Great prep material for the CLEP, although it doesn't have a sample test in it, so it is useful to buy, for instance, Mr. Orr's book along with it. I did that, read both (only the relevant sections from Barron) and got a 68. Also great as later reference!

This is an outstanding resource if you plan to CLEP Introductory Business Law. It's organized, easy to read and encapsulates what you need to know in easy to understand language. If you're taking Business Law II, it makes an invaluable reference. I passed the Intro to Business Law CLEP with a 60, using this book, and "Essentials to Business Law I" which was bundled with it. If you're serious about passing the CLEP and you don't want to invest a ton of money in a book to prepare for it, this one is worth its weight in gold! I give it 5 stars!

I bought this book to study for the CLEP Business Law I exam. I realized I could also use it for the Dantes Business Law II exam. I passed both, and am keeping it for a handy desk reference.

Nicely organized, good examples, and easy to read.

Origami Sea Life is the origami book I use the most; I come back to it far more often than any of the 30 or so other origami books I own. The models inside it cover such a wonderful range of subjects that when I think of making a little gift for someone, I can always find something appropriate in this book. Montroll and Lang happen to be my two favorite origami authors, for their challenging and interesting models, and they produce some of their best work here. The range and depth of the models in this book is amazing. There are a slew of fish, including ones not often seen (like the scary Blackdevil Angler), a bunch of well-done mollusks, and a few very difficult crustaceans. Every model in the book turns out well, many of them with a nice three-dimensional touch. Few advanced origamians will have real trouble with this book, too. The point is to complete the models, and while there is a great feeling of accomplishment once your Fiddler Crab is done, it's not because you got past horrible diagrams. No, it's because you folded a beautiful sea creature that not many others could. I would highly recommend Origami Sea Life for any advanced folder (or aspiring advanced folder), as it is worth far more than it costs.

My eight-year-old son and ten-year-old daughter have checked this book out from the library numerous times. The folds are challenging, requiring repeated attempts and a copious supply of paper (for practice), but the completed models are outstandingly realistic and satisfying.

The authors have provided a lengthy discussion of special papers and wet-folding techniques, but every model can be worked in plain-old origami paper. I'd say that if you've memorized the crane, and if you've worked your way through a couple of intermediate-level origami books (e.g., Kasahara, CREATIVE ORIGAMI), then you've got enough origami experience to tackle the folds in this book. All you need is time, patience, fortitude, and a good supply of origami paper for goof-ups.

I got this book a couple of days ago and must say I am truly amazed. The authors Lang and Montroll (who I consider two of today's best folders) say "Sea Life", and mean it. Not only does this book contain models from almost every order of water animals (not only fish and crabs, but also shells, echinoderms, frogs, whales...) but the resulting models truly look alive. I just finished my first Atlantic Purple Sea Urchin and it looks like the real thing.

Not for the beginner, though. Most folds in here are as challenging as they are cool.

When I was in junior high, I was addicted to reading juvenile sports fiction. Shortly after beginning seventh grade, I went to the alphabetical beginning of the fiction section in the school library and began moving down the alphabet. As I went, I examined the books and read all that were sports related. In a little over two years, I had read every sports fiction book in the collection. Of all those books, the Kid From Tomkinsville was one of the most memorable.
While the background of the 1940's made the presentation difficult for someone in their early teens in the 1960’s, the descriptions of baseball more than made up for it. Roy Tucker is the title character and an excellent pitcher. However, immediately after one of his best games, he slips and cracks his pitching elbow. This finishes him as a pitcher and the main theme becomes his quest to come back as an outfielder.
He is initially very effective and believes success is assured. However, he soon begins to struggle and doubts creep in. The description of all of this is a combination of one of the best baseball stories as well as one of triumph as a combination of talent, hard work and persistence lead to his success. I still remember the scene where his manager comes to his room and tells him the problem is that he is playing for himself and not for his team.
John Tunis is one of the best writers of sports fiction that has ever lived. He makes baseball exciting, even when all the action is taking place off the field. While our society has moved on to a point quite different from the time period of the story, baseball is still a game where strategy, preparation and dedication can triumph over athletic ability. That has not changed, and the descriptions in this book will continue to keep the attention of baseball fans for decades to come.

