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The Schrecks draw on decades of real life experience in making the mystery that surrounds this sinister subject clear. After an introductory 'Foreplay' that sets the Schreck's irreverent and iconoclastic tone, the book is divided into 3 sections. Book One, The Sinister Current in the East, explains how the Left Hand Path began in the tantric practices of India, revealing the most radical methods of erotic magic that are so commonly distorted by politically correct New Age forms of tantra in the West. The Schreck's 5 point explanation of the essential principles of the Left Hand Path is the most accurate and useful attempt at describing the basic defining methods of this kind of spirituality I've ever seen, admirably sticking to historical fact instead of the occult gameplaying you find so much of in magical books.
Book Two, The Sinister Current in the West, starts out with a practical glossary of magical terms, and gets into such previously ignored topics as the possibility that Jesus Christ was a Left Hand Path sex magician, the topic of sacred prostitution and the cult of Babylon. The Schrecks cover the Left Hand Path sexual teachings of such well-known magical teachers and groups ...
Book Three, The Sinister Current In Action, guides the reader through such topics as magical masturbation, sexual deprogramming, the selection of sex partners for magical purposes, homosexuality in the Left Hand Path, orgies, sadomasoschism, and even intercourse with incubi and succubi. The use of this section extends beyond sex magic alone and works as a practical primer for magical theory in general. This section moves far from the old traditions of occultism, citing ... eclectic sources ... and drawing on scientific sexology as well as more mystical resources.
The Schreck's lead us through the history, theory and practice of Left Hand Path sex magic with a refreshing sense of humor and a skeptical critique of the gullibility of occultism in general. What also makes this different than any other book on the topic I've read is the authors scholarly research and concentration on exploding the many myths and errors that previous books claiming to illuminate the Left Hand Path have helped to spread.
The book is enlivened by many rare illustrations, some of which I've never seen before. Highly recommended.
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The editor claims the objectivity of the historian: "In this volume you will find for the first time the authentic voice of the media's favourite villain.., a portrait of Manson - the man and the ism - rescued from the caricatures drawn by the ever-churning Establishment information mill".
So: in the first part of the book what you get is: Philosophy ("pagan" says the editor); Testimony (as given by Charlie in court); Music; Art; Selected Writings (stories & assorted rants) and Poetry (like the lyrics but more so); all of which is by Charlie himself.
Alas, perhaps it is no surprise to find out that Manson's "authentic voice" is greatly predictable. There are a few themes only, and he lays them on with a trowel. The Establishment (or "straight society" as it used to be called) comes in for some sharp words:
"You eat meat with your teeth and you kill things that are better than you are, and in the same respect you say how bad and even killers your children are. You make your children what they are. I am just a reflection of every one of you."
He repeats over and again that society's standards have no relevance to him:
"I don't think in goods or bads, just ISs. What it is - not what I was, want or hope - Wherever life is, it is, and bad and good got nothing to do with it."
Right and wrong do not exist, and according to this egoless man, neither does time: "The truth is now, the truth is right here; the truth is this minute, and this minute we exist. Yesterday - you cannot prove yesterday happened today. It would take you all day and then it would be tomorrow" - which is a useful
way of dismissing courtroom "facts" and denyingresponsibility
for past action.
He is fond of insisting that his ideas have been formed by the very system he now rejects : "My father is the jailhouse. My father is your system" : which means that whatever society thinks he's guilty of is what society taught him to do. They make him do these things, then they nail him to the wall for it. It's a tough break, and all the way down the line, Charlie sees himself as The Scapegoat:
"You look for something to project it on and you pick a little old scroungy nobody who eats out of a garbage can, that nobody wants, that was kicked out of the penitentiary, that has been dragged through every hellhole you can think of, and you drag him up and you put him in a courtroom."
It's very notable that in all these maunderings the subject of the Tate/La Bianca murders is never directly addressed. He plays around the edges, but he never comes clean, truth-teller that he is. Me, I thought that Charlie thought that offing pigs was a far-out thing to do, but if so he diplomatically keeps it to himself. But he's not loath to unburden himself of some fairly controversial opinions, however. For example, on the sub-ject of feminism:
"You have lost sight of God. You sing your songs to a woman. You put woman in front of man. Woman is not God. Woman is but a reflection of her man"
On modern multicultural society:
"Anybody in my family is a white human being, because my family is of the white family. There is the black family, a yellow fam-ily, the red family, a cow family and a mule family."
