If you are looking for a book that will unravel the mysteries of the everyday French language, look no further. Street French 2 goes far beyond the standard idiomatic translations, even including practice puzzles and exercises. I would recommend it to those who are already very familiar with the language but would like to improve their overall knowledge of conversational French. It is not a book for beginners.

Have you ever wanted to travel to Tahiti, but thought it might be too expensive? Did you want to experience the Polynesia of Gauguin and Bougainville, but thought it had gone forever? Did you think that island archipelagoes such as the Gambiers, Tuamotus and the Societies were beyond your reach?Well, David Stanley's 'Tahiti Polynesia Handbook' will dispel many of the myths you may have heard about this far flung corner of the South Pacific. Stanley's first law of independent travel, is that " the more you spend, the less you experience". This holds true for Tahiti Polynesia as much as anywhere else. Why would you want to stay in a luxury hotel on Bora Bora, which merely creates Waikiki Beach for twice the price?Discover the real Polynesia: be amazed by the myriad colours at Papeete Market. Take 'Le Truck' to travel and meet the Tahitians at work and play. Adjust to island time by taking the slow boat to Moorea: experience the surreal majesty of Matavai Bay on departure and the awesome backdrop that is Mount Rotui as it looms above the deep green of Cook's Bay on arrival.All this and much more is detailed in the Tahiti-Polynesia Handbook. Where to go? What to see? What to do? How to get there? The introductory historical, socio-political, economic and environmental and even gastronomical chapters, answer all of the questions you could ever possibly ask about the islands of Polynesia. Subsequent chapters are full useful hints and tips, aircraft/boat and bus timetables, maps, illustrations, artistic impressions and quotations about this fascinating group of islands. There is also a sprinkling of excellent colour photographs, though more of these wouldn't come amiss!I was originally introduced to the South Pacific through Stanley's much larger volume, the South Pacific Handbook. The Tahiti Polynesia Handbook is small enough to fit into your backpack, yet light enough to avoid excess baggage charges! Having read the book, I now feel the urge to explore outer Polynesia in much greater depth. Names such as Huahine, Raiatea, Rapa Iti, Rangiroa and Fatu Hiva are now within MY reach.Leave the tourist hordes behind and become an independent traveller; experience Tahiti-Polynesia for yourself and get a copy of David Stanley's Tahiti-Polynesia Handbook.

Jean Cocteau's impressionistic poetry is simply amazing. It's in both English and French (and there's some famous erotic drawings by another artist included, which I found to be a little inappropriate) and contains about 20 poems. I loved every poem in the book and found modern allusions to them in bands like The Cure. I strongly recommend this to someone with a love for intellectual poetry.

The Vicomte De Bragelonne is another masterpiece by Dumas. Although not as captivating as the first two books in his series (The Three Musketerrs and Twenty Years After), VDB certainly has its moments. VDB is followed by Louise de la Valliere and finally the series ends with the story of the Man in the Iron Mask. This book starts of rather slowly compared to the others and certainly is not as captivating albeit it is a good read. The ending is a little weak too. The middle is simply a page turner. Adventure after adventure. This book sets up the plot for the last two in the series (all three were really one book entitled Ten Years Later). The Musketeers (d'Artagnan, Athos, Porthos, and Aramis) could not be more different in this book. They are taking diffent sides of the governmental rift as Louis XIV finally makes his rise to power. I recommend this book. END

This book, like all of Dumas' other works, is excellent and should be read by all. It's not as action packed, I admit, as the other Musketeer books, however, I find it equally captivating. I think the interaction of the four friends(d'Artagnan, Athos, Porthos and Aramis),and how they deal and act with one another at this point in their lives is very interesting. If you get this book, you better make sure you have close on hand the next two(Louise de Valliere and The Man in the Iron Mask)because it ends abbrutly, leading you in to the next book. But it's definately a must have.

First of all, the most common way to get the whole series is with 5 separate and distinct books. They are (in order): The Three Musketeers, Twenty Years After, The Vicomte De Bragelonne, Louise De LA Valliere, and The Man in the Iron Mask.