When I was a kid in the late 60's and early 70's, I read all eight books in the J.R. Tunis series in his Dodgers series. Anyone who gets into the series MUST start with this one. Roy Tucker is an integral part in nearly all the books ("Young Razzle" being the exception), and "The Kid From Tomkinsville" introduces him along with the other characters. While some of the dialogue is of the "gee whiz" variety, the book and series are excellent. I'm so glad they were re-released, and I now have all of them. Now, I want to get a Dodgers replica jersey with the name "Tucker" above the number 34. Any kid between 9 and 90 who reads this book will know why.

I first read this book when I was 7 years old in the 1970s. I still love it to this day. The characters jump off the page and take you back to the 1940s, a different time and world.

"The human race, without intending anything of the sort, has undertaken a gigantic uncontrolled experiment on the earth. In time, I think, this will appear as the most important aspect of twentieth-century history, more so than World War II, the communist enterprise, the rise of mass literacy, the spread of democracy, or the growing emancipation of women." (J. R. McNeill)

Over the past few years there have been a spate of histories of the 20th century. Most of them have been written from traditional, often Eurocentric, historical perspectives that focus upon political history set in the context of socioeconomic development and ideological and military conflict. J. R. McNeill's *Something New Under the Sun* replaces the political narrative, usually found at the center of histories, with an environmental one. It invites readers to reevaluate the legacy of the 20th century.

By any measure, the 20th century is, as McNeill characterizes it, "a prodigal century." In terms of growth of population, economic development, and energy production and consumption, it is a case of 'quantity having a quality of its own.' On the one hand, it is a triumph of the human species. (McNeill suggests readers consider that over the past 4 billion years of human history, 20% of all human life-years took place in the 20th century.) On the other hand, this prodigal century - this triumph of human ingenuity - has also exacted an unprecedented environmental cost. It is this trade-off that McNeill's book explores.

McNeill's approach is interdisciplinary, and the book is divided into two sections. The first section is organized around transformations to the lithosphere, atmosphere, biosphere, and hydrosphere, and the resulting pollution and resource depletion. Each topic includes a (very) brief conceptual introduction, case studies from around the world, (black and white) photos, maps, and tables. This section also includes the best example of unintentional environmental consequences. McNeill introduces Thomas Midgely, the inventor of leaded gasoline and Freon, "[who] had more impact on the atmosphere than any other organism in earth history."

In the second section, McNeill introduces the 'engines of change" - 1) population growth, migration, and urbanization, 2) energy, technology, and economic growth, and 3) politics and environmental awareness. The pulses of 'coketowns' and 'motowns' take place amidst the tumultuous social, economic, and political events of the 20th century. Environmental awareness doesn't take root until the 70's - a critical period for women as well. (His examples of Rachel Carson and Wangari Maathai were well chosen - and gendered.) In his epilogue (So What?), McNeill's history portends an environmental crunch, a change of circumstances - a dilemma unlike the world has witnessed so far.

"With our new powers we banished some historical constraints on health and population, food production, energy use, and consumption generally. Few who know anything about life with these constraints regret their passing. But in banishing them we invited other constraints in the form of the planet's capacity to absorb wastes, by-products, and impacts of our actions. The latter constraints had pinched occasionally in the past, but only locally. By the end of the twentieth century, they seemed to restrict our options globally. Our negotiations with these constraints will shape the future as our struggles against them shaped our past." (J. R. McNeill)

*Something New Under The Sun* is written in a popular style well suited to both non-fiction readers and students. Readers of environmental historians like William Cronon, William McNeill, or Alfred Crosby will certainly find McNeill's book interesting. Personally I think that McNeill's global perspective of the 20th century will stand the test of time.

For a throughly researched, densly written , book of facts to be readable is almost a contradiction. Yet this is exactly what J.R. McNeill has accomplished. He is a Historian, most interested in change, objective in his assesment of those changes (Who and What benefits, Who and What doesn't), anthropocentric(a viewpoint too often missing in environmental studies), and broad-minded concerning possible approaches to problems (the shark has done very well for a very long time).