And so, it follows that we find Charlie fascinated by the Nazis:
"I don't believe the Nazis will come back in SS hats and boots; they will probably be people living in peace and harmony"
Part two of "The Manson File" concentrates on writings about Charlie, from two main sources: James N. Mason, leader of The Universal Order, a splinter from the American Nazi Party,
for one, and for the other, Red and Blue, which are the mystical names of Sandra Good and Squeaky Fromme, two of Manson's original Family, and the two remaining hardliners, the others having "drifted apart or taken on the guise of repentant Christians" as the editor says. Ail of these characters are just as out to lunch as Charlie. The Nazis drivel about Charlie being "the MOST American, personally gifted, selfless, fearless" &c &c. The women emphasise Manson's ecological concerns, which are expressed by the formula ATWA : Air, Trees, Water, Animals. Throughout this book we have various cartoons and illustrations which seek to portray Manson as a Christ figure, unequivocally, unarguably. And finally this is where the ambivalence of this book topples over from objectivity to endorsement. Charlie is being described in the terms used by the Shangri-Las in their
1965 hit "Give Him a Great Big Kiss"-
Mary: Yeah? Well I hear he's bad.
Betty: Hmm, he's good-bad, but he's not evil.
But Mary was right.
There are a few factual mistakes, as this book claims that John Lennon wrote the song "Helter Skelter", when it is well documented in any Beatles book that Paul McCartney wrote the song.
This book is a good compainion to the movie "Charles Manson Superstar", which in that movie Manson himself is reading this very book.
It is worth it to get simply for a veiw at the other take on the manson clan.
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The book is almost 900 pages but only 500 are material, the final 400 are case studies and appendixes.
However this is not a bad book, but is not the best way to start learning XML.
XML is not the replacement of HTML. If you want to write XML to convert it to HTML with XSL then you will take twice the time to create them, not an intelligent move. The true power comes when you want to interchage data between applications, not only web (you can use it with desktop applications with C++, Delphi, Java, VB, ASP or any other programming way) or to talk with a web server sending an XML request and receiving an XML response that you can parse with DOM or SAX.
Recommended but you will need other books to go on.
'Beginning XML' does a good job of covering all the important topics related to XML like Namespaces, DTDs, Schemas, XPath, DOM, SAX, XSLT, CSS etc... much so that the title is not really accurate in this sense. The other introductory XML books out there do not even touch on these topics to any practical degree.
I would also not recommend a Microsoft Press XML book as, typical with anything from Microsoft, I suspect it will teach you XML in a style that forces you to be dependent on Microsoft tools. However, as MS is one of the most important purveyors of quality XML tools it would also be a mistake to ignore their offerings. 'Beginning XML' does a very good job of acquainting you with both the MS tools as well as some of the more important third party ones.
The author's style is very friendly and easy to read and succeeds in making very complex and often boring topics like XSLT almost tolerable and sometimes even entertaining. Even more importantly, he touches on all the important issues in depth so that after finishing this book you can consider yourself at least an intermediate level expert in the myriad XML-related technologies out there.
The only reason I'm not giving five stars is because there just might be something better out there. But then, I wouldn't hang around waiting for one, 'coz Beginning XML, unlike the other books out there, is going to educate you on the topic in a sufficiently comprehensive and useful way. XML and its related technologies is a huge and difficult field, and any book that looks like it makes for light reading will, in my opinion, fail to teach the subject properly.
Most of the XML books (straight one, not XML for VB for example) contains the same TOC but this one has the best approach so far.
If you are new to XML, take this one.
If you know a bit of XML (and PROGRAMMED it), you can take the Professional XML which will go a little bit more in depth (not that much)
If you know what you are doing with XML and wants to learn more about XSLT, get the XSLT Programmer's Reference(great book) from Wrox.
