when will come new publish of this book ?

There are many excellent textbooks about Internal Medicine on the market, and I own a lot of them. But the Kelley's book is the one I look up more often. It stands out, since it gives you the broadest and deepest clinical coverage of the internal medicine you can find in a two-volumes textbook. The forthcoming 4th edition, which is scheduled for 8/2000 and will be edited by Humes, will expand furter the coverage, reaching an unprecedented range, at least as can be judged by the anticipated index. For the sake of clarity and completeness, each subspecialty (cardiology, endocrinology and metabolism, and so forth) is divided in three parts: the first group of chapters is devoted to the pathophysiologic foundations, the second to diseases and the third to the diagnosis and treatment. This format is clever, because allow you to study each section separately without being overwhelmed by the astonishing amount of information it contains. A lot of chapters are devoted to the approach to the patient with different symptoms, to the interpretation of instrumental data and to the treatment: they are another distictive feature of the book, making it invaluable. If you are a physician or a serious student searching for an authoritative, encyclopedic textbook with broad pathophysiologic coverage and wide sections about the management of the patient, the Kelley's textbook will not disappoint you. For many of us, it is a must buy. For all, it is a bargain. This textbook is the gold standard as Internal Medicine textbook: it got 5-stars from Doody, and as far as I know, it was the only one awarded with such a high acknowledgement. I agree: five stars.

most comprehensive work ever.an edge over Harrison &Cecil.must buy.

I used it for the cost accounting class and though I found it helpful, I thought that there were too few problems given in the study guide and the ones there did not really reflect on the ones in the textbook. The summaries were well written and an excellent tool for review, but I think the problems should correlate more with what is in the text. I did get A in the class, but I've seen better study guides. Accounting is all in practice, so problems are more important than the terminology.

I have used an earlier edition and thought it was great, but this one is even better. Easiy to follow and effectively packs a tremendous amount if information between the covers. It really makes a compex subject come into focus. Can't think of enough good things to say about this guide.

Like math, the learning process for cost accounting is enhanced by working practice problems and applications. The Cost Accounting: A Managerial Emphasis Student Guide and Review Manual provides excellent cost accounting material with solutions. I would recommend this guide to any student who is serious about learning and understanding the concepts presented in the related text book -- Cost Accounting, A Managerial Emphasis.

I think this book is a great reference of mathematics for non-mathematicians, but as a working mathematician I would expect a little more from a book with such a name. I don't say I want a thorough mathematical text, but I'm still waiting for a "mathematics handbook" that includes the Lebesgue mean-value theorem for integrals, or that tells how many abelian groups of order 15 are there, for example.

This book serves pretty fine when you have to give a mathematical advise to a non-mathematician, but when you are working with weakly singular integral operators, for example, it is useless.

The best way I can describe this book is that it is as close to a swiss army knife you are going to find in a mathematics book. It has everything from high school math to math for advanced undergraduates and possibly early graduate school in engineering, physical sciences, economics, and mathematics. It also has a few helpful sections on programming in Fortran, C, Pascal, and C++ (although I wouldn't rely on this book to learn those languages). It is a great reference book for scientists and engineers.

I was still in High School when I bought this book. I thought it could help me somehow with my finals, but I mostly bought it cause after skim reading it in the bookstore, I knew I was gonna need it later on. Surprisingly, it did help on my finals as well. Most of the theory we had to study (apart from proofs of course) was concentrated in a few pages each, so it was easy for me to learn the stuff I really had to remember from there! Later in the summer I read it more carefully, and saw that it was indeed gonna be a big help for my later-on college years! It's condensed, thorough, thus making a great reference guide for everything a college/university student (to give an example) will need!

I agree almost entirely with the fine review written by Roger Kennedy. Just a few more points to add: (1) I think what sticks in my mind more than anything else are the horrific marches and the lack of medical care - the authors descriptions are all the more memorable for their off-handed understatement. (2) It's also an interesting recording of the social mores of the time - the author feels that the Lash is a necessity, and deplores the idea of having promotions done by merit rather than by noble birth. Not what you might expect to hear from a commoner serving in the ranks!