What makes this such an important book aside from its readability and penetrating analysis, is perspective. J.R. McNeill considers history without consideration of the life-support system of Earth or ecology that neglects social forces, incomplete and capable of leading to dangerous conclusions. Further, "Both history and ecology are, as fields of knowledge go, supremely integrative. They merely need to integrate with one another."

Having grown up in Pittsburgh, Pa., I can attest to the author's history of Pittsburgh and to his grasp of the complexity of problems there (for instance: Andrew Carnegie found the level of pollution intolerable, later some unions fought smoke-control). In today's world, no matter where we live or what work we do,environmental issues will arise.

This book by elucidating the processes and trends that underly today's world, gives us a foundation on which to base our opinions and choices, working toward the day when we , in the author's words, "Make our own luck, rather than trusting to luck..."

McNeill's basic thesis is that in environmental terms, the 20th century has been unprecedented in human history and planetary history in general. He points out that the impact of humankind's breathtaking technological advancements in the last 100 or so years can be likened to a major cataclysm, like an asteroid hitting the planet. The book provides a wealth of background information on a number of major technical/technological developments, and how they have improved the lives of many people but also damaged or imperiled the air, water and soil that sustain all life. McNeill is hardly a Luddite or a primitivist, but he does make some reasonable calls for restraint and, perhaps, a worldwide assessment of where human economic/industrial/technological activities are taking the planet. Interesting in this vein is his consideration, toward the end of the book, of how the economic thought of the last century, with its adherence to the concept of unlimited growth, has played a key role in preventing such an assessment. As he points out, overcoming this way of thinking represents a daunting task, since these (Anglo-American) economic doctrines have assumed the status of irrefutable dogma - like any system of religious beliefs.

The reader becomes mesmerized and impressed by the thorough and meticulous process of constantly checking witness testimony with known topography and horse/walking/etc. mph rates, then time/motion studies with all possible data examined to see what plausible explanations can be more pushed forward as likely scenarios.

At the center here is the infamous Indian scout, Mitch Boyer and the testimony of the young Curly, survivor with Custer.

Amazing how the evidence Gray presents turns Custer 180o around from what is historically bantered, an aggressive disobiendent hawkish leader. Gray's reconstruction reveals soldier who emphasized and implemented what orders were given to him, to pin the Indians from left flank escape, and all the time awaiting Benteen's company and ammo train, which never arrived in time.

Disappointed that no chronology chain here shown how the followup takes place to discover the battlefield. Possibly Gray's other books on this subject cover that.

Remarkably well written, able to keep this reader's attention easily even with all the careful calculation checks, etc.

Most historians would be happy, nay overjoyed, if they located a diary, a journal or a set of letters by a participant in some historical event. In tracing some relatively unimportant activities, Gray is not satisfied unless he can find three or four itineraries, four or five journals and diaries, and two or three sets of letters! Another reviewer commented that the writing of this book took 25 years! I can well believe it. With the well-known fallibility of eyewitnesses, this overwhelming mass of documentation is barely enough to allow Gray to sift event from confabulation.

What we have here are two books in one. The first book, in 180 pages, traces the life and career of guide and translator Mitch Boyer. At first one might dismiss such a goal as impossible, but Gray is equal to the task, and Boyer emerges as a convincing, consistent and competent historical personage.

The second book, in about 200 pages, uses what Gray calls "time-motion studies" to trace the troop movements from June 9, 1876 to and through the culminating Battle of the Little Bighorn. His "time-motion patterns" are what physicists call "world lines," with one space dimension as the vertical axis, and time as the horizontal axis. Where these diagrams indicate the interactions between a dozen separated groups they virtually amount to the classical equivalent of Feynman diagrams--- tools used by theoretical physicists to disentangle the various processes occurring in the realm where relativistic quantum physics hold sway.

