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This book would be good for the serious indie director who has bet his/her credit cards on their dream or even the special person in your life who stays up until 4am watching the Turner Classic Movie channel.
There is something here for everyone as there is a wide range of directors who work in a wide range of styles. There isn't a genre that isn't touched in this book - from Hitchcock on Horror to Chuck Jones on cartoons. What's great is that Bogdanovich captures insight into directors that are no longer with us (like Fritz Lang who directed Metropolis). Since the directors tell their own stories, you don't get the Hollywood hype filter.
If you had to buy one book on film this year, this would be it!
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1 - The sheer weight and bulk of this tome makes it a dedicated desk reference. In fact, you might consider building a special shelf or desk just to hold the book.
2 - The offset printing flaws mentioned by other reviewers is a significant problem. Portions of some entries are not even legible.
The Big Liddell is the kind of book that would be much more valuable in digital format than in print. There's been talk about an electronic version for some time, and it looks like we might finally get one soon ...
The ninth edition of the "big" Liddell & Scott has been offset so many times that the print is faint and verging on the illegible. My copy actually has pieces of print missing. The Clarendon Press ought really to have the whole thing revised and reset. But what a daunting task! (It will probably end up being republished on disk.)
I own the Intermediate sized Liddell as well, and I must say I actually prefer the smaller one. When I took a class where we read "The Apology of Socrates" by Plato, my professor recommended avoiding the Intermediate edition. At first I thought perhaps he was wrong, and I used it to translate some passages. After spending a lot of time sorting through it, I found that I agreed with him. The Intermediate Liddell does have locations of word use in original sources, and has slightly more vocabulary, but for the beginning and intermediate Greek reader, the Abridged Liddell is preferable. Navigating through the abridged edition is far easier and it often assumes a lesser knowledge of Greek, thus it includes some conjugated forms, which then point you to the correct verb. So as you can see, the abridged edition should suit the needs of most classical Greek students. Also, the editors took care to make sure that virtually every New Testament word is included.
Are there drawbacks to the Liddell-Scott? The Victorian English often gets frustrating. We rarely use words like hither and thither anymore. Also, when more morally explicit Greek words are defined, their definition is in Latin. Also, the original printing abnormalities, such as certain parts of letters being cut off from words, remain.
Learning Greek is a rewarding, but daunting task. The task is often made more difficult by grammars and lexicons that assume the reader knows more than he or she does. The abridged Liddell is perfect for the average student. When you want to dive in deeper, learn word origins, search sources, or just want to say you own the most complete Lexicon out there, you should buy the full size Liddell-Scott. Until then, the abridged edition works!
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As a guy very skeptical of fantasy books..., I think this is really good. I can't put it down; I've already plowed halfway through the second book, a Clash of Kings.
I read a lot of epic fantasy....and this series is head and shoulders above anything else in the genre.
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Once the plot started to unfold, the novel grabbed my interest and I grew to respect and be amazed by it. I think that Cable did a great job tying major themes into this piece of literature, such as family pride, Creole lifestyle, Iron Virgins and Southern Belles, and the rigorous expectations of society. The Grandissimes takes place right after the Louisiana Purchase (1803), which allowed Cable to encompass ideas that many people are familiar with, such as a fear of change. The characters in the book where well developed and each seemed to carry their own message to the audience. For example, it is easy for everyone to relate to Joseph Frowenfeld, an American who finds himself wrapped up in the Creole society. This character was forced to be an outsider and the novel depicts how he dealt with the divisions of class and status.
The Grandissimes is titled after the Creole family from New Orleans who held most of the power and influence in society at the time. Throughout the book, the family must struggle through twists and turns of deceit and unexpected events, while still holding up their Old South charm. This book does a great job portraying how the family struggled to keep their position and power in society, in order to stay true to their roots.
If you are thinking of reading this book, I would suggest giving it a try. It may seem very complicated and choppy at first, but it will eventually tie together to make a great story. However, the only downfall to this book is that I could not truly like it until it was done and I reflected on it. It is one of those books that ends up surprising you!
Mark Twain said that if you read the Grandissimes, you wouldn't have to go to New Orleans, because by reading it, you have already visited. Cable, with extensive detail, humor and intricate commentary on the Old South, has written a novel that stands the test of time, even though some of the characters (Agricola Fullister) do not.
Although the book is at points tenuous, the characters are vibrant and interesting enough to keep the plot moving along.
Of course, the most controversial aspect of The Grandissimes is the ending, which many feel is a let down after pages and pages of emotional build-up. Without giving anything away, the finals pages are somewhat of a disappointment. But the ending in its entirety is a well done.
Overall, the Grandissimes is a fascinating look at class and culture of the Creoles. It is recommended to anybody who enjoys reading New Orleans literature or literature in general.
Much of the story is seen through the eyes of Joseph Frowenfeld, a young Northerner of German background who has just moved to Louisiana with his family. He is soon left bereft by yellow fever, and with nothing to go back to is befriended by several kind souls, chief among them Honore Grandissime, the scion of a filthy rich Creole family.
He is quickly dismayed by the inequities of New Orleans society, a confession that prompts his new friend to pour out his heart to him. Honore, who knows what his family is, longs to reach out to his Mulatto half-brother and share the family business with him. He also wants to do right by the beautiful and virtuous Aurora Nancanou and her daughter Clotilde, who have been left destitute (by genteel standards, anyway) after Honore's father murdered Aurora's husband and swindled her. Honore would like to court Auroura, but honorable man that he is doesn't want to take advantage of her by performing his good deed barely before knocking on the door. In short, he wants an end to the moral decay of the old South.
He is not so deluded, however, as to think he can live happily ever after married to Auroura with his brother at his side. The Grandissime family will not give up it's ill-gotten wealth and prestige without a fight, and with few exceptions save his delightful nephew and protege Raoul - who is still too young to have a voice in family affairs - he is virtually alone.
Inspired by his new friend, Honore finally makes his lonely stand, unsure that his efforts will bear fruit - or even that they won't end with a Grandissime bullet in his back.
Honore must rank as one of the most likable of literary heroes - a good man who you can unreservedly sympathise with and root for. The point is not that he succeeds - we are left very much uncertain on that point - but that he has the strength to be the first to fight for what he knows in his heart is right. It's a struggle that many concientious white people are facing now long after this book was written.
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People, please try this book and you will see what I mean.
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Other than that, it's a great little book. So if you don't have the other one, by all means order it; you won't be disappointed!
After the introduction the authors jump you straight into the techniques used in strengthening your sticks to be used in building your projects. The projects outlined range from thumbsticks, walking sticks, wooden crooks, market sticks and much more.
This book shows you how to make specialty head for your canes as well. Providing detailed instruction on a dog's, duck's or a pheasant's head. They
My favorite aspects of this book are the authors' use of providing a lot of diagrams and pictures to help spotlight the amount of detail they write. Also, each project has detailed descriptions of what material is needed and how to shape everything from the wood for the shaft to using bones and horns for the handle. There's no more guesswork on what tool is used to make or do what!
This book is very thought out and it is geared toward the more experienced woodworker. I enjoyed this book and look forward trying my hand at building one. Over all I recommend the purchase of this book.
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