



The Green King to this day remains my favorite book of all time, although Frank Herbert's Dune series comes in a close second. After chancing upon the book here on amazon and refreshing my memory of it I definitely want to get hold of a copy and read it again.
Aamir






"Two Thumbs Up!"- Mahandis Ghandi
"A Masterpiece"- Bernini
"Just like back in da trecento"- Cimabue
"My fingers hurt"- Thomas Sadler
"Le Wow!"- Mazarin
"Zis is a good book"- Otto V(o,a)n Bismarck
"Es un libro fabuloso"- Juana of Spain
"Now That's a spicy meataball- and a good book"- Fra Angelico
As you can see the reviews are pouring in, so stop right now and buy this book! You will not be sorry.





Written by Jean Giono, this popular story of inspiration and hope was originally published in 1954 in Vogue as "The Man Who Planted Hope and Grew Happiness." The story's opening paragraph is as follows:
"For a human character to reveal truly exceptional qualities, one must have the good fortune to be able to observe its performance over many years. If this performance is devoid of all egoism, if its guiding motive is unparalleled generosity, if it is absolutely certain that there is no thought of recompense and that, in addition, it has left its visible mark upon the earth, then there can be no mistake."
The Man Who Planted Trees has left a "visible mark upon the earth" having been translated into several languages. In the "Afterword" of the Chelsea Green Publishing Company's edition, Norma L. Goodrich wrote that Giono donated his story. According to Goodrich, "Giono believed he left his mark on earth when he wrote Elzeard Bouffier's story because he gave it away for the good of others, heedless of payment: 'It was one of my stories of which I am the proudest. It does not bring me in one single penny and that is why it has accomplished what it was written for.'"
This special edition is very informative. Not only does it contain Giono's inspirational story, which is complemented beautifully by Michael McCurdy's wood engraving illustrations and Goodrich's informative "Afterword" about Giono, but it also contains considerable information about how wood and paper can be conserved in the section "The WoodWise Consumer." Goodrich writes about Giono's effort to have people respect trees.
"Giono later wrote an American admirer of the tale that his purpose in creating Bouffier 'was to make people love the tree, or more precisely, to make them love planting trees.' Within a few years the story of Elzeard Bouffier swept around the world and was translated into at least a dozen languages. It has long since inspired reforestation efforts, worldwide."
The Man Who Planted Trees is not only a wonderful story, it will inspire you and your children to care for the natural world.
-Reviewed by N. Glenn Perrett






List price: $27.00 (that's 30% off!)


The personalities that comprised the Classic Jefferson Airplane lineup: Marty Balin, Paul Kantner, Jack Casady, Jorma Kaukonen, Grace Slick, and Spenser Dryden were a battling, creative engine,
producing some of the most compellingly enjoyable rock music
in the last 40 years.
Never pulling punches, creating multiple alliances within the band itself, the chronicle Jeff Tamarkin portrays of these individual's careers is a fascinating read. This, the first book to tell the story of the struggles of Jefferson Airplane is well worth the time to read. Thoroughly engrossing. I could not put it down!

