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Lindbergh traces how the very wisp of an idea, that an aircraft with enough fuel, powered by a reliable engine, and held on course, could fly 3,600 miles from New York to Paris. Once he realized that he had enough qualifications to make the flight by himself, and could see himself doing it, he was a changed man, he was a man who was going to Paris by air! Now he faced the problem of obtaining support, a task that filled him with more anxiety than the flying itself.
He nurtured his idea, protecting it from the naysayers, carefully confiding in those who could accept his reasoning that a single engine plane made more sense than the trimotor aircraft others were planning to use in that era. He fretted about obtaining an engine, and then an airplane, and met almost continuous obstacles in his path. Yet again and again, to his surprise, financial and technical support was provided, often from totally unexpected quarters.
This book is not only an aviation classic, it is a classic on project management, on turning a vision into goals, and goals into tasks, knowing where the milestones of success can be measured, and when the go/nogo decisions can be made.
If you are a pilot, or want to become one, then this book belongs in your library, and you should consider buying a second copy to give to your CFI. Our instructors represent an unbroken lineage of aviators back to the era described in the story.
But it would be a shame to limit this story to the aviation community. Everyone who has a burning desire to achieve something beyond themselves will gain new insight into how ideas change our lives. If you have read "The Path" by Laurie Beth Jones, then you will most certainly enjoy this book, too.
The book is highly readable and brings to life the Golden Era of aviation -- canvas dope-covered wings, dead-reckoning navigation, and seat-of-the-pants flying, and delivering the mail by airplane like the pony express. This was quite an exciting time, and the book brings this era to life.
The book is also significant in other respect -- setting goals and achieving them. Even this seemingly impossible task can be achieved with hard work, careful planning, and determination. If Lindbergh can do this, then you will get the feeling that you can achieve your own goals, however difficult they may seem.
In the flight across the Atlantic you get to know Lindbergh in the various stories he tells. The book's afterward tells much about his landing in France, the accolades he received, and actual technical flight and test data, as well as log book entries.
In the book's foreward his daughter says Lindbergh often said 2 things: 1) that he wrote the book to "Set the record straight". He achieves that, and a whole lot more, the book won the Pulitzer Prize in 1954. 2) that he often said to people who asked about his flight "Read the book". He spent something like 20 years writing this meticulously researched account. And who besides him would know more about this flight.
All I can say is to reiterate Lindbergh's own words -- read his book. It's fantastic!
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More serious-minded fans should take pleasure in the not-always-easy task of finding the precise flaws in Purvis' stories, which usually include just enough hard science to be credible to the casual layman. "The Next Tenants" is the only story in this collection that has any really serious message to it, and while the story is chillingly effective despite its absurdities, this book is really about laughs. From that standpoint, "Moving Spirit" is probably the best, featuring an eccentric millionaire, his illegal distillery, and a hilarious courtroom scene in which Purvis testifies as an expert witness with devastating results.
Despite the occasional slapstick moments, Clarke's humor is generally on the dry side, so this book may not please everyone. There isn't a lot of action in the traditional action/adventure sense, and female characters are usually absent or antagonistic. Still, if you're comfortable in a males-only, scientific atmosphere, there's plenty of good clean fun to be had at the White Hart.
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The girls in Elvgren's paintings not only come alive, but seem more warm and human, innocent with a twinge of spice. So this is what they meant by "sugar, spice, and everything nice." Maybe because most of them are smiling, with those pearly whites showing. I could spend hours looking through those pages, forming stories around the paintings.
Many look like celebrities. In "Let's Go (1957)," the blonde getting out of a white car looks a lot like Marilyn Monroe. The girl in "True To You (Sitting Pretty) (1950)" also resembles Marilyn but with brown hair. And the honey in "Evening Out (1969)" reminds me of Geri Halliwell.
Okay, so many of the drawings can be construed as sexist. The particular theme on that being girls who get their skirt lifted up by well handles, pipes, fence rails, ladders, and elevator doors, revealing two very shapely legs.
Equally interesting are paintings that were repaints of earlier work. "In For A Tanning" featured a sitting nude girl holding her bikini with a black dog to her side. "Dumb Pluck" featured the girl in the same pose, except she was wearing a candy-cane striped bathing suit and holding a shovel, the dog still on her left.
Some were risque even for their time and the more amusing ones are beach shots where the girls get into distress, such as having their beachware stolen by a dachsund (Taking Ways, 1950) And his nudes were never full frontal, only seen from the rear or side, the sole exception being "Harem," an undated painting of an innocent maiden captured by Arabs.
It's when looking at his work during the 1960's and 1970's, that yes, the models have changed with the times and despite having Elvgren's signature style, their hairstyle are with their times.
Other notes: the paintings are clearly better than the real-live model replications hands and legs down.
So, my favorites? That's a difficult one, as the models are oh so cute, but I'd have to settle for "Well Picked," of a girl in yellow dress wading in a pool and picking up a lily flower, "Golden Beauty," of a Diana Dors-lookalike, "Surprise Package," where the girl wrapping the X-mas present is clearly the title object, and "Lazy Days," of the girl lying leisurely on the summer grass.
Proof that too much of a good thing is better, and that too much cheesecake can be good for one and not be fattening. And with all apologies to the Beach Boys, "I wish they all could be Gil Elvgren girls!"
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--James Beard Award-winning authors Andrew Dornenburg and Karen Page
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It is the early 15th century and is the story of Jean Le Drapier, who is a crippled man with his own "magical powers" (ala Merlin) and a French nobleman Gilles de Rais. Gilles is "destined" one day to fight alongside the Maid of Orleans herself; he will also become the progenitor of the Bluebeard legends! As in the actual story, this novel examines the internal political, social, and religious struggles among the people of France and does so in a most appealing manner!
As the story begins, Guy de Rais, who is poaching on illegal grounds, accidentally shoots in the hand a young peasant boy, Yann, who, naturally (or "unnaturally") becomes infected; the wound cripples him and he begins to have fits and see visions--he sees the salvation of France through Joan of Arc, among other "sights." There is the traditional hermit, who insists that de Rais become resonsible for the child's upbringing. (De Rais has a son named Gilles, who grows up with Yann.) And while this may be reminiscent of Mary Stewart's Merlin/Arthur trilogy ("The Crystal Cave," etc.), Chamberlin's story stands on its own.
As the story progresses Yann and Gilles explore--and embrace--the Old Religion and during ritual ceremonies, Gilles tatoos himself (chin: blue--hence, "Bluebeard"). Guy de Rais attacks these rituals (he is not an advocate of the Old Religion) and mortally wounds the hermit. Yann issues a curse (they all die soon after!) and inherits the shrine. The beauty of fiction is that the author is permitted to take liberties and Chamberlin does with the historical accounts; but no matter. This is fiction--and fantasy fiction at that--and as such the author has created an exciting, compelling work. We can only encourage her to publish the next episode. (Billyjhobbs@tyler.net)
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