The Mitch Boyer connection between the first and second parts of the book occurs because Boyer was the only scout who chose to stay with and die with Custer's columns. Much of Gray's reconstruction of Custer's movements and strategy depends upon Gray's extraction, from the mass of confused interviews with Curley, the 17-year-old Indian scout who was the last to get away alive from Custer's troops, of a fairly consistent and highly plausible set of events.

There is one place, at the book's end, where Gray's thought patterns betray him. With no documents to guide him, he chooses a completely absurd counterclockwise movement of Army forces, from Calhoun Ridge, to Custer Ridge, to Custer Hill (where Custer was found), on to the "South Skirmish Line" (where Mitch Boyer's body was found) and thence to the "West Perimeter," where the last survivors (Gray assumes) died. But this movement actually takes the troops TOWARD the river and the Indian camp, from which braves and even squaws were literally boiling, like thick clouds of hornets from a disturbed nest, in the last half of the battle!

In this case, I think the reconstruction by Gregory F. Michno, based on a collation of a vast number of Indian accounts, is infinitely more plausible. It shows Custer's surviving companies driven roughly northwest, parallel to the river, along Battle Ridge to Custer Hill, with companies on Finley Ridge and Calhoun Hill being cut off and quickly destroyed, leading to a traditional "Last Stand" indeed being made on Custer Hill. See Michno's LAKOTA NOON for details. I might mention that comparison of all accounts of troop movements in the six or so "Little Bighorn" books I have read is made incredibly difficult by a complete lack of consistent nomenclature for the topographic features of the battleground!

Grey is remarkably even-tempered in his discussion of the many command problems and highly questionable command decisions that arose in this campaign, including the inexplicable behavior of Gibbon and Benteen. Somewhat ironically, it is Custer who comes off best from this all-around debacle. He was about the only commander who made any effort to follow orders, and about the only commander who tried to strike a balance between total inaction and suicidal total commitment of his forces.

I can't praise this book highly enough.

I absolutely agree with the other reviewers on the quality of Gray's work--it is astounding. I would like to emphasize what I took away from the book: a new picture of G.A. Custer. For a hundred years it has been the "customary wisdom" that Custer, being a flamboyant, egocentric, arrogant commander, rushed into battle at the LBH because he wanted the glory of defeating the Sioux all to himself, and met his doom because his hubris blinded him to the Indians' superior forces. Part of this "customary wisdom" came with an implied view that this hubris was due to a belief in racial superiority of the white soldier vs. the Indian. As is so often the case, the "customary wisdom" is superficial, and when held up to rigorous analysis, proves wrong. Gray's trenchant logic make it clear that Custer was attempting to follow his orders from Terry, found himself in a battle situation that was not favorable, but due to the perception that the 7th Cavalry had been discovered, had no alternative but to attack. His battle plan was improvised at the moment, and was thwarted not because of Custer's hubris, or his false belief that his soldiers were fighting "only Indians", but for the reason many battles are lost: the failure of one of his unit commanders (Benteen) to follow orders and coordinate his actions with the actions of the remainder of Custer's command. I expect, however, that the old, comfortable, politically correct view of Custer will die hard, if at all--to some, logic means naught.

In this classic work, John Bunyan paints a detailed picture of the Christian life/walk, giving true-to-life insights and experiences. The despair, sorrows, trials and temptations that a believer may face are depicted in an allegorical manner, as well as the hope, joy, and salvation found in Jesus Christ. The main character Christian (once named Graceless) sets out on a lifelong journey from the City of Destruction, where his family disowned him, and encounters many persons and difficulties along the way to the Celestial City (heaven). The characters he meets are given names that reflect their mindset or what temptation they bring. At times he stumbles and at times he perseveres, but all by the grace of God. The second portion of the book tells of the conversion and subsequent sojourn of the wife (Christiana) and children of Christian. The discussions of Christian in the first part and Christiana and her companions in the second part are very interesting, as they defend their faith and explain their purpose to those they meet along the way. The book is quite different from your ordinary novel, and has many interesting words of wisdom for the Christian life. Readers should be aware that some of the language is antiquated and has unfamiliar usages, so its a little bit of an adjustment to read.

