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This book means a lot to me. Every photography student should have it on their shelf. It has helped refresh my faith in the importance of taking pictures.
I've learned a lot from it and I would like to express my gratitude to the Turnleys.

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If the writers are unqualified hacks, however, the mess resembles the result of a Creative Writing 101 final after the TA trips while carrying the manuscripts.
Can you guess into which category "Shadows Bend" falls?
Unqualified ha...I mean, writers David Barbour and Richard Raleigh have imagined a world in which two famous pulp writers meet in order to drop a coin into the jukebox from Hell in order to prevent the end of the world as we know it. "Oh," you think. "It's going to be that kind of novel."
Though HP Lovecraft and "Conan" creator Robert E. Howard never met, Barbour and Raleigh ask us to imagine that they did. Also, that Cthulhu and the rest of the Old Ones are real and trying to rend the fabric of time and space in order to occupy our universe. Also, that any godlike being would think our universe was worth occupying, but that's another matter completely.
It's an interesting premise, interesting enough to get me to plunk down my money and take my chance. But the result is something less than promised.
Lovecraft and Howard set off on a nostalgia tour down Route 66 in order to destroy "the artifact" that would allow the Old Ones into our parking space. Along the way they meet Glory, a college-educated former prostitute who has read the works of Lovecraft and Howard, as well as that of Clarke Ashton, who makes a brief appearance later, who joins them in their travels. Terrible things happen. They save the universe. Blah blah blah.
My quibbles with this novel are large, broad ones. Well, I have small, subtle ones, but I won't bore you with them unless you write and ask for them. First, it appears that Raleigh and Barbour did not even read one another's work as they wrote. In some chapters Robert Howard, a Texan, is portrayed as a fellow with a decent command of English. In others, he nearly eats the scenery by aw-shucksin' his way through his dialog like a cartoon cowboy. Second, do I really need to point out how damned unlikely it is that a woman in the late thirties would be educated in medieval literature, read pulp fiction and work as a prostitute? Third, Lovecraft is written as though he were Oscar Wilde or Quentin Crisp. Fourth, why didn't someone tell Barbour and Raleigh that Southwestern Indians aren't the cool mystical minority they once were? Fifth, well, the ending is so lame you won't believe it. I would assume that the reason a writer would want to include historical characters in a modern novel is because he has something to say about that person, or that person is just the right character on which to hang the plot. In this novel, Barbour and Raleigh might just as well have written about *me*. *I* can slip a coin into a slot, too. And I bet I would have picked the right one the first time out.
If you're a Lovecraft or Howard fan, you might want to read this, but my guess is that it would be just too painful to see these two men massacred in print like this. If you read only one book using Lovecraft and Howard as characters this year, um, on second thought, read something else.



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These interviews are interesting not so much for what they contain regarding Zinn's ideas as for an insight into how he came to them. This is another book that I would read in a bookstore (if that option is available) rather than buy because, really, it doesn't contain that much information that you'd need to have it at home on a shelf to quote. If such is your desire, get 'A People's History' or 'Declarations of Independence'.

It's a good, quick read, with some nice historical tidbits thrown in. It's interesting in presenting facets of Zinn's personal life, but of course, the main attraction of Zinn is his take on history.
I DO think though he's underestimated the internet- I personally think that here, the rats have taken over the laboratory, and that's the way it'll be.

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Overall, the book is helpful at highlighting the keywords and concepts, and types of test questions which you need to pass the exam despite the many errors.



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The wording was poor and the overall organization of this book made me contemplate the inner workings of the chaotic mind that came up with this book. It is difficult to follow any theme that might have been intended in this book. Thankfully Block brought on some more collaborators to help the book along and perhaps it is the collaborative effort that makes this book less attrocious than Block's normal fare.
...Fortunately this won't get the traction he might have received from his Silverstream book because this one actually has competition. Don't believe the reviews written on the SAME DAY. They are obviously fake, probably written by someone very close to Mr. Block.

Things wrong:
This book isn't organized well at all
Numerous errors that should have easily been caught (screen shots that are the same, things that say: create this domain named "1" now start domain "6"... and you are like, wtf?)
Too many screenshots (I'd say about half the book is screen shots)
Just plain bad. Things that really make me mad are things like this: In the best practices section they state that you should always use the WL taglibs (obviously), and thats all it says. In other words, they tell you to do something that is very important but don't give you any more info about it or even provide a url to a weblogic website on taglibs.
Only get this book if you are tired of staring at docs on your monitor.


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Alaj is a Federation member world, that faces a disaster as it's overly industrial culture renderes the planet uninhabitable.
Etolos is a world populated by a people exiled from Etolos centuries earlier. They are the experts on the preservation of nature with high technology. It just happens that their planet faces it's natural end just as the situation on Alaj escalates beyond apparent savation.
The formerly bitter enemies must find a common tone as the people of Etolos offer to save Alaj in exhange of them getting to live there. The deal includes a few individuals of an animal species called Nefittifi, vich is a highly rare sacred animal to both the Alajians and Etolosians.
The result is an uneventfull and cliché filled story, with nothing new to offer.
Howard Weinstein starts off promisingly as he describes the diplomatic situation between the two worlds, but soon the story looses all originality and reverts into a predictable and badly paced sience fiction cliché.
There are only a few twist in the ploand they can be predicted from miles away. The situation is made worse by horrible scenes about Wesley Crusher and his discustingly cute Britney-Spears-clone girlfriend that make vomit crawl up the reader's throat. And it doesn't help one bit to have a bad sub-plot about Troi dealing with a Nefittifi expert in his twenties having a crush on her. A horrible waste of a character, say I.
The characterization is pretty accurate in most parts, though, exept for Data, who's been portrayed as he was in the beginning of the show: a truly failed attempt at forsfully writing an original character. At the point of the series "Exiles" takes place, it should no more be the case.
The ending of the book is as predictable as the rest of it and makes the reader want to finish reading as quickly as possible.
Not worth bying.

The plot is good, (except for the deus ex machina toward the end) the characterizations well-handled, the dialogue good if unspectacular. But this is a book with a message, and its message is the same one as in Dr. Seuss's "The Lorax", and this book's presentation of that message ("pollution bad") is every bit as detailed and nuanced as the presentation was in that children's story. There is no discussion of HOW one would go about reducing the pollution and overuse of natural resources in a society, or what level is acceptable, or what sacrifices it might be appropriate to expect people to make to save the world, or any of the other difficult questions that such an issue deserves or any acknowledgement that the issue is a difficult one at all; as in Dr. Seuss, it is simply assumed that if people are poisoning their world, it is because they're too stupid to figure out that they need to stop, or to see the obvious things they need to do to stop. If they'd merely listen to wise people of good will, the problem would go away.
Now, obviously, I have nothing against "The Lorax". It's a marvellous children's story and conveys the danger of pollution very well for its intended target audience. As a children's story, it isn't EXPECTED to have nuance or balance. And while I'm sure that there are people out there saying, "This is a mass-market Star Trek novel; why would you hold it to a higher standard than you do Dr. Seuss?", my response is, that's true of Star Trek stories that are intended to be no more than entertaining action/adventure stories. This (again) is a book with a message. But its message conveys little or nothing; I'm reasonably sure that all us Star Trek fans are already well aware that pollution is bad. The question is, "what do we do about it?" That question isn't even addressed, much less answered, in this book.

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My son was required to read this book for his history studies at school, but I can't help but wonder if there is any good American history book that plainly tells the facts.