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For a more current, and cheaper, book that covers much of the same ground, check out The Oxford Guide to United States Supreme Court Decisions, released in 1999. It only covers the cases, unlike "The Companion;" but that's kinda' the point isn't it?
Like other Oxford companions, this one was compiled by experts in the field and has much to offer. Likewise it has the annoying nuances of the other volumes (such as using symbols to indicate cross referenced items rather than boldface or italics) but these do not detract from the book's value.
Historians, lawyers, consititution adherents, and many others will find this an invaluable resource worth purchasing,...
I should say that I am not a lawyer and not a Law Student. I am an interested lay observer only. Yet the book is written at a level which is accessible (even if you sometimes have to go check the cross-references), and very, very informative. Just reading a couple of entries a day will greatly enhance your understanding of the Supreme Court and its role, or how the Justices work.
As a reference, I doubt it has a match. The justices' biogrphies are very interesting, including major decisions or philosophical contributions. The summaries of cases include not only information on the case and the decision, but also any lasting constitutional effects, and whether or not they were later overturned (whether by other decisions, or by constitutional amendments). The historical essays alone would be worth the price of admission, as would the thorough coverage of Constitutional Schools (constructivism, First Amendment absolutism, etc), or important precedents and tests. Just what is the "clear and present danger" test, where did it originate, and how has it been modified since then? Turn to 'clear and present danger' and read the entry. You'll learn all that and more.
I've read the book cover to cover, and emerged with a much greater, clearer understanding of the Supreme Court and the Constitution than I could have obtained from reading any other single book. It is not easy reading (imagine trying to read your way through an encyclopedia...) but even if you pick and choose the entries you read, you'll come out wiser than you came in.
I recommend the book heartily to those interested in the Supreme Court, whether professionally or not. It is well worth the price.
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Some of the other reviews note a "pedantic and sanctimonious" manner from Lynch's writing. There is something to this perception as Lynch does have a tendency to hammer his points home again and again. Nonetheless, Lynch is so passionate about what he likes and the characteristics of winemakers that he likes to work with, that you can almost overcome it. (Nonetheless, this is why I dropped one * from my rating.)
For what it is worth, I read this book about the same time as I read Patrick Mathews book on natural winemaking. Interestingly, they form a matched pair as both books share a passion for wines made, as much as possible, through traditional methods without extra intervention.
That's what it comes down to. Can you tell a story? Can you write dialogue so the tempo and phrasing are true to life, as well as the words. Can you describe a man, a scene, a frustration? Can you make your reader feel it? Just in setting down a simple anecdote, Lynch has an elegantly subtle touch, no less than some of the wines he praises.
I can't say enough about this book. I enjoyed the book immensely, feeling as though it answered all of my questions. So, if you are interested in the Swedish immigrants to the United States, then you must read this book.
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On the other hand, there are some painfully obvious mistakes that led me to question the accuracy of other information in the book. When describing the history of the U.S.S. Missouri, the authors state that, in early 1945, the Missouri was in a task force that included the Lexington, CV-2. Of course, most students of naval history know that this Lexington sank in the Battle of the Coral Sea in 1942, so it would have been quite challenging for it to have been a member of a task force in 1945. The authors undoubtedly were thinking of the later, Essex-class Lexington, but this simple mistake is a bit unnerving. Similarly, in the space of a few paragraphs descibing the World-War-II-era turret explosion on the U.S.S. Mississippi, the authors switch repeatedly from 1943 to 1944 as the year in which this incident took place. Again, its a simple mistake that makes the reader question how well the authors did their homework.
I was also disappointed by some gaps in the book's coverage. When describing the fire onboard the carrier Constellation, the authors briefly note a similar dockside fire onboard the liner Normandie. However, at the time the Normandie burned, I believe she had already been taken over by the U.S. government for use as a troop transport and re-named the U.S.S. Lafayette. Why wasn't this famous naval disaster discussed in detail?
Finally, I found the book's organization somewhat confusing. Incidents are grouped by type of disaster (i.e., grounding, explosion, fire, etc.), but within those groupings there is no apparent order to the sub-chapters, either chronological or otherwise. So, the reader finds himself/herself jumping from the grounding of the Missouri in the 50s, then back in time to the grounding of a destroyer squadron in the 20s, and then back again to more modern times.
These concerns aside, I enjoyed this book on a somewhat obscure, but very interesting, subject.