A letter to Marvin Minsky about this book:

I urge you tolook at a remarkable book by the English Puritain John Bunyan(1628-1688), "The Pilgrim's Progress", which is one of the great evangelical Christian classics, though clearly that is not why it interests me and should interest you (although I AM interested in the puzzle that is the religious sense, which even the irreligious feel, and this book can give remarkable insight into that as well).

Rather its fascination lies in the pilgrimage it depicts, or in the fact that human traits, vices, virtues, &c are PERSONIFIED as particular individuals who are their living and speaking epitome, and who are encountered along the way in revealing situations.

Bunyan's hero is appropriately named Christian. Someone once wrote that "Christian's journey is timeless as he travels from the City of Destruction to the Celestial City, meeting such characters as Pliable, Talkative, Giant Despair, Evangelist, Worldly-Wiseman, Faithful, Ignorance and Hopeful."

At first this personification is merely amusing, even a bit annoying (as caricatures or truly stereotypical people can be); but after a while I found myself enthralled because I realized that the effect of this odd literary device was to give unmatched insight into the nature of such traits. The force of the whole thing comes from the fact that one journeys about in - literally INSIDE of - what is both a comprehensive and finite moral and psychological landscape (a "psycho-topography"), very much as though one were INSIDE the human mind and your "Society of the Mind" was embodied in the set of actors. This is more or less the opposite or an inversion of the 'real world' of real people, who merely SHARE those attributes or of whom the attributes are merely PIECES; in "Pilgrim's Progress", by contrast, the attributes are confined in their occurrence to the actors who are their entire, unique, pure, and active embodiment, and humanness, to be recognized at all, has to be rederived or mentally reconstructed from the essential types.

The effect, for me, was something like experiencing a multidimensional scaling map that depicts the space of the set of human personality types, by being injected directly - mentally and bodily - into it by means of virtual reality technology.

So Bunyan's book has something of the interest to a psychologist, neuroscientist, or philosopher that Edwin Abbot's "Flatland" has to a mathematician.

I don't mean to overpraise "Pilgrim's Progress", of course; it was written for theological rather than scientific purposes, and has conspicuous limitations for that reason. But its interest to a student of the mind who looks at it at from the right point of view can be profound.

- Patrick Gunkel

Pilgrim's Progress is without a doubt one of the true classics of time--an allegory that has remained a best seller years after its introduction.

My first introduction to Pilgrim's Progress was as a child in parochial school. I had to do a book report on it in 5th grade and ended up reading numerous times for various projects throughout grade school.

The reader follows the main character--aptly named "Christian"--on his journey to the Celestial City.

Along the way, Christian passes through the many trials of life, symbolized by intruiging characters and places along the way. An early temptation is the "City of Destruction", which Christian narrowly escapes with his life. The various characters are perhaps the most fascinating portion of the book--Pliable, Giant Despair, Talkative, Faithful, Evangelist, and numerous others provide the reader with a continual picture of the various forces at work to distract (or perhaps, encourage)Christian on his ultimate mission.

Of course, the theology (for those of the Christian faith) of Pilgrim's Progress is a constant source of debate, the book is nonetheless a classic of great English writing.

It's not a quick read--that's for sure--however, I certainly would recommend that one read it in its original form. Don't distort the beauty of the old English language with a modern translation.

"Black Like Me" has to be one of the most accomplished books of all time by John Howard Griffin. This nonfictional piece of literature begins with Griffin, a Caucasian, pigmenting his skin to a darker brown, a color resembling that of an African-American, in order to feel what it's like to be an African-American. His destination proceeds throughout the South where he records his real-life experiences and encounters with other African-Americans as well as Caucasians. The transformation of his skin pigment leads him to face the discrimination and prejudice from Caucasians yet allows him to feel a sense of unity among the rest of the African-Americans. The differences of Griffins "two lives" (one being white and the other black) contrasts greatly. As a white, Griffin automatically had the opportunity of entering restaurants, shows, and other places without a problem. He remained healthy, physically, emotionally, and mentally. On the other hand, his life as a black made him lose the opportunities of a white, and therefore, Griffin became emotionally, physically, and mentally unhealthy. What does the large contrast between two lives of the same person with a different shade of skin show about human beings? Even though Griffin's experiences took place forty years ago, this book allows us to question whether society has improved and changed or not. In some ways, I believe it has, but in others, the traditional ways have dominated improvement. Unless you are a victim of prejudice today, one can finally perceive how brutal and painful prejudice and discrimination are through the mind of a white man battling the everlasting war of racism within society. -A.H., 16, IL

