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There's a key map (a city map with a numbered grid showing the page numbers of the detail maps that follow for each section of the city). And there's a complete street index.
The 29 detailed city maps are divided into two-page spreads. They're labeled with sights, Metro stops, and establishments.
The bus routes are shaded gray, and the bus numbers are printed in red alongside the streets. I spent some time in Paris and came to love commuting by bus on clear days. If you plan to try it, leave some extra time to figure it all out, it's worth the effort. You'll need more info than is provided here. A current bus map would be a big help in planning your day trips, ...
Metro stops are marked on the street maps, but the metro routes are not shown. There's a small metro map on pages 2-3, followed by some very condensed practical information for tourists. (If you need guidebook information, don't rely solely on this book, get a Michelin.)
The detail maps leave out substantial parts of the 12th, 13th, 15th, 18th and 20th arrondissements. If you want something comprehensive, though not as user-friendly, look for "Paris par Arrondissement - Plan Net" by Editions Ponchet. That guide also has detailed bus routes.
I prefer the book map format over fold-out maps, because it gives me a detailed map, but I don't have to fight with it to get it folded and back into my pocket. Ironically, I did end up folding this book to get it into my back pocket. I wish the form factor were slightly narrower.
Bon Voyage!
I could not have been further wrong, though The Resurrectionists concerns a murder, and its attenuated mystery, Collins has gone deeper, and created an intriguing and daring novel that charts the sub-conscious mind of a trouble man who witnessed, and was accused of setting the fire which killed his parents when he was five. The psychological trauma, and the narrator's subsequent care under psychiatrists who hypnotized him and his later episodes with shock treatment, create a fragmented and shifting reality, and as others have noted, Collins has deftly utilized the unreliable narrator technique like no other writer I've read. Collins' particular genius is wedding a story, idea and plot element to a literary technique, and here, Collins actually makes his reader experience the profound sense of loss and disorientation his narrator feels throughout the novel, as he moves close to solving the mystery at the heart of the novel - who is the mysterious murder suspect who now lies in a coma at the county hospital after having hung himself after killing the narrator's uncle at the beginning of the novel.
That Collins balances a mystery with a socio-political and psychological deep novel is noteworthy. He has an ability to make apparently simple stuff complicated, for isn't all life complicated at its core. What is misconceiving is how we don't see the ambiguities in life. Collins makes them shimmer. He goes digging in the dirt of the subconscious.
This was in my top two novels of 2002, second only by a hair's breath to, Middlesex.
Beginning as a road novel, the book moved across America, a journey back in time, from the heat of New Jersey to the refrigerator cold of Michigan's Upper Peninsula. This is one of the most ambitious novels you will read this year, or any year.
What is at the heart of this "Cold War Story" is the uncovering of Truth, a recurrent theme in Collins' work. The conceit in the book is that our history was kept from us during the paranoia of the Cold War politics, both by our political leaders, Nixon and Co. Everybody in the book is reacting in someway to Nixon's betrayal in the book. Frank, the main character has a adopted son Robert Lee who has a Nixon pez despenser, his father who's on death row killed the people he did in the wake of watching the Watergate hearings. Also, at work is the fact that uncovering history, or finding the Truth is almost impossible. Things become jumbled, we have to rely on people to tell us what happened, therefore, history is open to interpretation. All this may sound too intellectual, but garbed in the story and characters Collins presents, the allegory works brilliantly.
Throughout the book, the use of reruns is masterfully manipulated, so that themes, and moments have a deja vu feel. The main character, having been a victim of Shock Treatment and hypnosis for an event he witnessed as a child, is unreliable, and his sense of history is skewed. For much of the book, we wonder if we are getting the real "Truth."
With so many divergent themes that do come together, it's hard encapsulating this book. There's the Sleeper, the comatose figure who murdered a man who lies dormant. What secrets does he hold? There's the main character working through his own memories of the past, there's the wife with the ex-husband, a guy on death row who wants to be executed, who is giving his organs up to his hosts. His wife fears he will come after her in the body of one of these hosts.
Mixing the surreal, the gothic, the crime genre, the literary novel, Collins gives us a virtuoso performance, an outside looking in at us. This is by all accounts a near literary masterpiece of emotional and psychological fallout, a starkly told and often brutal and political novel, but for all its apparent bleakness, it is a novel of hope. It shows in quite an extraordinary way toward the end, how we Americans survive. How Collins pulls off this twist, how he gets himself out of the mire of despair is again testimony to his insight into the American Condition.
Sold as a murder mystery, I bought this through a handsell from a local bookseller. However, perusing the first few pages, I knew this was more than suspense, the density of the writing, the lyric quality of the prose is just as arresting as the plot. There are times when the sheer brilliance of the language is overwhelming, when you have to just re-read sections. Isn't this what the literary novel is about, the last bastion of language, of ideas?
