In A Season For Justice: Defending The Rights Of The Christian Home, Church, And School, David French (Counsel for Intervarsity Christian Fellowship's Religious Freedom Crisis Team) brings to bear his many years of litigious expertise and experience as a courtroom defender of the rights and constitutional freedoms of the Christian community. French traces how Christians have fought for their legal rights through the use of anecdotal stories, case studies, and personal accounts illustrating and showcasing battles to preserve the basic right to share gospel teaching in their churches, schools, and workplaces. A Season For Justice is informed and strongly recommended reading for those concerned with the freedom of religion, and the relationship of Church and State, within the American constitutional framework.

I found this book to be very enlightening on the issues and hurdles facing many of our Christian brothers today. This book serves as a wake-up call to those of us who may have become lethargic and lazy in our faith. I believe you will find "A Season for Justice" to be highly educational and inspirational.

This book is very educational, but the tone of the book is conversational and approachable. The author talks about religious freedom issues in quite interesting and remarkably innovative ways. I have been a Christian all my life, have heard the arguments from the pulpit about how we need to "take our country back" from those who try to relegate Christianity to the back rooms and away from public life. I always agreed to some extent, but never felt empowered because I didn't understand HOW to do that precisely. This book explains the HOW. If you are remotely interested in American culture and Christianity's place in that culture, this book's for you. If you wonder how September 11th changed things in America's spiritual/political climate, this book's for you. I highly recommend the purchase of A Season for Justice. It will change the way you think about the "culture wars," and it will give you courage to stand up in the name of Christ to actually fight these battles.

A confirmed optimist, I surprised myself by liking this book a lot. It is a fascinating, being both very humorous and informative at the same time, and hard to put down. The writer presents evidence which suggests that not alone is everything bad for you, but that you are "damned if you do, and damned if you don't". It will make you laugh, which is good for you, but then again, maybe laughing isn't good for you! There is also an excellent list of websites to help track down solid information on a wide range of health issues. So I reckon whether you are an optimist or maybe a pessimist, looking for a laugh or trying to get some solid information on particular issues, or looking for a Christmas stocking present, check it out.

this book is awesome. well researched, entertaining, and full of uncommon sense. Details the complexities in modern life.

What I liked about this book is that it's not only very funny, it also contains huge amounts of information about things that may actually be bad for you. The author himself is somewhat agnostic about how much of this stuff you should believe, but I found myself reassessing the things I eat, as well as becoming more alert about issues I hadn't given much thought to, like the reliability of medical care and prescription drugs. There's something for everyone: for example, any woman who is pregnant (or thinking of becoming so), should pay attention to what the book says about things from aspirin and soft cheeses to seafood and swimming pools. A small treasure.

Having read several books on the move to EMU, this is definitely one of the most thoughtful and incisive (and by far the best written!!). Clearly the French perspective on the EMS and EMU is absolutely crucial to understanding why European monetary integration happened at all. Well done! This book enters into impressive detail about the French perspective but places the development of French policy clearly in the context of wider European developments so that the non-specialist can follow the text and learn about monetary integration more generally.

This is a well-balanced, thoughtful study of French policy on European monetary integration. For those looking to understand EMU go no further!

This is a detailed yet highly readable account of the reasons why the French sought European monetary integration. I recommend it all those interested in why the French embraced EMU.

This book is the best self-contained source for French grammar to come around in a long time. It is particularly good if you learned French through self-study from a variety of sources and want a single volume that encompasses all the essential grammar you need to know. There are lots of exercises (all with answers provided), culture notes, examples from newspaper advertisements, and a section on idiomatic usage. The only caveat is that you should already know French at least to the two-year level. The book is also a bit weak on composition, i.e. letters, essays, and the like. In a formal correspondence, for example, you may want to write using the conditional instead of the present indicative (e.g. je pourrais rather than je peux) and more of this sort of information would have been helpful in a review such as this one.