I don't think I need to tell people about the story, but I will. The action and dialogue in the Dumas' stories rivals anything written since. Especially the dialogue. If Dumas were alive today he'd be writing for TV and movies, his dialogue is as fast and witty as anything around.

There are many different printed versions of these stories around. If you pick and choose at random from different publishers, you may miss parts of the stories, have overlaps, or run into major editing. Just look at the versions of the 'Man in the Iron Mask' and see the different page count. At my local library I found two books that said 'Complete and Unabridged,' only one had 10 less chapters than the other.

So, sticking to one publisher increases your chances of getting the whole story. These Oxford World Classic editions are excellent. They do have all five books. They don't cut anything out. They use one of the standard translations (I'm not sure if there has been a new translation in the last 100 years). And they are newly printed. Some publishers versions look like photocopies of old printings and are pathetic.

Dumas is deservedly famous for his intricate and engrossing novels, and The Three Musketeers is certainly no exception. As far as classics go, this one is among the most fun that you'll ever read.

The novel follows the protagonist D'Artagnan as he tries to join the French king's elite bodyguard unit, the Musketeers. D'Artagnan befriends three current Musketeers (Porthos, Athos and Aramis) and what follows is a fast-paced literary romp as the four friends share a series of swashbuckling adventures in 17th century France. The plot is full of twists and turns but is cleverly developed and believable. Dumas expertly develops the characters, engaging the reader as the characters experience war, love and just about everything in between.

The edition I'm reviewing (the Illustrated Junior Library version) is highly abridged (300 pages vs over 600 pages) and has many beautiful illustrations, making an already fun novel even more accessible for young readers.

The story starts out with a young naive Gascon by the name D'artagnan who goes to seek his fortune with the King's Musketeers. On his journey to Paris he has a tangle with a man named Rochefort whom D'artagnan chases throughout the book, along with his female companion Milady, a woman of pure evil.

He meets the Three Musketeers and they don't get off to such a great beginning as he finds himself preparing to fight a duel with all three of them. Eventually D'artagnan wins over Athos, Porthos, and Aramis and together the four set off on adventures to protect their majesty the queen (Anne of Austria) against the bad intentions of the cardinal.

It's all intigue and romance and swashbuckling! I loved it all, every sentence. And i love how M. Dumas twists history to his own literary devices.

I played hooky to finish reading this book!

THere is a reason that classics are regarded as classics: they are timeless and very fun to read, often more fun than you would imagine. THis is a long book, 900 pages in the French version, but I sliced through so fast that I was sorry when it ended.

The plot outline is simple. The four musketeers - for there really are four - want to help the queen in her love for Lord Buckingham of England. All the rest is intrigue and adventure related to that. But the episodes are so funny, the chemistry between the characters so subtle and realistic, that it makes for a truly great read. Indeed, the characters of the musketeers are so well drawn, their inter-relations so complex, that a film or even a miniseries simply cannot do it justice. The glimpses at historical personnages is also fascinating, from Richelieu to Louis XIII. Finally, you get a flavor for the Paris of that epoch, just after the religious wars.

Highly recommended.

This is the novel Camus was working on when he died. It is unfinished and intensely personal . That the work is autobiographical is evident from the inconsistent naming of characters; in one place a characters name is fictious, in another from Camus' life. For example, the mother is once called "Widow Camus."

The work wasn't published following Camus' death but only much later. In some measure that was due to the fact that Camus was out of favor with the French intellectual left for his criticism of Stalin and his position on what should be done with Algeria, the land of his birth.

The recollections of his childhood are wrapped within a visit to his father's grave then to his mother. The father was killed in the first world war. It was the father's first visit to France and he died there. The father plays little role, dying when Camus was quite young. There is the story of his father attending a public execution and the effect of that on him and the child.

Extreme poverty permeats his youth. He did well in school and with the help of a teacher he dearly loved, he was able to continue with schooling. But read the story in his words. Rough as they are, they are better than mine.