In the last few years, there have been other literary pretenders, so called "All American Life Captured Here Books" but I don't think any are quite like this one.
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inspiration and should be on every parent's night stand, indefinitely.
From the frightening statistics on teen suicide today to safety and privacy issues, you will finally understand what you're dealing with as a parent and what you can do to make the experience better for your teenager and your family.
Dr. Bradley's grasp of teen fears, trials and needs is a pleasant reminder to be kind to our teens in an otherwise punitive society. This book is a guiding light for parents trying to love sometimes unlovable kids while also providing security in the face of panic. He offers excellent guidelines to help conquer your fears while also helping your teen deal with their own tumultuous world.
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I also got an advance copy of the book a week before the official release date, and have been able to read it.
Andrew Carroll produced this book by reading through almost 50,000 letters and selected roughly 200 that best show what everyday life in the military - and in war - are like from the viewpoint of the average soldier, sailor, marine, and airman.
Andy was able to get these letters by persuading Dear Abby to publish an appeal in her column on Veteran's Day in 1998. The column urged readers to contribute these letters so that the sacrifices of the writers would not be forgotten. The result was a flood of 50,000 letters - some faded, some muddy, some blood-stained, and one pierced by a bullet. One letter was written on Hitler's personal stationary by an American sergeant who worked in Hitler's personal quarters in Germany just after WW II. What could be a better symbol of justice?
The letter writers' views are very different than the views you will get by reading the memoirs of a general or an admiral. When I was in the Army, there was a wonderful comment that explained life in the Infantry:
"The general gets the glory, The family gets the body, and We get another mission."
Your view of the military - and of war - changes depending on your position in this food chain.
Overcoming an enemy machine gun is an interesting technical problem when you are circling a firefight in a helicopter at 1,000 feet. You take a very different view of the problem when you are so close to the machine gun that your body pulses from the shock wave of the muzzle blast.
These letters were written by soldiers while they were in the military. They are describing events that happened that day, the pervious day, or the previous week. Their memories are very fresh. Their views also are very different from the views that someone might have when writing his memoirs thirty years later. In thirty years the everyday pains, problems, and terrors could very well be forgotten or become humorous.
The book groups these letters by war or police action. There are sections for letters from the Civil War, WW I (the war to end wars), WW II, Vietnam War, Desert Storm, and Somolia/Bosnia/Kosovo.
Some things never change. The Civil War letter writers grumble about poor food, tiresome marches, mindless sergeants and incompetent officers. The Vietnam letter writers (myself included) grumbled about the same things.
One anguished letter was from an officer in Vietnam who was torn by his need to hide his opposition to the war for fear of demoralizing his men. At the end of the letter is a brief comment explaining that the officer stepped on a mine and died shortly after writing this letter.
Welcome to life in the military. Welcome to war.
You should read this book if you want to see what life was like and is like in the military and in war.
I also got an advance copy of the book a week before the official release date, and have been able to read it.
Andrew Carroll produced this book by reading through almost 50,000 letters and selected roughly 200 that best show what everyday life in the military - and in war - are like from the viewpoint of the average soldier, sailor, marine, and airman.
Andy was able to get these letters by persuading Dear Abby to publish an appeal in her column on Veteran's Day in 1998. The column urged readers to contribute these letters so that the sacrifices of the writers would not be forgotten. The result was a flood of 50,000 letters - some faded, some muddy, some blood-stained, and one pierced by a bullet. One letter was written on Hitler's personal stationary by an American sergeant who worked in Hitler's personal quarters in Germany just after WW II. What could be a better symbol of justice?
The letter writers' views are very different than the views you will get by reading the memoirs of a general or an admiral. When I was in the Army, there was a wonderful comment that explained life in the Infantry:
"The general gets the glory, The family gets the body, and We get another mission."
Your view of the military - and of war - changes depending on your position in this food chain.
Overcoming an enemy machine gun is an interesting technical problem when you are circling a firefight in a helicopter at 1,000 feet. You take a very different view of the problem when you are so close to the machine gun that your body pulses from the shock wave of the muzzle blast.
These letters were written by soldiers while they were in the military. They are describing events that happened that day, the pervious day, or the previous week. Their memories are very fresh. Their views also are very different from the views that someone might have when writing his memoirs thirty years later. In thirty years the everyday pains, problems, and terrors could very well be forgotten or become humorous.
The book groups these letters by war or police action. There are sections for letters from the Civil War, WW I (the war to end wars), WW II, Vietnam War, Desert Storm, and Somolia/Bosnia/Kosovo.
