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But the book's execution leaves *much* to be desired. As other Amazon.com reviews have noted, the thread of the story gets lost along the way (especially amidst some of the sordid details concerning Dee's relationship with Edward Kelly). There are a number of interesting facts and anecdotes, but they never quite come together as a coherent whole. And Woolley displays such an appalling ignorance of Catholicism when he attempts to describe the religious background of the period (and in some instances, ignorance of Christianity in general) that I tend to wonder whether he's gotten his facts about Dee's life wrong too.
While I'll give the book 3 stars for good intentions, in general, you're better off finding a copy of Peter French's _John Dee: The World of an Elizabethan Magus_.
Wolley's work is well-researched and attempts to shed light on Dee's life and his many accomplishments as not only an occultist, but also as an astronomer, mathematician, explorer, and spy. Dee was a product of the Renaissance and devoured knowledge and information. He was an avid bibliophile, a voracious author of various works on astronomy, astrology, mathematics, occult philosophy, and was well-respected by many prominent people at the court of Queen Elizabeth. The Queen herself counted herself one of Dee's benefactors and visited him numerous times at his home at Mortlake, taking a genuine interest in his many magical and mathematical works. Today he is largely remembered for his works concerning "Enochian" or Angel Magic, due to the fact that these are the bulk of his writings that have survived the flames of history. Most of the second half of this book is concerned with Dee's European adventures with the mysterious scryer Edward Kelly, who is largely regarded by history as a charlatan and a rake. Kelly is a shadowy and intriguing figure and we get some insight into his character and motivations but he is never truly revealed to us, perhaps he never will be. In the end, Dee finds that despite a lifetime of great works and accomplishments, he is viewed with mistrust and suspicion by the general public and has lost favor with the new court of King James I. He dies a tired and broken man, and history would continue to tarnish his great name until well into the 20th century.
The Queen's Conjurer is a very readable account of a great and fascinating man.
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And the bit about the man regrowing his foot blowed my mind. Who would have ever thought of such a situation being possible.
You need to read the book for more.
I bought the book again for a friend. A must read for anyone who wishes to stay young and healthy.
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J Schmitz
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Ranges from Gothic glass through 19th century to modern glass; includes works designed by William Morris, Edward Bourne-Jones, Charles Rennie Mackintosh, Tiffany, LaFarge, Chagall and Frank Lloyd Wright. Good general overview.
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The book in and of itself is something of a marvel, though. Elizabeth David was one of the first British or American writers to popularize Mediterranean cooking at mid-century, and this, the first of her cookbooks, is a true classic: superbly written, it will leave you hungry to sample the dishes she describes and recommends.
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If you are new to Braddon, I would suggest starting with some of her other titles such as The Trail of The Serpent or Aurora Floyd.
Firstly, the story is a typical Victorian era melodrama: family members squabbling over an inheritance, with certain members stopping at nothing to become rich. Ms Braddon does do a good job on the characterizations, and the ultimate mystery does build up to a good conclusion. The book is nicely structured (..unlike Lady Audley's Secret, where we find the story basically ending 100 pages from the finish).
However Ms Braddon is simply not a very good writer. Her prose is weak, especially compared to Wilkie Collins. Every third sentence ends with an exclamation point, which must be Ms Braddon's way of indicating high drama (?).
Bottom line: a unremarkable slice of Victorian literary history. Certainly not terrible, but nonetheless a far cry from Wilkie Collins material.
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