It runs to over 400 pages, including 16 pages of black and white photographs, some of which have not been published before. It has a foreword by Jan Wenner and an introduction by Paul Kantner. Tamarkin then proceeds, over the course of thirty five chapters, to tell the tale of the turbulent flight of the mighty airmachine - essentially from its inception in1965 until the Airplane re-union of 1989. In order to do this, he has interviewed most all of the (surviving) key participants in the turbulent tale - not only all the band members from the various incarnations of JA (and HT/JS) but many of the managers, producers, back-room staff and friends of the bands as well - and some of these he's interviewed more than once. (In fact, excerpts from some of the early interviews did appear in Relix magazine a few years ago.) He's taken all that information, some of it conflicting - as people's recollections and opinions inevitably differ - and has tried to make sense of it, forging it into a readable narrative of shape and substance.
But after all the hard work on Tamarkin's part and the eager awaiting on ours, what you want to know is: is it a good book (in terms of style, content, veracity and explication)?
The short answer is yes - at least on three and a half out of four counts; (I personally would have liked to read way much more analysis and interpretation - "the why of making music," as Kantner terms it in his introduction).
What Tamarkin has produced is in fact a very good book. It's a highly readable account of the life and times of the band. The story is built up chronologically by introducing the key players one at a time, in each case supplying enough background to explain how they got to the point where they founded/joined Jefferson Airplane and in some cases how they came to exit it as well. For anyone previously unfamiliar with the detailed history of JA's inception and early days, this will make fascinating reading. Coverage of the remaining five years of Jefferson Airplane gets a slightly less comprehensive treatment and the life and times of Hot Tuna, Jefferson Starship (then SVT, Vital Parts and so on) even less so - though Tamarkin obviously does hit the key events and seismic shifts in some detail.
What they did and what happened to them is entertainingly and faithfully narrated (the Matthew Katz legacy, the sexual pairings, the drug busts, the troubled relationship with RCA, the changes in personnel, the escalating craziness, the gradual emergence of Hot Tuna, Grace's alcohol intake, Marty's uncomfortable role in Jefferson Starship, the collapse of JS to Starship et cetera) and this is tied to the cultural and political events of the years as well (the rise of Hippie, the death of Hippie, assassinations, anti-war activities, the increasing polarisation of American society through the sixties, the long shadow of Republicanism, MTV and the rise of the global media jukebox). On the level of what happened it works well and there are many instances where Tamarkin is very insightful in relating external developments to what what was going down within Jefferson Airplane. He also provides many interesting details along the way: I did not know that Balin's submitted artwork for 'Surrealistic Pillow' was blue, not pink; that "Fat Angel" was inspired by Mama Cass Elliot; that Jorma was strung out on heroin during the Airplane reunion; who the inspiration was for Paul's song "Revolutionary Upstairs Maid." This is fascinating stuff. It also has a lot of very funny stories - Hot Tuna's Jamaican escapade and Reality D. Blipcrotch's vision for the 'One' album to name but two which actually had me laughing out loud. Naturally, there's also a wealth of great quotes; and generally these have been blocked out from the text for emphasis.
Of course, much of what is written will not be new to hardcore Airplane fans and obsessives; nonetheless it is very valuable to have the whole story laid out end-to-end like this and to read verbatim Paul's or Marty's or Jorma's or whoever's comment on a certain event or individual. I enjoyed it and I'm sure that for anyone less steeped in knowledge of Jefferson Airplane /Hot Tuna/ Starship, 'Got A Revolution' will be compulsive and enlightening reading.
Tamarkin rounds the whole saga out with a 'where are they now' section which is quite fascinating as it brings us up to date with what happened to over forty of the key and minor characters subsequent to 1989 (for the core crew) or whatever point they ceased to be directly involved in the flow. He then provides some useful reference sections at the end: a bibliography, a discography and a list of online sources/resources and an index.
Everyone who loves the music of JA will want to read it and will come away with a better understanding of how it all happened. So thank you, Jeff Tamarkin, for your devotion to your subject, for your love of Jefferson Airplane and for your perseverance in bringing this book to life. For too long there has existed a hole on the musical bookshelf between The Jam and Elton John - this book handsomely fills that gap. I'm off to read it for a second time.
I'll write a fuller review in the Airplane/Starship fanzine Holding Together.

Many band biographies are merely chronologically arranged trivia books, with an appeal that ultimately does not extend far outside of a circle of hardcore fans. Tamarkin's extraordinarily well-researched book rises above this by painting a richly textured picture of the culture that Airplane (and its various offshoots) sprang from and contributed to.
Tamarkin also succeeds in bringing strong insights into the music with his critical assessments. Here, even the most casual reader can glean why the author would try to iron out such a sprawling, Wagnerian epic... The people who made such music MUST have a fascinating story to tell. They do, and Tamarkin conveys it brilliantly -- setting the bar a little bit higher for music journalism in the process.