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Anthony and Gloria would have fit right in among the Bright Young Things of Fitzgerald's English contemporary Evelyn Waugh's more satirical, far less meaty novels of callous behavior and insincere rich people. Fitzgerald's characters are sincere, however--sincere about expecting that the world should fall at their feet forever, and that earning their way by honest toil isn't the way to go about it. This book is a tale of a destructive marriage in which neither party is more at fault than the other, and in which the greatest sin of both is narcissism (though despair is often not far off as the story moves along).
You've got to hand it to Gloria, though: feminists and individualists of all stripes and sexes will appreciate her paean to self-actualization:
"What grubworms women are to crawl on their bellies through colorless marriages! Marriage was created not to be a background but to need one. Mine is going to be outstanding. It can't, shan't be the setting--it's going to be the performance, the live, lovely glamorous performance, and the world shall be the scenery. I refuse to dedicate my life to posterity."
Wouldn't it be fun to listen to this woman tell stories if she lived to be 80?
For all its beauty, "The Beautiful and Damned" can wear the reader down. It's too long, for one thing, and Anthony and Gloria keep repeating the same mistakes long after Fitzgerald has established that they are the kind of people who don't learn from their mistakes. Fitzgerald fans should definitely give it a try, and if it wears on you by the middle of the book then you should feel no guilt about letting it sit for a while. I should also add that the first seven pages are as enticing an opening as any I've read in an American novel. Every era needs its portraits in fiction, and the 1920s belong to Fitzgerald.
Released in 1922, 2 years subsequent to the seminal This Side of Paradise and 3 years prior to the magnum opus The Great Gatsby, incomprehensibly, The Beautiful and Damned was not well received critically nor financially. As a result, history has erroneously filed it under the dubious sophomore jinx category. Strange it may seem, I vehemently disagree. As you read this book, you witness first-hand the maturation of an amazing writer. No American writer of the 20th Century can compare to the profound power and unwavering genius that is F.Scott Fitzgerald. If you enjoyed The Great Gatsby, you will no doubt enjoy this work - an equally beautifully writen and tragic tale of aspiring morally depraved young Americans in pursuit of The American Dream.
"Remarkable that a person can comprehend so little and yet live in such a complex civilization."
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Morris's writing varies markedly from section to section, perhaps due to inconsistent editing rather than her own writing.
What has survived through thousands of letters that friends and relatives did not destory and through Edith's 40+ years of private diaries (left to her daughter Ethel) is a portrait of a iron-willed, intelligent, passionate lady who survived many family crises and lived through enough U.S. political history for a couple of high school textbooks.
She was often the mother AND the father of her large household of children and pets as TR would often leave to go on hunting trips, safaris, and political campaigns. She ran the household in every area mostly because she had to get control of the family finances. (TR almost had to sell Sagamore Hill before he married Edith because he had lost so much of his inheritance in the Badlands. His older sister helped him get through some lean financial years.)
But, she knew that he would always return to her bed and to no one else's. She often looked down at her sisters-in-law, nieces, and female friends who had married "safely" and did not have a passionate, romantic partnership such as the one she shared with TR. In many ways she was as contradictory in her beliefs as her husband. She was certainly Victorian in her moral strictures, yet one of her closest confidants and friends in the later White House years was the not-so-in-the-closet homosexual chief military aide to her husband (and this gentleman, Archibald Butt, would later help many of the Titanic's passengers to safety before he perished).
One of the most poignant chapters in the book deals with the sons getting ready to go off to fight in the Great War. Quentin, her baby, is eighteen and falling in love with the daughter of one of the anti-Roosevelts, the Whitneys. Edith and TR are concerned with their son falling in love with one of the "plutocrat" Whitneys. However, once they meet Flora they fall in love with her and take her into their family as one of their own. Quentin has to leave the safe environs of Sagamore Hill and the Long Island air training centre and be shipped off to Europe. The elder Roosevelts try to get passports for themselves to travel with Flora so that Flora can marry Quentin in Europe. They can't get passports to travel overseas during the war. Quentin is shot down over France, and TR & Edith have to break the news to her at Sagamore Hill. Flora would remain close to some of the family members until she died many years later.
In short, this is a detailed biography of a great lady, First Lady, wife, world traveler, mother, and grandmother. The vivid detail of the White House during TR's electric eight years at the head of the country is worth the price and time alone. The Kennedys and Camelot had nothing on the intellectual and artisic salon that the Roosevelts inspired and supported during their many years in Washington.