This is not introductory material so if you are just starting out and want a similar volume try Cassell's Contemporary French by Valerie Worth-Stylianou. Its out of print but frequently available through Amazon's Marketplace sellers. The Cassell's book is geared for beginner and intermediate French learners and is every bit as comprehensive as the Ultimate French Review. The Cassell's book is better at building a vocabulary, idioms, and writing in French, but if you've been there before and just want an in-depth review without the burden of too much "French 101" stuff the Ultimate French Review and Practice is definitely the way to go.

I bought this book to relearn all the grammar I used to know. Having had six years of French (last class was ten years ago), I needed something that would take me through grammar lessons fairly quickly. This book does that.

This is a handbook on grammar and conjugations. It follows a simple pattern for presenting material--it provides short lessons with examples, and then gives 8-12 practice exercises (with answers in the back of book), and so on.

This book emphasizes grammar over vocabulary, but translations are provided for the words that are used in examples and exercises. Translations also appear for idiomatic phrases.

I learned of this book by researching the materials used in upper level French composition classes at various universities. This one came up several times as a companion to the literature that students were required to obtain.

Here are the contents of Ultimate French Review and Practice:

Part I, Verbs--Basic Forms and Uses: 1. Present tense, 2. Present tense of irregular verbs, 3. Negative sentences, 4. Interrogative sentences, 5. Imperative, 6. Passe compose, 7. Imperfect; imperfect versus passe compose, 8. Reflexive verbs, 9. Future and conditional; conditional sentences, 10. Pluperperfect, future perfect, and past conditional; conditional sentences, 11. Passe simple, 12. Present participles; uses of the infinitive.

Part II, Nouns and Their Modifiers Pronouns: 13. Nouns: gender, number, and articles; uses of articles, 14. Stress pronouns; subject-verb agreement, 15. Possessive and demonstrative adjectives and pronouns, 16. Interrogative adjectives and pronouns, 17. Adjectives; comparative and superlative, 18. Object pronouns.

Part III, Other Elements of the Sentence: 19. Numbers; time; dates, 20. Adverbs, 21. Negative and indefinites, 22. Prepositions; prepositions with geographical names.

Part IV, Verbs in Two-Clause Sentences: 23. Relative clauses, 24. The present subjunctive, 25. The past subjunctive; literary subjunctives, 26. The subjunctive (continued).

Part V, Idiomatic Usage: 27. The passive voice and substitutes for the passive, 28. Important idioms and proverbs.

Don't be fooled by the price. This is a great resource.

And easy to follow--I've been away from the formal study of French for several years, and this book really has helped me to dust off my grammar. Great for someone who already knows some French, and refreshing not to have to start with level one, as in most books. The exercises have lots of repetition but don't get dull.

I don't believe I've read a more compelling book! It was purchased from a bargain table as something to read while recovering from a foot injury. The therapy for my soul and mind was worth far far more than the few dollars I paid.
So many times I've been disappointed in the quality of "Christian Fiction." Not so with "SOUTH PACIFIC JOURNAL." The characters are believable and very interesting. Descriptive passages place the reader on location in the South Pacific. I've never read such compelling "flash-back" passages. Even though the narrative left many unanswered questions about the characters (What happened to the lieutenant? How did Sarah try to contact her family? When and how did she return to Manila?) I feel as if I really know the characters personally. I hope David & Nancy French write a sequel.
My gratitude goes to the authors for such excellent writing and to the publisher for printing this book.

I just finished reading the wonderful story South Pacific Journal by David and Nancy French. I recently started reading Christian fiction as I am so sick of the filth in secular reading. This story made me smile and cry and praise the lord all at the same time. It was beautifully written and the characters all seemed alive to me. If more of our young people would read these kinds of books maybe the world wouldnt be going to hell the way it is!!. I hope these fine new authors will publish another story soon. I will rush to the bookstore to get it!! May God Bless all who reads this wonderful book.