This book is one of the classic Peninsular War recollections of the period. Harris was a devil-me-care lad of the English shires, who was first chosen by lot to join the English militia in 1806. Once in Ireland he becomes enamored of the green-jacketed 95th Rifles, Britian's new experimental Rifle corps, and decides to join them as a volunteer. The memoirs of Harris and many others like him were no doubt the inspiration for Bernard Cornwall's now famous "Sharpe" series. But Harris's work is certainly worth reading for its own merit, as it provides a vivid impression of what it was like to be a British soldier in the Napoleanic period. Unlike many of the memoirs of his compatriots, Harris only served for a brief time. He experinced Britian's initial efforts to support Spain in her rebellion against napolanic France's domination. As part of that early expedition, harris sees action at Rolica and Vimero (1808), and partakes in the grim retreat to Coruna (1809). He is thus privy only to the initial stages of what would become the Peninsular War in Spain (1808-1814) Harris's recolllections are vivid, but at times confused and lack chronology. This is reflective of the fact that he was a common ranker, and his level of education was somewhat less than many officiers. This does not detract from the value of his work; for Harris is in fact an amusing writer with an adroit sense of humor. He recollects his experinces as they come to mind, and the reader often feels as though he is seated right next to him relaying his stories as they come to mind. At times this can be confusing, and some knowledge of the period certainly helps in understanding the merits of this work. Christopher Hibbert has provided some valuable notes both in the introduction and within the body of the work, which adds greatly to it. Modern readers will certainly find Harris worthwhile, and with the recent interest sparked by the "Sharpe series", will see how the real thing compares to the fictionalized character. Sharpe is most certainly part Harris, and the reader also gets an understaning of the 95th regiment as well. Worth having.

I don't have the inner or outer peace to meditate but I still found this book very helpful and inspiring as a daily devotional. It gives very valuable insights about coming to the presence of Jesus whether or not one is practicing the art of meditation.

Father John Main (1926-1982) was an Irish Benedictine monk raised in England who was instrumental in renewing interest in the living tradition of Christian Meditation. His work is being carried on by his friend and successor, Father Laurence Freeman (who provides the introduction to this book). It is edited by Paul Harris (also one of the founding members of the World Community for Christian Meditation, a non-profit organization based on the teachings of Father John). It consists of 365 readings--usually about 2-3 paragraphs in length--from the many books and lectures of Father John. These readings can be used devotionally or for basic instruction on the method recommended by Father John for Christian meditation, which is based on the repetition of the mantra [sacred word] "Maranatha"--which means, translated from the ancient Semitic language of Aramaic, "Come, Lord." The only reservation I would express is that, as rich and varied as these selections are, seekers would perhaps be more completely served in taking up his full published works, e.g. WORD INTO SILENCE. Fortunately for us, his writings are coming back into print (newly published by Continuum). This book is a fine introduction to the thought and teachings of Father John Main. It does come highly recommended.

This is a heavy duty text rather than an introduction. If you are just a dumb tourist like myself visiting Copan (there are hardly any inscriptions in Chichen Itza or Northern Yucatan -usually the places with the good inscriptions are hard or dangerous to get to - even Copan right now)and you want to understand the numbers and dates you might be better off with something simpler. In fact, for numbers and dates, old Sylvanus Griswold Morley is quite good (but don't let hard-core glyphies hear you say that). You can buy lots of gizmos with diagrams of the calendar round. I could not understand the Harris and Stearns chapter on astronomy.
This stuff keeps getting updated - the University of Pennsylvania issues supplements.

Mayan epigraphy is still an exciting and rapidly changing field with new discoveries being made. This book opened the door of this field to me. The book presents the basic knowledge of Mayan calendrics, vocabulary and grammar clearly with ample examples from inscriptions. The technique of structural analysis used by most Mayan epigraphers is also well described. Included are several examples of structural analysis applied to texts. Interesting chapters also cover the origins of the writing system and Mayan astronomy/astrology as revealed by the texts. If you want to get started with Mayan epigraphy, I heartily recommend this book. The extensive bibliography will then help you know where to go next for further study of Mayan epigraphy.

One word of caution. The book is arranged in chapters for specific topics not in graded lessons as is usual for an introductory language text.

If you are looking for a single volume "bible" on cost accounting, this is likely the best book in print today to fit that bill. It is comprehensive in scope yet has many strengths to ease comprehension and aid readability.

