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This book talks about the different ways the blues were being stomped - driven away. Murray objects to the "purists" who limit their definition of blues to those played by rural - unsophisticated musicians (such as Blind lemon Jefferson or Leadbelly). While Murray acknowledges their value, his personal taste leans much more to the Louis Armstrong - Charlie Parker lineage. He concentrates on Armstrong, Bessie Smith, Morton, Young, Ellington, Basie and Parker.
Murray seldom uses the word "Jazz" when relating to the music or the musicians. For him they are all "blues drivers", who provide their public with a stomping ritual that is totally functional. Their innovations are a result of the attempt to fulfill their role, to swing harder, and not necessarilly a result of a personal desire, detached from their public role.
Murray differs from most writers who have written on the subject. He comments on the mainstream critics - criticizing their glorification and condescending tendencies. He does not emphasize the inner divisions among the African Americans, as does Amiri Baraka in "Blues People".
This is a remarkable book, recommanded to all "Blues and Jazz" lovers.
he treats jazz as a classic art form, but an art form whose terms aren't the same as, say, european classical music's, or pop's. and he does a great job of spelling out what jazz's elements are. if you respond to his writing, you're likely to find the whole art form of jazz opening up before you, even if you dug it before.
bizarrely, albert murray is sometimes accused of having a "racial agenda" -- see other comments here. i don't understand why. i find his vision of race the most generous and noble i've ever run across, avoiding both antagonism and romanticism. (try his great collection of essays "the omni-americans," and see if it doesn't remind you of whitman in its breadth, humor and beauty.) in his vision, america is and always has been multiracial. that's its glory and strength, not its weakness. you'd be crazy not to dig duke ellington, and crazy not to dig thomas eakins. he's a great teacher, and can get you excited about art, performance, and ideas in the way only the great critics can -- pauline kael, for instance, or kenneth tynan, or matthew arnold.
the title "stomping the blues" refers to murray's contention that the blues -- and that african-american music generally -- isn't simply about moaning low or expressing your despair. it's about being honest about "what a low-down, dirty shame" life is -- and then setting that fact to a beat, moving to that beat, and shaking the blues off, if only for a while. that's the heroism of the blues and of jazz -- they aren't about giving in to the blues, they're about "stomping the blues." charlie parker? it's "dance music for the mind."
fyi, murray was a good friend of ralph ellison's, and fans of "invisible man" and of ellison's essays are almost certain to enjoy murray too. murray is often, and accurately, referred to as the intellectual godfather of the recent neotraditional movement in jazz. he has had a tremendous influence on stanley crouch and wynton marsalis, and his ideas are behind the founding of lincoln center's jazz program.
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Read this book slowly and then read it again. There is so much in this book that I want to remember, that I found myself making notes in my spiritual journal several times during my reading. I now have to find time to read several of Thomas Merton's books that are quoted in this book.
I would also recommend "The Gift of Peace" by Joseph Cardinal Bernardin and "The Practice of the Presence of God with Spiritual Maxims" by Brother Lawrence.
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The final section of the book, 7. AN ELEMENTARY DERIVATION OF THE EQUIVALENCE OF MASS AND ENERGY, from pages 70 to 73, claims to use the law of conservation of momentum, an expression for the pressure of radiation, and two coordinate systems, one of which is moving rapidly along the direction of the axis of a system which is fixed relative to a body that has equal radiation hitting it from both sides. I doubt if the professor for the Physics class expected me to think of this method of finding that E = mc-squared, and I'm still not sure that I believe this approach proves it. In the still system, the momentums of equal and opposite radiation complexes cancel each other completely, so the amount of energy which might be involved doesn't matter. For the system which is moving, the radiation is assumed to be hitting the body from some angle related to that speed, and the change of momentum added by the component along the axis of motion does not change the speed, so the additional momentum is considered an addition to the mass of the body. The mathematical solution depends on solving equations for the difference in the mass observed for using two different systems, one of which is observing zero momentum, and the other thinking, "We anticipate here the possibility that the mass increased with the absorption of the energy E (this is necessary so that the final result of our consideration be consistent)." I believe Albert Einstein wrote this book, but I still wonder what it is telling us.
