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This is a softbound book - a booklet really - of about 24 pages. The book is moderately priced (well under ten dollars). And while Trinkaus's books do have a slightly primitive, self-published look, the printing and production quality are adequate - no color or photos, though.
This booklet is mainly a reprint of Tesla's article of 1919, "The True Wireless," with introduction by Trinkaus. The Tesla article is very interesting, but sadly shows the great scientist in decline. It begins with Tesla describing a trip he took to Bonn to see Heinrich Hertz. That he was coolly received is not surprising, in view of the fact that Tesla's mission was to tell Hertz that he (Hertz) was completely wrong on how radio works. Curiously, while Tesla claims that his version of radio is capable of transmitting power "billions of times greater than with the Hertzian" version of radio, he is concerned with developing "the most delicate wireless detector known." (Why would he need it? Or is it to help out Hertz with his anemic version?) There are also some errors. For example Tesla claims that, unlike Hertzian radio, mountains have no effect on his radio. But this is not true. If Tesla radio works by conduction through the earth (as he claimed), a mountain would act like an antenna/receiver, thereby influencing other nearby receivers.
Certainly Heinrich Hertz was only human and capable of his share of mistakes. But science requires that theories be constantly tested and re-examined. We may thus be certain that subsequent reviews have noted Hertz's share of mistakes. But to say - as Tesla cultists do - that Hertz led radio completely down the wrong path is not reasonable. How could engineers possibly communicate with a spacecraft at the edge of the solar system based on a completely erroneous theory? Isn't it much more likely that Tesla, outstripped by his colleagues in the race to develop radio, was overcome by rancor and lashed out at them?
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Adam Parker
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As well, the amount of background information (on Edison, J.P. Morgan, etc.) provided sometimes is more distracting than helpful.
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I checked out the reviews here to see if others were having the same experience.
I think this book looks good on a shelf, but not to read.
This device lends a bit of interest at the beginning of the book, but it gets terribly dull by about the twelfth page of the book, and the author never shifts the narrative to the present, but continually reminds the reader (through verb conjugation and other devices) that this stuff has already happened.
"The Lord of the Rings", on the other hand, is told as if the action is taking place as the reader reads, and this helps to hold the readers' attention, keeping them interested in what is going to happen 'next'.
In Tolstoy's book (and a case could be made that an Authurian book should be more engrossing than a modern tale) however, there is no 'what happens next', since the whole thing was over long ago--and Tolstoy never lets his readers forget it, and thus one never really 'gets into' the story.
Tolkein suffered from this device in 'The Silmarillion', and Tolstoy should have learned from that epic history that this device makes drama and mystery nearly impossible.
And both drama and mystery are required of any writer wishing to hang onto his audience's attention much past page 65.
Keith Russell
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