Some things never change. The Civil War letter writers grumble about poor food, tiresome marches, mindless sergeants and incompetent officers. The Vietnam letter writers (myself included) grumbled about the same things.
One anguished letter was from an officer in Vietnam who was torn by his need to hide his opposition to the war for fear of demoralizing his men. At the end of the letter is a brief comment explaining that the officer stepped on a mine and died shortly after writing this letter.
Welcome to life in the military. Welcome to war.
You should read this book if you want to see what life was like and is like in the military and in war.
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Much has been written already about his twelve guideposts, and I have nothing new to add to those already glowing (and well deserved) comments. What I did find most illuminative and refreshing is his comments on how to behave at the job interview. It is in this chapter that this book becomes helpful to even the non actor. In this chapter/section, Shurtleff urges all people to realize that ultimately the pressure in the job interview is on the employer and that a good prospect will immediately put the interview board at ease. All too often actors become so self centered and fail to realize that their performance is really about their audience, not them. The same is true therefore of the job interview. It is about the employer, not the employee.
As a teacher, Audition has been most helpful to me as it has provided objective certainty to an area filled with far too many subjective judgements. In other words, Shurtleff has helped define the skills and tasks necessary to train actors in a manner that will help them transition successfully from the educational venue to the professional market. He has given us clear, active objectives to teach toward.
In Audition, Shurtleff articulates what constitutes good, effective acting. Once that becomes defined clearly, then success becomes not a nebulous ideal, but rather a concrete proposition.
If this is not in your theatre library, it is time you add it now.
What is so different about this book is that is not a "how can I teach my kid to read" book. Instead it is really a course with lessons that are goal-oriented. At the same time, it is not boring for the child. The pages are beautiful to look at and the drawings on every page are very cute. My son likes to color the pictures. We do about 3to 4 pages a day and that can take about 20 minutes. Sometimes the going is slow but everything is clearly expalined in a few words at the start of the lesson without making it too complicated or rigid. Little symbols under the letters and combinations such as "sh", "th" and "ea" help him to remember the sounds which are taught at the begining of the lesson.
The book covers phonics and sightwords. Each lesson has key words that child need to know. The stories are just 4 to 6 lines which is just exactly right for a six year old.
All in all, I am glad I found this lovely book. It one of those rare books that is actually better than it seems from its description. Dr. Levin and his wife have done a good job and I am sure you will feel the same way.
Great awesome product,..worth every dime and more !!!
Rennu Dhillon, Founder Genius Kids/Fremont, Safari Kid/Newark
[...]
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Mike Yaconelli does the almost impossible with this brief, easy to read, book -- he helps us see the God Who is beyond words. He helps us see the love of God which is beyond comprehension. And he challanges us -- me -- to break out of the boxes we put ourselves and our faith in.
This is the best book I've seen on childlike faith and what it looks like to live it out. If you find your faith getting stale, dusty, and, yes, boring, get this book -- now.
Mark Marshall is the author of God Knows What It's Like to be a Teenager.
If you are tired of hearing the same cliches and thoughtless pragmatism of most current Christian authors (such as "5 Easy Steps to a Happy, Spirit-Filled Life"), let Mike help you rediscover the true nature of what Christianity is intended to be. Mike highlights the importance of doubt, questions, wonder, mystery, passion, honesty, and "wild abandon" to God... themes that are seldom spoken of in Christian circles today but are in desperate need of inclusion. Christians who may have become stale (and boring) in their persuit of God can rediscover the joy and wonder of what drew them to Christ in the first place. And for new or potential Christians who may not be corrupted yet by the current version of happy, quick-fix, Americanized Christianity, here's a chance for you to start on the right foot. Skip the fluffy stuff. Yac is back.
If you are tired of hearing the same cliches and thoughtless pragmatism of most current Christian authors (such as "5 Easy Steps to a Happy, Spirit-Filled Life"), let Mike help you rediscover the true nature of what Christianity is intended to be. Mike highlights the importance of doubt, questions, wonder, mystery, passion, honesty, and "wild abandon" to God... themes that are seldom spoken of in Christian circles today but are in desperate need of inclusion. Christians who may have become stale (and boring) in their persuit of God can rediscover the joy and wonder of what drew them to Christ in the first place. And for new or potential Christians who may not be corrupted yet by the current version of happy, quick-fix, Americanized Christianity, here's a chance for you to start on the right foot. Skip the fluffy stuff. Yac is back.
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Oh, by the way, I have never read any of Jung's "scientific" books. This is by far everything I had to have to face Life and people and myself confidently. Jung is by far the wisest soul of the 20th Century.
By all means, buy this book and read it! You will understand what Life is all about. I would give it 10 stars if I could.