List price: $13.00 (that's 20% off!)




People sometimes ask how it felt to be a gay man in the 1980s while the spread of AIDS was running unchecked. This powerful book gives the best answer I can imagine.

List price: $21.99 (that's 30% off!)


Though authors Gina Spadafori and Paul D. Pion, DVM, focus on "the fun and easy way to find the kitten or cat who's right for you," they cover a variety of basic and enlightening feline information.
The chapters range from "Choosing Your Feline Companion" and "Feeding Your Cat" to "Solving Behavior Problems" and "Ten Common Household Dangers to Your Cat."
Two particularly eye-opening chapters are "Ten Cat Myths--Debunked" (e.g., All Callicos are Females) and "Understanding Your Cat" (cats, it turns out, aren't color blind).
Many of the illustrations and b&w photos could have been clearer. Otherwise, this primer and reference work is highly-recommended.






Cherie describes her experience in such a way that I feel as though I lived through it all with her. My emotions ran the gamut from despair to hope, anger to determination, exhaustion to joy. And in all cases there was an overwhelming awe that Cherie was able to stay so focused on her one purpose of saving children - and through that find peace.
I found myself sitting quietly as I finished reading and reflecting on the glimmers of hope from people like Cherie Clark that shine through the tragic consequences of war.
This book was a total sensory experience and I'm anxiously awaiting the next two books in the trilogy!

For most of us whose lives were, in a large part, dictated by events in Vietnam during the late 60's and early 70's, the Vietnam war remains a mystery. We didn't understand it then; all these years later, we still don't understand it.
This book does NOT de-mystify the war. It simply gives a day-to-day, blow-by-blow account of how it affected the smallest victims of that war--the children, and the least of these--the orphans.
Cherie Clark, a normal, middle-class housewife caught up in a decision to adopt a child from the war zone, lived this story and has written, not a political treatise, but a heart-wrenching, heart-stopping diary of what happened as the government and the very fabric of Vietnamese society unraveled in those last awful days. How she has managed to write this with such honesty and detail without seeming to sensationalize any of it, or appear as if she's nominating herself for sainthood, is an amazing accomplishment.
I can hardly wait to read the rest of the story, the next two in the trilogy, about her work in India and her return to Vietnam.





Several times, the author uses the term "master class". This term is usually reserved when an acknowledged master of the subject decides to transfer his skills and abilities to others via a special class. At first, I thought that the use of this term was a little overblown. How wrong I was.
He goes through these subjects: ingredients, rubs, marinades, mops, sauces, and other (salsa, relish, ketchup). Each subject is expertly covered, and tells you everything you need to know. He explains the principle and structure of each one, and then gives instructions on how to create it for yourself. Recipes are then presented for those who do not wish to do the experiments on their own. My only complaint is the table of contents: more detail would be a great help.
This book is the only one you really need when it comes to barcecue sauces. If you don't already have it, I suggest you get it and throw away the other barbecue books you have.

List price: $24.95 (that's 30% off!)


I hesitate, in fact, to refer to them as characters because they seem so utterly real and so human. It had me in awe of the research that Maxim must have done and wondering how he got his sources to talk to him. It made me wonder how Maxim knows Bannerman and his people so well. Especially Carla and Elizabeth Stride and my personal favorite, John Waldo. So, you know what I think? I think they are real. And I think that Maxim must be one of them.


As with other Bannerman novels, GHOSTS is impossible to lay aside until the highly emotional final chapter and epilogue leaves you wishfully hoping Bannerman's Prophecy is already on its way to the publisher.
A recommendation for Hollywood: Beat a path to John Maxim's door for the Bannerman movie rights!
If you're stateside - write down the author's name and keep it in your wallet - start searching used bookstores near you - good luck, and keep on sharing books!