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From a missing Khat to the threat of a real-estate mogul buying out a local business, to sinister murder, these short tales pack cozy mystery punch. Easy to read in short gulps, and there are tons of easy recipes and craft ideas included. Great fun!
In addition to the stories, each one exciting and fast-paced, the reader is introduced to herbal lore and some mouth-watering meals using herbs found in China's very own garden. The short story format is just as potent as the novel length tales that fans expect from Ms. Albert. For fans this is a treat but for newcomers this is a delightful introduction to one of the more endearing mystery genre characters.
Harriet Klausner
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I loved the way Billy found the courage to face his fears and conquer the challenge of interviewing a genius like Albert Einstein. I liked that it shows that it's okay to daydream, to think about life in a different way than the people around us think, and that if you face your fears, you can accomplish many things in life. There will always be people who feel that because someone thinks "outside of the box" or appears absent-minded, something is wrong with us.
I loved the childlike style of Billy's four questions and that the answers were actually in Einstein's own words. And I thought it was a good lesson to show that Billy was able to do further research and write another story on his own once Albert Einstein 'opened the door' to Billy's quest for knowledge.
This story will teach my granddaughter that our imagination is what makes us unique, that once you take the first step and just do your very best, you can accomplish great things, in spite of your fears.
On a personal level, I think I related to this story because as a child, I always felt "different" and didn't look at things in the same way as other kids did. I was a daydreamer, couldn't concentrate in school and often got into trouble because my mind wandered.
I wish I had been able to read this book when I was young - I'm sure it would have made me feel that it was okay to look at things differently, to ask questions, to always be curious. (I'm a cookbook author today, so I guess I succeeded in spite of myself!)
Thanks to the author for a wonderful book! I also loved the illustrations and the way they were integrated into the story. They remind me of Norman Rockwell's artistic style. Well done!
Norene Gilletz
I thought this book shared some fascinating facts about Einstein's life in a cute and unintimidating way - a fictional character's (a cub reporter with the Princeton Elementary School News) interview with Albert Einstein. At the end of the interview the young reporter asks Albert four more questions. My favorite, and I hope the author doesn't mind me sharing this one, is "What makes you think up all those great ideas?" I loved Einstein's answer - "I use my imagination. Imagination is more important than knowledge. Knowledge is limited. Imagination encircles the world". There are several great quotes from Einstein in the book.
I bought this book for two of my 8 year old nephews. I hope they will have as much fun reading it as I did and will be encouraged to let their imaginations fly and take them to all sorts of interesting thoughts and places.
Billy, a shy young reporter for the school newspaper goes to interview Einstein to find out what he was like as a child. To his surprise, the great genius had lots of problems when he was a boy. Any child who has ever felt shy, inadequate or less than a star will relate to the young Einstein, who was late to talk, not a star in school, and subject to bursts of bad temper.
Wishinsky's style invites the reader to explore Einstein's world in a variety of interesting ways. These include the text of his final report on Einstein "When he Grew Up," a timeline of the important dates in his life and an excerpt from Billy's notebook, with answers in Einstein's actual words. For example, to the question "Why don't you wear socks?'", Einstein asnwers "When I was young I found out that the big toe always ends up making a hole in the sock. So I stopped wearing socks."
Children will find the man and the story irresistable. Told in clear, engaging prose and dialogue, WHAT'S THE MATTER WITH ALBERT EINSTEIN? will delight all young readers. Jaques Lamontagne's illustrations of Einstein at different periods of his life will round out the familiar image of the frizzy-haired genius.
Frieda Wishinsky has added to the long list of books about Albert Einstein one that truly makes him accessible, and that will be treasured by children of all ages.
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Once every now and then, a book comes along that you are just dying to share with your friends and family. This is such a book. Norris has a beautiful ear for the way children speak and an amazing imagination to see things the way children must. I say this because it is remarkable how close his words come to the way my own son speaks and plays.
Albert and the Angels makes you believe in a world of magic and inspiration. The words and the illustrations make for a wonderful evening with your children. I cannot praise this book enough, so you will have to see for yourself what I am talking about.
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