South Pacific Journal was definitely worth the day I spent reading it. This story is about a brother and sister, Jacob & Sarah Levine. They are separated by unusual circumstances, but Jacob finds out about Sarah through a phone call, a fax and a trip half way around the world where Jacob finds a priceless treasure. The tale is skillfully woven and drew me in on the first page and release came too soon at the final sentence - so sweet was the journey from cover to cover. Rarely would I expect to find such a seamless story line and so strong a purpose in any book, especially by new authors. Believability, passion and God's loving mercies were echoed throughout this gripping tale. As page after page of masterful storytelling unfolded, I cried, I hoped, lost hope and found it again. Finally, if you've ever wanted to introduce someone to your dearest Friend -- let this book help you. They'll be glad that you did... Bernie Siegel said in one of his books, "Tell a story. No one is offended at a story." Thanks Nancy & David French. Your story will find it's way into the hands of some of my loved ones this year so that the Story will never die....

Two centuries or so before "modern" writers began writing experimental novels, Denis Diderot, the force behind the Encyclopaedia effort, wrote this strange and indeed very "modern" novel in which the author leads a conversation with the reader, asking him where he (or she, of course) would want to go and what to do with the characters and the story. Here we see the author in the very process of creation, exposing his doubts, exploring his options, and playing with the story.

There is really no plot as such. Jacques, a man who seems to believe everything that happens is already written "up on high", but who nonetheless keeps making decisions for himself, is riding through France with his unnamed master, a man who is skeptic of Jacques's determinism but who remains rather passive throughout the book. Fate and the creator-author will put repeatedly to test Jacques's theory, through a series of more or less fortunate accidents and situations, as well as by way of numerous asides in the form of subplots or stories.

The novel is totally disjointed and these asides and subplots blurb all over the place, always interrupted themselves by other happenings. The most interesting of them is the story of Madame de Pommeroy and her bitter but ultimately ineffectual revenge on her ex-lover.

Diderot confesses to having taken much from Sterne's "Tristram Shandy" and Cervantes's "Don Quixote". This last novel's influence seems obvious at two levels: Cervantes also talks to the reader, especially in Part Two, and also reflects abundantly on the creative process. Moreover, the tone and environment of the book is very similar to the Quixote: two people engaged in an endless philosophical conversations while roaming around the countryside and facing several adventures which serve to illustrate one or antoher point of view.

Diderot's humour is bawdy and practical and the book is fun to read. The exact philosophical point is not clearcut, but it will leave the reader wondering about Destiny, Fate, and Free Will.

Yeah. Believe all the reviews below. This book really is amazing. It would feel like it was written yesterday, if it was more derivative -- but it's fresh! The language is incisive, no waste, and the pacing and structure are brilliantly fluid. It's smart and funny, too, and completely unpredictable, filled with weird offhand bursts of bewildering narrativity. And yet balanced, apparently sane. I truly enjoyed reading it. It's great.

This book is amazing. It will make many of your conceptions of where things belong in the history of the novel fall apart. Not coincidentally, that is one of the points of this book, being an exercise more than a message: that all apparent armatures of order are one more perspective away from disintegration. This book is really quite sneaky as well. In the beginning, the constant references to the inscriptive certainties in the heavens seem silly. But then little explanations come along (like the geneology of Jacques' crazy horse), and the novel heads down a dark, yet very enchanting road, into a fuzz that's every bit as modern as any you've read. This thing alternately looks like Bunuel, Zola, Stendhal, Faulkner, Kerouac. The picaresque, the uncertain narrator, the structuralists, all seem to be swimming around in this amazing book.

Surely many writers and artists from this era (like Goya) depicted the nobles as effete and incapable of carrying out the governance of the most basic requirements of existence, but here, they also appear (in the image of the 'master') as so withdrawn from the world as to be blind. If you take away all the stories that are told, the only thing that's left of a plot here is the master having his horse stolen right from under his nose while Jacques was gone and then Jacques finding it for him at the end in a beautiful, mock sort of deus ex machina.

