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Jimmy's full of swagger, wisecracks, and macho boastfulness and at first he annoyed me with his know-it-all attitude and narrow focus. Jimmy's always justifying his actions. And when he later ponders moral questions letting big bucks cloud his judgement as he starts to work for the mob, he does it in a cock-sure way that makes even his weaknesses seem a way of boasting.
But although I often felt angry with Jimmy, the talent of the writer let his humanity come though. Underneath his swagger, there's a little kid who's wanting adventure and wanting to look important in the eyes of his buddies.
It's a good, small book and I enjoyed reading it. It might have annoyed me at times, but it also made me laugh out loud. Probably some of the stories were exaggerated, but there's enough here that rings true to give the reader a picture of a gritty way of life that's lived on the edge. This is not fiction. And there are no heroic acts. Just a story of one man and the world he lives in.
I might not like Jimmy very much, but I did like the book. Once started, I couldn't put it down.
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This is the first in the series and caused a sensation (for a Roman Catholic book) when published. The fact that so many moving to Rome cite Surprised by Truth provides some evidence of Patrick Madrid's astuteness in selecting testimonials - a point further confirmed by reading it. The essays blend together remarkably well and Madrid adroitly avoids the danger of stifling uniformity by drawing upon those who approached Rome from across the ecclesial spectrum. Another plus in this regard is an intermingling of those who were initially drawn by different concerns so the approach is not completely one-dimensional.
Protestants often criticize the essays as insufficient to prove the Roman case and highly emotional in character. Both these claims are quite true but this is not the detriment the critics make it to be. One could hardly expect a new convert to prove within twenty pages what the greatest theologians have employed years and many volumes to attempt. As for the emotional content, conversions always have an emotional aspect to them and a presentation that attempts to ignore this is built upon dishonesty. The essays contained here are more or less emotional depending upon the makeup of the individual, the amount of "surprise" experienced, and the sense of betrayal felt by discovering what you had been told what was of the Apostles is actually of recent origin. A positive sign by these converts is despite the emotional upheaval, they display no evidence of lasting anger at their former ecclesial homes.
The one flaw in this book is shared by the genre - shallowness. New converts are not always the best ones to express the riches of the faith. Even if they have done much prior study, reading about the grace of God and receiving the grace of God are not equivalent experiences. While the "let's have the new guy go up and give his testimony" approach may suffice in the superficial environs of modern Evangelicalism, those more mature in their faith are probably better witnesses in richer traditions.
Any expectations of an exhaustive defense for Roman Catholic beliefs in a book like this are remarkably wrongheaded. Madrid planned neither a work of systematic theology nor a catechism. Collections like this are usually read by those already on their way but unsure if things are quite what they seem. The message given is not "this is all you need to see we are right" but "come on in - the water's fine". Given that limitation, Surprised by Truth can only be viewed as a rousing success.
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His style is forceful, resolute and even-handed. Notice there are no question marks or exclamation points in this work. He writes with a sense of purpose that many of the characters in the book possess, only their purposes range from measuring stranger's genitalia to excavating for minerals all over the castle. Single-minded and yet still multi-functional, Donleay's characters drive the action through twisted tunnels and forgotten rooms of Charnel Castle, itself a marvel of deviously enjoyable design, much like book itself. The seemingly-bottomless wine cellar provides the assembled crowds with enough reason to act irresponsibly, which only furthers the development of the plot.
While Clementine appears to be overwhelmed with it all, a number of intimate encounters keeps his spirits, and other parts as well, from sagging.
It is with a touch of the cap to Donleavy that I say, while onions may make you cry, The Onion Eaters will make you laugh out loud and wish you knew how to get to Charnel Castle.