It is, after all, about their own lives that writers write best. Here is no exception, and this book, far beyond any other recollection of childhood I have ever read, exhumes the anguish of memory. The chronicle of his past is underscored by poverty, but out of that, Camus has built a recollection of childhood that overcomes bitterness and misanthropy and finds redemption. Somehow, Camus has emerged as the completed man, the mature man, who can finally be consoled, rather than confronted, by his own past; above all, he has characterized his life as an emotional journey, and in finding solace in the destination to which he has arrived, for better or worse, he elevates those principal forces that steered his course, his mother and his childhood instructor. This is indeed, as Camus himself termed it, the novel of his maturity, and the only unfulfilling aspect of his story is that it will remain unfinished. As the story relates, however, we can always find happiness in what we have, even if it is not exactly what we wanted.

It is, after all, about their own lives that writers write best. Here is no exception, and this book, far beyond any other recollection of childhood I have ever read, exhumes the anguish of memory. The chronicle of his past is underscored by poverty, but out of that, Camus has built an evocation of childhood that overcomes bitterness and misanthropy and finds redemption. Somehow, Camus has emerged as the completed man, the mature man, who can finally be consoled, rather than confronted, by his own past; above all, he has sketched his life as an emotional journey, and in finding solace in the destination to which he has arrived, for better or worse, he elevates those principle forces that steered his course, his mother and his childhood instructor. This is indeed, as Camus himself termed it, the novel of his maturity, and the only unfulfilling aspect of his story is that it will remain unfinished. As the story relates, however, we can always find happiness in what we have, even if it is not exactly all that we wanted.

"Beauty is the greatest of human powers. All autocratic unbridled power with nothing to counterbalance it, leads to abuse, mad excess. Despotism is power gone mad. In women, despotism takes the form of satisfying their whims". This remark engulfs Balzac's opera: To collate the audience with the obliterating debauchery society of 18th century France. Lisbeth Fischer aka Cousin Bette lurks in every chapter as a concealed beast coveting her prey (The house of Hulot) under the same roof. Perhaps Balzac's major achievement in this master piece, is to portrait a flauntering society feigned by its ostentatious opulence but immerse on a licentious and decadent life. "The savage has feelings... only the civilized man has feelings and ideas." Balzac seems to banter at Parisians with this idea: how civilized, civilized society can be. I strongly recommend this book if you intend to follow De Laclos work in Les Liasions Dangereuses. As an amateur reader I founded the characters difficult to identify at the beginning, however is an strategy smartly set by Balzac and very much appreciated as soon as you start to realize and pace through the richness of the narration.

This is a remarkable book, setting the template for Flaubert and Zola's respective journeys into the sordid human psyche.

Lisbeth is a peasant girl from Alsace, bitter at her cousin Adeline's preferential treatment during their childhood. Vindictive Bette decides to cut the family from its wealth, as well as to debase her family personally. It's not difficult when Adeline's husband Hector becomes so weak-kneed over a pretty face that he would compromise his family if it came to a choice between sex and relatives. Lisbeth maneuvers skilfully, befriending Madame Marneffe, an unhappily married woman with numerous lovers who only wants to see her sickly husband made a manager of his governmental department. Installed in this household as a spy for hector (who is smitten with Marneffe), Lisbeth works toward an alliance with Marneffe, on one side to destroy the Hulot's, on the other to gain the love of Count Steinbock, to whom Lisbeth is a benefactress.

I saw a feminist agenda in this novel. Consider: Whereas Hector Hulot is not frowned upon for his numerous infidelities, and indeed feels no guilt even though his longsuffering wife turns a blind eye, when Adeline, in trying to save her family, attempts to seduce a wealthy perfumer named Crevel, she fears dishonor for herself, and feels immeasurable guilt over the infidelity she never even commits. Could Balzac be commenting on the fact that both women and men should be allowed their indiscretions? Call it immaterial. Also, the female characters are by and large either intelligent and conniving (Madame Marneffe, Lisbeth), or beautiful and virtuous (Adeline, Hortense). The men are scandalously disloyal (Steinbock, Hector), or inneffectual and dissolute (Monsieur Marneffe, Crevel). A fresh perspective...from a male author. Great in every way, even if quite convoluted.