This is a charming story of the "Jazz Cats" playing their music through out a New Orleans night. It is told in rhyme and each member of the band shows his musical talent. There is the hot piano kitty, Louise, and the leader of the band Broussard playing his clarinet, and old Grandpa Kitty blowing his horn. These and the rest of the jazz band play through the evening and the story follows them into the dawn as they walk home stopping at their favorite cafe along the way for a bite to eat and play a bit more jazz out on the lawn. The story ends in the park with the cats drapped asleep around the park bench waiting for the next nights gig.
The illustrations are delightful as the cats prance and strut to the music in their hip clothes set against lush backgrounds. The rhyme and art is felt through out the book and any child would enjoy this flavor of the south. They will hear the music blow out of the pages.

Jazz Cats is a rhythmic story told in verse about some real cool cats that knowhow to entertain. Their New Orleans jazz combo plays together in the streets as these cats know how to have fun! David Davis' lively and entertaining picturebook story is brought vividly to live with the detailed artwork of Chuck Galey against such New Orleans backgrounds as Preservation hall, Cafe du Monde, and Jackson Square. Jazz Cats is an enthusiastically recommended addition to family, school, and community library picturebook collections for young readers.

I loved Jazz Cats. The rythmn could be felt on each page with the flow of the text and the wonderful illustrations. It helped me explain to my children the unique culture of New Orleans. Then we listened to some Kenny G and went to eat at Razoo's Cajun Restaurant!

Great Book

Vickie L. Perez

The Count of Mote Cristo is a really exciting and fabulous story; I really enjoyed the book while reading it. The main character Edmond Dantes is about 21 years old, and for him, life is just full of success. He is a successful merchant and is about to be promoted to captain of a ship. At the same time, he is also about to marry a beautiful young girl whom he has loved for a very long time. But amidst all of these happy things, misfortune strikes, and Edomnd Dantes finds himself to be a prisoner in the Chateau D'If for life. He is a prisoner because he is betrayed by his so-called "friends" and rumored to be a servant of Napoleon Bonaparte. However, something miraculously happens, so read it to find out.

Although this novel is usually thought of as a story of revenge, it has an even deeper meaning than that. This story not only warns people who betray others, but it also promotes love, friendship, and most of all hope. When the Count of Monte Cristo comes back and seeks revenge, he also meets some friends on the way that move his heart. Some of his friends become poor and have a sad life because of his imprisonment long ago, but they still hope that he will return and they wait for him day by day. The count rewards them in a secret way, and shows how important it is to have hope in one's life even when there looks like no hope. So when you read this book, keep in mind that there is more to it than just vengeance.

This book is very pleasant and I finished it in a couple of sittings. It will definitely put you on the edge of your chair and you will hardly be able to put the book down. This book is for all kinds of people, but it is especially for people that think life is hopeless, because as this book will point out, nothing in life is ever hopeless.

This is and will probably continue to be my favorite boook of all time. It has got everything you could possibly want in a book. It's got betrayal, love, imprisonment, vengance, action, drama, and comedy. But you can read the synopsis for yourself.

More important than the plot of the story is that the reader will learn to love Edmond Dantes, the main character. They will admire his strength, his wits, his arrogance, and the way he learnes from his mistakes.

The reader will also learn to completely hate Danglars, Villefort, and Fernand. Every single horrible thing that happens to them, the reader will truly believe is justly deserved, even when Edmond believes it's too much.

The writing is also wonderful. The reader will practically be transported to France as they read this novel. The word choice is so magnificent and the sentences flow so well that the reader will feel every emotion that the characters do, and will probably even taste the sweet Parisian air in their mouths.

I first read the Signet Classic abridged version, and I thought this novel was great, but then I picked up the unabridged Modern Library version and enjoyed it even more. This book will change your life and I would highly suggest that everyone in the world read this book. Move over Shakespeare because you have just been dethrowned.

