. From a historical perspective, even though "The Boss" outscored Hitler in the body count department, he managed to turn the near-medieval Russia into a modern, scientific, industrial superpower in a few decades. It's the ultimate utilitarian argument: that the ends of struggle (any struggle, be it war, revolution, etc) eventually justify the means. And that, in the end, is what makes "Autobiography" so powerful. Stalin is never portrayed sympathetically per se - in fact, the book reads more like a profile of a serial killer rather than an autobiography - but, in his mad quest for power, it is slowly made clear that he feels the ends did, in fact, justify the means. It's an interesting question - when do the ends no longer justify the means? When is killing for a "better" cause no longer appropriate? How many degrees of separation are there between Stalin and our current leaders - or even ourselves?
Lourie's lyrical, almost Russian, prose helps spin this deceptive, silken tapestry, and the structure of the novel keeps it flowing like a gentle but insistent river. The only problem here is that the reader is never fully made to believe that the historical Stalin saw himself not as himself, but as someone in relation to someone else. It is doubtful at best that someone as egotistical and monstrous as Stalin would have constantly compared himself to others - although, pop psychology certainly argues otherwise. Still, the book is a powerful and pleasurable read, until the reader reminds himself or herself that the subject matter is, perhaps, the most abhorrent man that ever lived.
The novel is darkly hilarious, hilariously dark, mordant, pungent, historically accurate, psychologically sound, and line-for-line breathtaking in the baneful beauty of its sentences and its insights into the mind of the Greatest Dictator of them all. It reads like a lost novel by Nabokov by way of Doestoyevsky and Henry Miller.
Once you have learned Stalin's three great truths from this book, you will come to understand upon what rocks the Soviet Union was really established.
The book is every bit as brilliant and imaginative as Stalin was evil.