The topics are grouped in six main sections each with several chapters on that topic. Since it is unlikely that you will read this reference / text book left to right as you would a novel this organization helps in finding what you are looking for and focusing on the area(s) of interest.

There are many helpful illustrations and a good use of color as well as chapter summaries and all the exercises you could ever hope for.

A very excellent feature is the use of application problems that take you step-by-step through building an Excel spreadsheet. This is tremendously useful.

The web support is also a good help as well as the streaming video vignettes.

I honestly find this topic very interesting and the 11th edition of this book to be a very valuable resource.

An easy to read and understand book characterized with the breadth of material and examples.

I've studied cost accounting for 2 years in Hong Kong. The first year I used a really bad text book named 'Costing', I hated studying Costing. However after using the 'Cost Accounting: A Managerial Emphasis (10 Edition)', I become interested in Costing and Management Accounting. And deceide to have CMA exam in future. THIS BOOK IS REALLY GOOD ONE.

I read this book in school and in my opinion the story may be good but the vocabulary was very difficult. You can't read without a dictionary. I had to read like five times a line because I didn't understand a word. It's a very dramatic and romantic play. I like tragedies but this play is very detailed and has a lot of scenes. I would like some day to read the same story but in actual English. If it weren't because of the literature teacher didn't help us understand I think nobody would have understood a thing. It's a very good story. I would recommend to read it but not in old English. Shakespeare's words are weird but romantic and may be too nice for his time. He is very creative and plays a lot with the characters.
It's funny how two different teenagers and from families who hated each other could have love one another. At the end they would have died if instead they had had hated each other because of the quarrel. This tragedy is weird and something different from all of the other plays, and I think that may be that's why It's still famous now a days.

Romeo and Juliet are the two most known lovers created by William Shakespeare. Their love story is one to be cried for, and it really shows the true meaning of what love is. Many people have claimed and agreed it is the most sad but romantic play ever written, and it really is.
They're a pair of star crossed lovers, who fall in love at first site. Their hopeless love is denied from the very beginning: their families have an awful hatred towards each other which has been everlasting. They go through many tests for them to prove they really love each other: Romeo's best friend dying; Romeo's exile after murdering Mercutio, Juliet's cousin; and finally Romeo learning his dear lover's "death".
Although it has a tragic ending, many people say this story is actually happy, for they both die at the same time, and their love is kept together, for eternity.

This book is a story tells a story about true love. The characters Romeo and juliet has been a role model for many people in their love life.This story includes all the elements to prove that love that Romeo and Juliet had was true love. William Shakespeare uses tragedy,love, hate, pride, and irony.

Romeo, from house the house of Montagues,is best described as a love. He does things for Juliet even though it risks his life. But no matter the consequences, he went with hs feelings. Juliet, from house of Capulets, is a lover at will. She had never loved a man as much a Romeo. But though they were from opposing families, she finds a way to marry him.

There were many tragedies. Two being Mercutio and Tybalts death. There were many more tragedies that happened and one main reason why they happened which was the fact that the two house were against each other. This caused all the tragedies because if they were not, both lovers would live happily. One thing that kept the family against each other was the pride in their name. If it were not for the name then all would not end in tragedy.

One ironic part in this story was when the two lovers got married. Getting married usually makes life better but in this marraige, it made thing worse and turned the story into a different direction.

This story must have been the best story i have ever read. It is love story that makes me think of how far i would go for a girl. Though it is hard to read, I enjoyed it very much and i suggest the book to all the lovers out there but could be enjoyed by all.

Although I agree with the criticisma made by other readers, I still loves "Shadows On The Hudson" and consider it a worthwhile and engrossing book.

Singer writes about a small group of exciles who survived the Holocaust be fleeing to New York City and creating a community in the shadows of the Hudson river. It was here that they contemplated their devastaing past and doubious future.

The characters are intelleigent and intense, anguished by their expulsion from their homeland and the collapse of their cultural and religious values.