John Howard Griffin's Black Like Me, contrasts the lives of Blacks and Whites in the 1950's. I was mesmerized by the hateful encounters that the Black people went through just because of their skin color. I was also amazed about how my ancestors, the white man, never gave the Black people one iota of respect.
Another angle of the story showed how far a journalist of the fifties would go for a story. Through the book, I saw Griffin go against all morals of his time for a story. I saw him become an outcast of his society. On top of that he put his life on the line, with the skin change and the crazy white men, for a story. This seemed to me to be a dumb mistake that eventually cost him his life.
I enjoyed the book and will read it again. I think this book could give you a different perspective on a lot of issues not only of Griffin's time, but on ours as well.

Book Reviewby Adam Levinson
Core 8
The book BLACK LIKE ME by John Howard Griffin is a great non -fiction informative tale through racism, and prejudice. In this book John Howard Griffin tries to explain to the world that there is no difference between black and white, just on race called human. He also tries to show that not all white men are racist and prejudice against black people. The book is about a white writer that changes his pigmentation (change his skin color to black). After he changed his pigmentation he went to the Deep South to report what it is like to be a black man. He wrote this book from his own point of view but also put himself into the positions of other people. The author is a great writer and very persuasive. He can make you change your mind about an idea in one sentence. John is very flowing and one of my favorite writers. Although it was at some points boring and unnecessary he still seemed to impress me with his outstanding facts. I found it interesting that black people were not able to swim on some beaches. I feel that John Howard Griffin was an activist. I feel this way because he lived in a time were if you did not hate black people you were ridiculed and not hated by your town. Knowing that when he published his book that people would hate he took the risk and proved that there4 is no difference between black and white, just a different shade in color.
I would recommend this book to an teenager because it does tend to get a bit boring. Overall I loved this book and left an everlasting impression about this horrible period of time.

I have read almost all of Silverberg's novels written before 1980, and believe that "Dying Inside" is his best. It is unfortunate that it is out of print, but one can find it with a bit of effort. My daughter found a used copy in a small bookstore in NYC -- I have since re-read the book and found it even more poignant than the first time I read it. Readers not interested in science fiction should take the plunge into the genre with this book, as it explores the psychological aspects of alienation that can result from possessing a rare quality (or affliction). The main character of the story, David Selig, struggles with his relationships with others because of his ability to know exactly what they are thinking, feeling, etc. He learns that even his parents aren't always loving despite what they say. His unique loneliness is heartbreaking. Take the time to find this book. You may conclude that it is one of the most powerful science fiction novels ever written.

"Dying Inside," by Robert Silverberg, is an amazing masterpiece on the subject of alienation which, unfortunately, seems to have fallen out of the public consciousness in the 1990's. David Selig is a telepath who is losing his power. He is also losing his only source of feedback for human emotion and real contact with other human beings. Reduced to hacking out term papers for otherwise engaged Columbia University students, Selig's superhuman powers serve only his prurient, voyeuristic interests. Selig has never realized the potential of his power and his regrets are underscored by his constant referral to T.S. Eliot's masterpiece of modern anti-heroic poetry, "The Love Song of J. Alfred Prufrock." Although he is becoming trapped within himself, Selig has a reconciliation with his normal sister and his fading power, which is ultimately affirmative and uplifting. Silverberg won the Hugo Award for "Dying Inside" and the book secured his place as a master of modern fiction. Although Selig is superhuman, he is really Everyman, trying to define himself in a vast and confusing world. His story is a personal and painful, yet rewarding, trip into the human conscience. While exploring basic questions from the entire range of man's emotional experience, "Dying Inside" remains grounded in the eternal modern question of the consequences of action, inaction and the value of human existence. In interviews, Silverberg has revealed how emotionally draining it was to write this book. His personal sacrifice should be rewarded with a periodic reprinting of this powerful and urgent portrait.