When I described my fascination with Balzac to a pal of mine, I said, "yeah, it is all about disillusioned and cynical people" and he replied: "I am already disillusioned and cynical, so why should I read it?"

Why indeed. This is indispuably one of the best of Balzac's novels, with clearly drawn characters and grim lives in an inexorable descent to self-destruction, which are the classic Balzac themes. It explores the life of a libertine as he ruins himself and his family for the sake of pursuing pretty girls. Unbekonst to him, he gets help from Bette, a cousin full of secret hatreds and bent on vengence. It is very sad to read. One minor character even commits suicide by repeatedly smashing his head into a nail, his only means to finish himself off he could find in his jail cell.

So why read it? Well, again, it is for the wider social portraits that you can find, which are offered almost as an aside. Balzac in one section explains the politics behind the statues you see all over Paris, which is fascinating. You also learn of the career of courtisans, as they use their sex to advance themselves. The book is simply full of these thngs, in addition to the psychology of the many interesting main characters.

Also unusual for Balzac is the coherency of the story, which does not degenerate into ramblings like many of his other novels as they weave the tapestry of his Comedie Humaine like so many threads, that is, as vehicles in his vast project to fully portray an entire society with characters re-appearing in different situations and venues throughout his interrelated novels. The characters stand on their own here and are more clearly drawn. Hence, it is a great intro to Balzac and may get you hooked for more, that is, if you are masochistic enough to subject yourself to it!

Warmly recommended.

La dama aux Camelias is Marguerite Gaultier, one of the most desirable courtesans in Paris with a very expensive taste. This is a sad love story of her affair with Armand Duval, a man that could not satisfy her demands for luxury but who could fulfill her need for being love and love but life is a too complicated of a matter. This novel is based on a true love story from Duma's life and in this edition of the book you could find quite some good links between the story and the events in real life of Alexandre, fils

This is the touching story of the romance between Armand Duval, Dumas' alter ego, and the beautiful courtisan Marguerite Gaultier. Marguerite sacrifices her own happiness for Armand's sake, only to result in a tragic conclusion. Dumas, fils, has written a moving and engrossing book that reveals the effects of love on human nature. I highly recommend "La Dame Aux Camelias."

Probably one of the most romantic love stories ever told, La Dame aux Camélias describes the love between a young man and a "prostitute", as we would call her today. Quite against her will, Marguérite falls in love and even gives up her profession for Armand. Still, in the eyes of society, represented by Armand's father, she remains a prostitute. Old Duval demands that Marguérite leave her one and only love. Only then she reveals to her lover's father that this first love is definitely going to be her last... absolutely heart-breaking, marvellous language, one of the finest works of literature ever written. Highgly recommendable!!!!! The only book that ever made me cry.

In all honesty, I've only used two of the recipes from this book so far. Still, I recommend this book. I think that says more about my love for the authors rather than the recipes themselves. The recipes are pretty much classic standards, and for the most part they seem easy and straightforward. It's the personalities of Julia and Jacques that make this book exceptional - definitely a worthwhile addition to your collection. The chemistry between these two icons of great cooking is so genuine, and the love they have for food and cooking is so infectious, that even if you aren't inspired to follow any specific recipe, you will definitely be inspired to spend more time in the kitchen. They complement each other so well, too. It's amusing and enlightening to see how their styles and experiences differ, even in small details. An example of the general format - there are two recipes for scalloped potatoes: his, potatoes boulangere with a chicken stock and onions; hers, potatoes dauphinoise with milk or cream and garlic (he prefers freshly ground black pepper, she prefers white). If you watch the companion series on PBS, you will definitely want to turn to this book. Before I start any of my own recipes the kitchen, I'll routinely consult J & J (e.g. how long would they cook a pork tenderloin?) This book makes an excellent gift, too. Just make sure you buy yourself a copy.