If you want a very good Case-Study, take the Professional XML Design and Implementation (also good).
Then you are off with ASP XML, VB XML, or Java XML.
Happy XML hunting.
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gravitycontrol.org. Although a small book with big print it's chok full of info about
the man who lived ahead of his time. The authors offer an apology for this by stating that most of his notes and journals were lost or confiscated after his death.
Tesla might have been aware of John Keely,
another genius of near the same era dealing with subjects like gravity control. And both these gentlemen seemed to possess a great understanding on how to tap the aether for an unlimited supply of energy. But in the case of Nikola Tesla his discoveries and inventions covered almost every holy grail known to man. Anti-gravity, AC (alternating current), death rays, free energy, a health device called a purple harmony generator. He was the man in charge of the Philadelphia experiment and is credited as the true inventor of radio (Marconi 'borrowed' Tesla's design and became famous). And the list goes on. Here was a man so far ahead of his time many of his inventions are still just conjecture today.
Because of Tesla's accomplishments this book rings of many truths but some subjects dealing with conspiracies and alien contact will test the reader's suspension of disbelief. To followers of Nikola Tesla one may find inspiration in this book to carry on his work. To newcomers of the Tesla lore the information is rich and plentiful. If I have any complaints the one that stands out is the lack of focus on the man and his accomplishments and rather puts forth a kind of chop suey portrait weaving coverups, conspiracies and aliens into the mix. It's distracting and might have been better served in another book. But don't let that criticism scare you away. This book deserves a place in your Tesla library.
Tesla, who is best known for inventing the AC motor and AC current, is considered by many to be one of the greatest minds of all time - but unfortunately, he died almost broke and has been largely forgotten. Because of his financial troubles, boxes of his research papers, notes and other items were auctioned off after his death. Much of this important work has been lost. However, some boxes have turned up over the years, giving a fascinating look at the private life of this incredible man.
After his death in 1942, Tesla was legally declared the real inventor of radio (Marconi used Tesla's patents for his radio experiments). In 1899, Tesla received strange radio signals on his experimental radio receiver, years later, Tesla told the press that he was certain that he was receiving radio broadcasts from other planets. Because of this, Tesla started experimenting with free energy devices, antigravity using high voltage electricity, and weapons that could be used against a possible alien threat. All this came long before the interest in extraterrestrials and UFOs starting in 1947.
This book is a must read for anyone interested in UFOs, life on Mars, free energy, secret antigravity aircraft, Alternative 3 & 4 and what could be going on in the skies above us with the Chemtrails. Buy and enjoy this well written and researched book.
Some people do not like the fact that Tesla experimented with free-energy inventions, or considered communications with life beyond Earth. They refuse to see that there is much more to him than the guy who invented the AC motor. Tesla was a complex genius whose ideas went way beyond the scientific thinking of his day. We are only now beginning to understand Tesla based science and make use of its implications.
When you read this book, you will be amazed on how far ahead of his time Tesla was and why he has been ignored for so long. This is the book to get for the person who wants a complete picture of the complexities of this great man.
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Nikolas Schreck, like so many "writers" today with no talent of their own, feeds off of the inspiration, originality and sweat equity of others. Schreck depends on compilations of other people's works, adding nothing new. Were I Charlie M., I'd be a little pissed that he had launched his career on my back and giving nothing in return. He, Aquino, and Flowers owe their identities to Anton LaVey, yet feign blindness to his brilliance, lest they pale by comparison to the truly creative spirit of LaVey. Schreck's writing is about as insightful as his music--NOT! He adds nothing to the body of work already in place on Satanism in the cinema.
Open wide the gates of Hell, and toss the bum out!
Hugo
I bought this book for that exact reason, to study this history of Satan (as in the satanic form) in film. Who better to write such a book than a satanist? Of course the philosophy of the satanist is quite different than your average author, and this is definatelty made clear in this book. I can see how the average reader who was looking to simply find a nicely reviewed book on the subject would get offended in reading this book, but all I have to say is that his research into the black arts is entirely accurate, which I can't say for most of the films that have satanic origins.
Don't shoot the messenger.