I must admit, I first picked up The Count of Monte Cristo about ten years ago because I liked the cover art (a different edition than this one). Within five minutes of reading it, I was hooked. The next 1,000 pages simply flew by and I literally could not put the book down. For someone who's never read it before, it's an enthralling tale of treachery, despair, hope, and ultimately a quest for vengeance. After finishing "The Count", I immediately sought out every book by Dumas I could get my hands on (The Three Musketeers, Ten Years After, and The Man in the Iron Mask). They were all exceptional reads, but none of them matched the brilliance of "The Count ."

Any reader who enjoys tales of adventure and has a taste for historical novels will love this book. I thought the recent movie version was excellent too, but I highly recommend reading the book first.

Georges Perec loved language, and it shows. _Life_ is clearly a labor of love. There are times when maybe the descriptions ramble, and you may well find yourself into the fifth page of a description of some piece of furniture, but if you don't keep track, you'll never notice. This is a difficult book to describe simply because it is so dense. At one level, it's a logic game; at another, it's an exercise in linguistics; at another, it's simply poetry. The translator, too, deserves kudos. Although I haven't read the original, the translation, I suspect, has remained faithful to the spirit of the book. Please read this book.

If you read the first few pages of this book after seeing all the glowing reviews on Amazon, you may wonder what we are so excited about. However, you will be rewarded if you persevere. In an ice-cold literary voice, Perec systematically describes the inhabitants and contents of a Paris apartment building. His style is at first totally uninvolving, yet somehow, amazingly, his monotonous descriptions come together like the tiles of a mosaic (or, to use Perec's image, the pieces of a jigsaw puzzle) to create a living, exciting picture. Even if you know nothing about the philosophical and aesthetic theories that gave this book its structure, you will find it enthralling.

The book presents a richly interwoven series of stories with complex, mind boggling intertwinings. The novel resembles a giant jigsaw puzzle with each piece bringing more insight into the one master jigsaw puzzle which is life itself.

The novel describes the life of the residents of a Paris apartment building. It is densely packed with very fine details about the people and places, making it a slow reading. Also, it behooves the reader to remember as much as possible of whatever he reads so that he can correlate the various pieces of the puzzle (i.e., the novel). Which is also a reason to read the novel again and again (probably once every year) to enjoy it thoroughly. It resembles Tolstoy's War and Peace in this regard.

In short, one can rarely expect to come across another novel like this. A must read for everyone who wants to try new things.