The only negative - the page design of the book may be more appropriate for bedside reading or the coffee table, rather than for the kitchen.

I was gratified to see that another reader noticed the error of omission for the Brown Stock recipe.Only half of the recipe is printed. I hope this is the exception and not the rule.I haven't read the entire book yet.Otherwise,it's a very enjoyable book which makes gourmet cooking feel very approachable for even beginning level cooks.The recipes are not fussy but are based on the idea that good technique and quality ingredients produce great tasting food.Julia & Jacques seem very relaxed & friendly and their writing is too.They give a wealth of really helpful tips on all aspects of food preparation.This book has given me both the confidence and interest to delve into French/gourmet cooking for the first time.In conjunction with their PBS series the books really comes alive. A good basic gourmet primer.

I saw one of Julia and Jaques TV specials where they prepared the country pate recepie from this book. To find an easy pate recepie has been difficult at best, and considering my taste for the finer things in life at reasonable rates I scooped up a copy of this cookbook the next day. This in itself was odd since we have a literal LIBRARY of cookbooks from over the world!

What a pleasant surprise to find that there are numerous FABULOUS recepies in this book makes it a staple in our kitchen and it now looks like its gone through WWII with all the use it gets while cooking and OF COURSE drinking wine ....

Each of the dishes presented in this book are prepared by both Jaques and by Julia in their own style with clear cut explanations .....

Appart from the pate ... the outstanding rcepies in this book that we have repeated are .....

- Jaques Salmon tartare (a refinement on the Russian recepie we stole from a hotel there) - Jacques saussage in brioche - Chicken turhey and beek stock (a must have in any kithchen they'll think you stole the gravy from Paul Prudhomes kitchen) - Seafood Bread - Mashed potatoes ( an ecycplopedia on potato cooking this book is ) -Pomme de Terra Macaire (Just WOW) - French Fries - Julias hamburgers (WOW I actually forgot haw toake first class burgers that kids at our parties GOBBLE up) - De-boned turkey & chicken (Only thing get yr butcher to debone it for you and you in for the surprise of your life with this feast- sure changed our Christmas and Thanksgiving fare )

There are many more recipies but the above are our favorites.

A MUST HAVE COOK BOOK .....

Albert Cohen's masterpiece is intimidating both for its size and chapter-long sentences. But, please, do not be discouraged. This is one of the most insightful novels I have read. It delves into the bureacratic labyrinth of international institutions, mocks their functionaries, and is a haunting critique of European virtues on the eve of the Second World War. (Particularly funny for those familar with the World Bank, UN, or government anywhere).

But, most importantly, it portrays the relationship between men and women in a profound yet comic way. The book's difficulty is quite worth the struggle, especially when you reach the chapter where Solal seduces his beloved. A chapter that is hard for me to forget, for it shows just how stupid and cruel we are.

This is not for the lazy readers, but if you have any guts, read this one. Its worth the while.

Cohen's stream of consciousness - beautiful- style leaves us no escape from this absolute, uncompromising love. I have read the book many times, and it never fails to overwhelm me...although I should add that I have never been able to read the last 20 pages... Ariane and Solal are the most beautiful lovers since forever, unconcerned by others - it is the history of love from start to, ufortunately, the end..
(By the way, the novel does not take place in France, but Switzerland)

This magnificent opus of Albert Cohen is much more than The story of love. It is the story of the dream of love (not only personal, but also in its abstract form) and its impossible realization. It offers an original view of both male and female human nature in matters of love and life. It also contains some of the funniest chapters describing bourgeois society (Swiss, French, Belgian, German, Jewish - you name it) and its values and prejudices, and diplomatic life. Some may find it exaggerated and longwinded, but others will enjoy every single word, and re-read this book every so often. If you can't read it in the original French, don't miss this opportunity and read the English translation.