Shadows on the Hudson is one of the best novels I've ever read. The people are real--and thank god, they're deeply sexual and deeply intelligent. Some readers are irked by the one, some by the other characteristic; by me a novel flops if the people are too dumb, or too free from the driving burdens and blessings of relentless sexuality. This more or less simultaneous wrestling with sex, faith and its lack, and the problem of theodicy (why God permits evil) is Singer's forte. Only Tolstoy does it better, but there is more real flesh in Singer, while the religious issues are at least as alive as those of Tolstoy's stellar episode toward the end of Anna Karenina, in which Levin successfully struggles toward theism. Singer's characters know what Tolstoy's don't: that 6 million Jews and 20 million Russians are gone who should not be gone. This novel is art, and monumental art; not another pleasure cruise for the beach umbrella.

This is a long, deep novel that deals with some of the fundamental problems of human existence. More than any other writer, Singer (at least in this book) reminds me of Dostoyevsky, whose characters were constantly in existentialist turmoil over questions such as good vs. evil and whether or not there is a God (and if there is, is He good, evil or indifferent?) Of course, while Dostoyevsky was a Christian, all of the characters in Shadows on the Hudson are Jewish holocaust survivors who have recently emigrated to New York from Europe shortly after World War ll. This is something that none of them can forget, even for a day, as many barely escaped while their loved ones perished. Beyond this confrontation with evil and death, the novel is largely about the philosophical war between religious orthodoxy and hedonistic modern life. Contemporary readers who do not come from a strongly religious background may have some difficulty appreciating this dilemma. The mass culture that Singer found vulgar and amoral in the 50s has now all but taken over in America, leaving many people no frame of reference for any other type of existence. While there is much philosophizing, Singer succeeds in creating flesh and blood characters whose moral anguish is not simply abstract, but put to the test in daily life. The character we spend the most time with is Hertz Grein, a middle-aged man whose religious yearnings are in stark contrast to his lifestyle. He is a married man who has had a long affair with another woman. As the novel opens, he is preparing to run off with yet another woman. Grein's behavior through most of this book is both irrational and indefensible. He lies to all three women, and makes all his decisions on the whim of the moment. At the same time, he is hardly without a conscience. On the contrary, he is deeply ashamed of the pain he causes others and desperately wants to redeem himself. Reading Shadows on the Hudson, I got the feeling that Singer himself, as he wrote the book, was struggling with the very issues faced by Grein and his other, equally fascinating and conflicted characters. The central problem posed by the book is the paradox of faith. On the one hand, there is no evidence that God exists. Indeed, the prevalence of suffering and evil suggests an indifferent universe. On the other hand, life without faith is unbearable and leads to a world without meaning or values. Does this mean that we should, even in the absence of evidence, embrace a strict moral code? Although the conclusion of Shadows on the Hudson is somewhat ambiguous, Singer seems to answer this question tentatively in the affirmative. Whether or not you agree (I actually don't), the question is an extremely important one and this book gets to the core of it.

The novel, while well written, is a bit dry and observational. However, the ideas it presents, notably what discourse an oppressed people has, have parallels with situations in the West Bank and Sept 11.

I bought this Feral House paperback reprint of The Bomb because it was the only one readily available. I'm now tempted to track down an older edition from one of the many used book sellers on the Internet, because Feral House's edition is very poor. The text is riddled with typographical errors to the extent that it is occasionally hard to be sure exactly what a sentence is supposed to mean. (Feral House likes to call themselves "the publisher that refuses to be tamed"; I prefer to think of them as "the publisher that refuses to hire a proofreader".) The new afterword by a modern anarchist "thinker" is, to be charitable, witless, doctrinaire nonsense. It adds nothing to the book. John dos Passos' introduction (borrowed from an earlier edition) is mean-spirited and rather contemptible, but its capsule biography of Frank Harris may be useful to those who know little of his life.

The novel itself is very good, though the novel's focus, the semi-fictitious anarchist Louis Lingg, is a bit too perfect to be believed. He's really not so much a believable character as an author mouthpiece in the style of Ayn Rand's John Galt or Robert Heinlein's Jubal Harshaw. The book is a compelling read nevertheless, and I recommend it highly.

I really liked the way this book was written. Full of descriptions, it tells a story of love, a great friendship and a life that immigrants had and in some ways still have to live in a new country. The book is written in such a way that it makes a reader think that the author, not the protagonist, threw the bomb. It is worth of your money and of your time to read it.