the character/pseudonym of jaya seems to be part of a larger surreality he has created around an upcoming novel (see www.concretebooks.com) and a handful of movies, stories, and other projects. while there is a mythology behind this bizarre little book, it stands perfectly well on its own feet. this reader recommends reading the poetry out loud--at a party--to friends--in a horribly stilted voice rife with pretention, as if someone had just paid you a couple million bucks to do a voiceover for a bank commercial.
it is shocking, it is crude, it is a trip. it is also quite funny. it touches sensitive little wounds in your subconscious with a rough, salty finger and asks you if it hurt. when you say "yeah, quit it." it does it again.
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I would highly recommend this book to any reader!
Additionally, it has a great section regarding mental illness and and explanation of different mental illnesses and also common defense mechanisms that people have and use.
Finally, I brought up great points regarding the crisis of sexual abuse in society and broke it down in a way that helped me understand the issues involved in abuse.
I would highly recommend this book to anyone interested in learning an overview of how the law works, what lawyers and mental health professionals do within the legal system, and the issues of sexual abuse in society.
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On the surface Little Follies appears to be simply a collection of stories composed of childhood memories. The most obvious components of the work are the comedic, entertaining story lines and quirky characters - the work genuinely defines wit. But, add to that the narrative explanations in each preface of how the story and character were devised, and the reader finds himself diving below the surface to be pleasantly tangled up in multiple layers of fiction. Without question, this is a book that can be enjoyed on many levels.
Loaded with metaphor, literary allusion, and multiple layers of fiction, Little Follies is, simply put, literature for the intelligent reader who does not take himself too seriously. For a thorough sampling of this artist's talent, style, and wit check out his web site.
What's it about? It's a story within a story, a fictional memoir within a fictional memoir, about growing up in the 1950s. On the surface, everything's sunny; underneath, life in the Long Island town of Babbington is a little, shall we say, odd. Kraft offers sly and hilarious variations on time-honored coming-of-age conventions. He lightly peppers his story with literary allusions, and peoples them with wonderful, oddball characters. His writing is simply wonderful: crisp, clever, occasionally profound. Kraft continues to explore this world in subsequent novels. Begin here, and you'll want to continue with WHERE DO YOU STOP, AT HOME WITH THE GLYNNS, and LEAVING SMALL'S HOTEL, all of which are first-rate.
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While he - remarkably - uses Golden Age school's apparatus, Perutz gives here a book that is wholly sui generis. It could be a mystery. It could be weird. It could be both. Mystery fans will be delighted by intricate plotting, virtuoso use of multiple solutions and a totally unexpected ending. They'll also be delighted, along with others, by magistral recreation of a vanished world, quirky atmosphere and characters, and a reflection on time, art and reality. Yet in the end, the book's real nature remains a mystery. There's only one thing to know: it's a masterpiece.