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The book is well-written in clear language for the ordinary reader. I liked the way the authors explain the deceptive practices of some people in the investment business. You may not even have realized what was being done to you at the time; in fact this book may save you more grief (and money) just by alerting you to some of the tricks of the trade. The authors help you see whether or not you have a realistic chance of getting some or all of your money back through the arbitration process (or even through the threat of the arbitration process). They are pretty frank about what does not make a good case and want you to be honest with yourself.
Once you decide that you have a good case, the book gives very practical directions for trying to get your money back. It explains the arbitration process and shows you how it can work for you.It will take a little effort, but should not involve much time or expense. The book gives you a good of idea of how the brokerage firm might reply to your claim so you won't get intimidated or overwhelmed by their answer. The authors remind you of the basic points you want to make: you are an honest and credible person, you tried to prevent the loss, but you were treated unfairly.
One of the chapters in the book is entitled "Time is not on your side". The authors tell you that if you want to get you money back, you should get started right away. I would add that if you lost money because of a dishonest broker, get this book right away!
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First, Payne places the people who made the Mississippi movement at the center the story. He tells the story of both the original local leaders who made it possible for the civil rights movement to happen in Mississippi and the activists who followed their lead in the 1960s.
Second, he extends the time span of the civil rights movement, showing that it would not have been possible without the "organizing tradition" referred to in the subtitle. Payne expertly traces the relationships and linkages between different generations of heroic troublemakers in Mississippi.
Third, he shows that the original radicals, and I mean those who wanted to change Mississippi from its roots, were those who had already challenged the system to achieve personal gain. "Bourgeois" blacks in Mississippi weren't uniformly complacent or fearful. Wisely, Payne does not use this fact to justify any notion of a "talented tenth" that ought to lead the masses.
Fourth, the chapter on Ella Baker is a stunning and riveting account of one heroic troublemaker who didn't receive enough recognition for her efforts.
Fifth, when Payne writes about what we typically consider the civil rights movement, he places you in the midst of the activists and makes you feel their exhileration, exhaustion, frustration, fear, and courage. Scholarly books never have this quality. At the same time, he does this in a historical context and with a critical eye which absolutely illuminate the raw material in a way that first-person and journalistic treatments rarely approach.
For these reasons, and many more, this is clearly the best of many excellent books on the civil rights movement. Some could fault Payne for placing less emphasis on the national and institutional dimensions of the freedom struggle. But, in the case of the black American struggle for freedom, Payne shows us the story begins with, and is carried by, people who tried to change their communities, not their nation.
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The story takes us from the aftermath of World War I, in Germany, through World War II, the Cold War, and Viet Nam, with the creation of "The Outfit." This would be the OSS and the CIA. We meet the earliest agents and watch them and their agency grow in a turbulent world on the brink of one war after another. We are never completely sure who can to be trusted, or whose version is true. A few of the Outfit's leaders know early on that there is a mole in the system who is betraying American interests and getting agents killed. The book takes us all over Europe, to Russia and China, Washington, New York and Boston in the world of international intrigue.
The novel's main character is Paul Christopher, a sensitive, intelligent young man who joins the "Outfit" at the beginning of W.W.II. His mother, Lori, is a Prussian Countess, his father, Hubbard, an American, Yale graduate. They were never political people but hated stupidity and cruelty. Living in Berlin, Hubbard wrote novels and poetry, Lori countessed, they both made friends, traveled, loved each other and had a son...before 1939. It was during those prewar years that we saw a colorful sub-cast of characters enter the picture. Friends and relatives traveled to and from Europe visiting the Christophers, many to play future roles in the drama. There were various types of bohemian life, (Berlin was booming with bohemians), artists, Bolsheviks, musicians, etc., that latched-on to the family in Berlin. Some of these folks were desperate to leave Germany after 1935. The Christophers sailed many Jews and Communists out of the country on their boat Mahican. The Gestapo knew. When the war began, Mom, Dad, and Paul tried to leave for Paris but were stopped at the border. Paul and his father were told never to return to Germany. They were classified as American citizens. The mother was taken away. She was nobility, but she was German. The writing is devastating. This event will occur in Paul's dreams, repeatedly, throughout, giving the reader a terrible glimpse of the Nazi horror.
Paul's father, Hubbard, until his death, never gives up the hope of finding his wife. He changes drastically with her loss. It is with details and character development like this that McCarry leaves the crowd behind. Hubbard joins the OSS. As Paul comes of age, he initially joins the Marines but is also recruited into the OSS. We follow their lives and careers, as well as those of their colleagues, friends and enemies. The tension builds as we begin to see the network of betrayal and lies build, and wonder who is responsible and to what extent.
As I wrote earlier, McCarry develops the characters, and their families in such a manner, that when you lose one, especially to violence, the loss is felt deeply. There is one scene when Hubbard tells Paul stories about his maternal grandparents, that are almost folk-like in nature, and I was awed at what an amazingly wonderful family this was/is. I forgot it was fiction for a moment.
The story moves to an extraordinary conclusion. I could not put this book down. I give it my highest recommendation.
PS - One of the reviewers commented that he thought two of the book's characters, a 60 year old senator and his 22 year wife, were too much...as in not believable? Hey, I was around in the '60s. There was most certainly a 60+ senator from the South with a 22 year old ex-beauty queen wife. Not only do McCarry's people seem real, some were taken from real life.
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Based on long years of research from the Center of Creative Leadership, the authors have truly put their learnings into a book that is refreshing and easy to read. This is a must read for anyone who is looking for novel ways for groups and teams to interact-- by putting something different "in the middle"--in order to breakthrough (to understand this, you'll have to read the book!) Powerful favorites for me have been "visual connections" and new ways of looking at R&D scorecards.
Have fun with this book and most of all-- experiment!
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If you are looking for beautiful modern children illustration works, this is the book you have to get. Charles Santore brings out the mysterious mood of ocean merfolk, which is something missing from any other little mermaid illustrations I've encountered.
The book is a bit pricy but it is worth every penny. It is a classical novel with the quality of classic art.
For children this volume is a great introduction to Andersen which might lead them to his other stories. However this edition of 'The little mermaid' is a wonderful treasure for all people who are interested in Andersen regardless of their age.
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