I have little that is critical to say about this book: I bought it with certain purposes in mind (to find a few authentic recipes for certain classic French dishes such as Coq au Vin which I first tasted in Manhattan in New York at a young age) and to find a few new ones for French HOME cooking (and not whatever is 'nouvelle cuisine,at that, about which I have only read, in any case), and it has more than fulfilled them. The recipe for Coq au Vin de Bourgogne (which I have yet to prepare but have read carefully and will be making before long), for example, is not just presented in a cut and dried fashion, but the instructions for what Elizbeth David calls "A typical Burgundian recipe, from the Cloche d'Or in Dijon", are given and then discussed by the author as to ways of proceeding, given the difficulties that she has noted, in practice, in making it. (In the case of this recipe she does not just say in her list of ingredients that is made with red wine, but specifies a sound red Burgundy, Beaujolais, or Macon. Since I had never made it, and had viewed making it with some trepidation, I appreciated the fact that not only has she included an obviously excellent recipe for it, but she has, in the course of her presentation and discussion, persuaded me that, even though I know I can't make it adequately well, perhaps if I pay attention to what she writes in this cookbook, and I just follow the(this) recipe(s), more or less, what results may be food which will be (just, at least?) good enough. Of course I was interested in her recipe for Boeuf à la Bourguiginone (which is something which, as of this time, I have yet to make, but had more than planned on cooking at this time, in that I had prepared it to the point at which it could be stored to be completed later, which became necessary, since I got into a car accident recently, and am still recovering from some trauma, so this wonderful dish has to wait until I am truly fine), which is is worth reading and paying attention to, although of that, I have others which are not to be dismissed either. A further remark or two. This cookbook has so many interesting recipes that I haven't had the time to read all that many of them (nor have I owned it that long). One section, not to be overlooked entirely, is on the preparation of vegetables, and I was grateful to read there not only a recipe or two for the lowly leek without its necessarily being the leek in leek and potato soup, or the same in just leek soup, but, the leek as, yes, a vegetable, in good standing, WITHOUT her calling it "the asparagus of the poor"!! Finally, there is a recipe for Escargots farcis for which I cannot find the 'ingredients' for in my area . The 'ingredients" I am referring to are BOTH the shells and the snails which were sold separately in a local chain supermarket in my neighborhood, years ago, on the upper East side of Manhattan. Unfortunately that supermarket is no longer there. I am glad that the recipe for Escargots is included in David's French Provincial Cooking (the cooking of the various regions and provinces of France, not just Provence, is discussed in her wonderful introduction, followed the recipes from the same), since I hope to find them here at a later date. This cookbook, then, is quite a find for me, and it will continue to be in times to come. To some extent this review is premature because I have not actually made, or even read, all that I would like to of her recipes yet, but it seems to be that time anyway, which means that already this has proved to be a wonderfully helpful cookbook (if , for example, you know how to make mayonnaise but haven't done so for a while, and need help, and even calming, along the way, what she has to say in this cookbook is well worth reading and may even help you with all of that), which I highly recommend.

In 1968, twenty years before I wrote "At Home With The French Classics", two books started me on my lifelong quest for raising ones appreciation and enjoyment of fine food. The Foods & Wines of France, by Roy Andries De Groot and Elizabeth David's French Provencal Cooking gave me an understanding of French food and cooking that has stayed with me ever since. Elizabeth David writes recipes that you can taste and smell while reading. You can see the color of the vegetables and the slow simmering of sauces, and you are inspired to cook. Anyone who is interested in French food should make this book mandatory reading.

What I wanted was a book of unfussy French recipes to be done in 15 minutes. What I got was a book with no list of ingredients, no photos, no color, and "a useful dish for those who have to get a dinner ready when they get home from the office" taking 3 hours to cook (Daube de Boeuf Provencale). Obviously, it seemed, I had made the wrong choice.

On further reading, however, what unfolded was something beyond a "cookbook," and ultimately more useful. This is a superb book. French Provincial Cooking should be approached and read as a series of short stories, as well written and evocative as the best literature. The voice is highly personal and opinionated, sometimes sharp and catty, but always true and ultimately sympathetic. It is always entertaining.

And the recipes, it turns out, are less intimidating than at first glance. Most importantly, they work if your aim is to produce the most excellent food imaginable. There is nothing slick here, no L.A. hype or N.Y. blah blah blah, and obviously, they have been tried and perfected; what initially seem to be annoying details (e.g., for omelettes, eggs "should not really be beaten at all, but stirred," whereas for scrambled eggs, they should be "very well beaten") are actually secrets not to be skipped, that elevate a good dish to a superb one. The lesson is that good food should be done simply, but it takes care, attention to detail, and frequently, time.

I find these recipes don't stint on the butter, cream, and wine, making them seem a little frumpy, but every one I've tried has been delicious. Ratatouille, salade Nicoise, terrinee de porc, piperade are all the best I've had. It doesn't get much better than this. Deserts are a model of simplicity and elegance; peaches with sugar and white wine; bananas with sugar, kirsch, and cream; pineapple with kirsch. These ARE easy, and thankfully, E. David had the self-confidence to actually put them down in a book.

French Provincial Cooking is superb in all ways. It's the real thing!