Along with THE BOOK OF SKULLS and DOWNWARD TO THE EARTH, this is 1 of Silverberg's very best novels, & 1 of the finest science fiction novels of the 70s. An intimate portrait of a telepath losing his powers, the book Dscribes the depression of that loss, as well as the exaltation of David Selig's gift. The brilliant writing U can almost take 4 granted -- it's Silverberg. What's really stunning is the painfully up-close, intimate, personal portrait U'll get of Selig & the people in his life. It's so vivid, indelible -- U'll feel like U've met this person. There's even a happy ending. It makes 4 an amazing, rewarding mind-movie. An all-time classic -- the fact that it didn't win either a Hugo or a Nebula Award (which both went to Isaac Asimov's 2nd-rate THE GODS THEMSELVES) is 1 of the major lapses of R time.

Some enterprising publisher of lapsed titles--perhaps Dalkey Archives or someplace similar--should publish a new edition posthaste. "The Travels of Jaimie McPheeters" is a walloping good read, full of excitement, humor, and vivid characters. In places it reads as if Mark Twain and Henry Fielding had put their heads together for a collaboration. Robert Lewis Taylor wrote several books about teenage boys coming of age on the frontier, but "Jaimie McPheeters" was the first and by far the best.

I can't believe this book has gone out of print. I read it 25 years ago and I can still vividly recall many scenes. I wanted to get it for my teenage sons. There are characters that show the best in human nature, and the very worst. But most important are the characters, like Jaimie's father and the wagon train guide, that are a combination of faults and virtues. They show what character is when they face-or avoid-the difficulties that their shortcomings have caused.

I read this book back in the 1970's - it belonged to my Father. I found that it was absolutely rivetting, even though I could only have been about 13 at the time. I reread Jaimie McPheeters at least twice again but unfortunately, when my Father died, the book was sold along with a lot of his other personal effects. I have often wondered where I could get a copy and when I have visited the States, have endeavoured to find one - to no avail! It really is a brilliant read - I still remember some of the passages quite vividly. That 'The Travels of Jaimie McPheeters' is no longer in print is a crying shame. Would some kindly publisher please read these many and unified reviews and resurrect this great novel.

The book is actually co-authored; Forrest Church writes the odd number chapters and Buehrens writes the even. The two have completely different styles of writing, which Church acknowledges in the forward (which begs the question of why they would attempt such a book). It makes it feel like two different books altogether. Beuhrens' is far better and clearly quenches the objective of the book, giving a splendid introduction and education on Unitarian Universalism. I urge him to write his own book. Church, ironically, represents the very kind of religion I would assume UU's want to avoid. He "preaches" (he even compares himself to a spider - one "who spins what he has to say out of himself") and often speaks in complexed, theologian rehtoric that only a scholastic author of religion text books would understand. You might as well read a King James Hymnal. Buehrens words flow like Emersons, which warm with logic and burst with revelation the way one's free religion teachings should. Skip the odd chapters and you'll be satisfied.

Out of Recommendation from a friend I bought this incredible book and surprisingly, I proceeded to enjoy the openmindedness this religion has to offer. A Chosen Faith has shown me a whole new perspective on the Unitarian Religion, and although I was raised under a Catholic background. This incredible book has changed my views on life emphasizes equal respect towards people of all religions and cultures. The book has taught me the virtues of Unitarianism, and I am now proud to say that it has changed my life. This book is a must read for anyone interested in a religion/philosophy in which you are free to question the soul, choose your own morals and experience openminded love towards one another. 5 stars

This book clearly explains what Unitarian Universalism is. At the same time, it is an incredibly enjoyable read. I find it inspirational and insightful. I recommend this book to anyone looking for an open-minded faith that emphasizes service and the search for Truth instead of dogma.