Los chistes son muy buenos y los dibujos tambien...
Beuase this book has coloring drawings AND THE BEST JOKES FOR KIDS
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Doug and Paul have gone out of their way to search out appropriate examples for all three of their bungalow books together, ranging always from the garden shed to the Gamble house. This is the only in-print book I'd recommend for the topics of Arts & Crafts fencing, walls, paths, site integration etc.
Having seen many of these sites in person, I can say that photographer Doug Keister, has brought a focus that many would miss in person. My wisteria only blooms 4-5 weeks a year, but of course, they got it then.
My only complaint is that the photos are so compelling that many might never get to read all the text, which is what the book is all about.
There is some validity to the point above about a West-Coast bias to the topics, but when you consider that virtually every other A & C garden book has a English tilt, it seems less a problem. There is room for a knowledgeable Mid-Westerner to write a good book as well. "Outside the Bungalow" is not the last book that should be written on the topic, just the best, by far, so far.
The constant theme running through this book is the timeliness of the garden. The garden didn't come into being during the Arts & Crafts period, it simply became a tremendous complement to the home.
Don't be discouraged if you don't live in a Greene & Greene, the effort and love you put into the setting of your home, will give you the same level of pride in ownership. You may not be able to have the largest or most expensive home on the block, but you can have the most beautiful garden.
Many of the gardens in the book have multiple photographs which are cross-referenced to give the reader an almost 360 degree visualization. The only suggestion I would make is that the author include an overview of those superlative gardens and identify the various views to provide the reader with an even better understanding and appreciation of the home's surroundings.
If you don't see a common plant in this book, it's likely because it is an imported weed.
There are many, many "wildflower" identification books that include everything-and-the-kitchen-sink, adding to the common confusion about what a 'wildflower' is. (For instance, Dame's Rocket should be on the 'weed' list, but it's in most of the 'wildflower' mixes.)
If you are looking for an all-inclusive book, the Golden Press,"A Guide to Field Identification of Wildflowers of North America", ISBN 0-307-13664-7 is helpful because it includes the weeds, but tells where they came from and how far they have spread across North America. Of course the USDA's PLANTS website (plants.usda.gov) is the best internet source for this technical information.
If you want just one field guide to get you started with these gorgeous plants, this is the one I would recommend.
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This book is like having an encyclopedia on Dogs handy.
The book covers everything you need to know about your furkid. From puppy hood to adults. A MUST READ to all dog owners. (Vets should have one too,)
Thank you Ms. Arden for all your hard work and for writing this book. I love it!!
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The book is divided into four sections, each written by a different author:
Doug Wilson contributes the chapters on salvation. He very able covers justification and predestination. Doug Jones contributes the section on covenantal theology. Covenant theology is the true heart of the Reformed viewpoint. These few chapters ably lay out the scriptural basis for it and explore the implications of it. A third section concerns the church, including its nature, the sacraments, and church discipline. This is the weakest section of the book, but still adequate for the overall purpose. Particularly, one wishes that more time would have been spent on the nature of worship and on the place of the sacraments in the corporate life of the church. Finally, Hagopian himself handles the section on the Christian life, which is mostly a theology of sanctification. This is perhaps the most immediately practical of the sections.
Each chapter ends with a dozen or so review questions. We are considering using this book in a Sunday school class, so that is a very definite plus. Any criticism that could be leveled against the book would be on the basis that it could have treated a subject more thoroughly, but doing so would have necessitated expanding the book beyond its purpose.
I was going through a rough time in my faith and I decided to re-examine things I had been taught in church when I stumbled on this little gem of a book. This book was the stepping stone to my discovering the Reformed faith and gave me a firm foundation that had never been built in my life. I continue to return to my copy from time to time for its concise examples, thoroughness and extremely readable style... my paperback edition is extremely dog-eared.
If you are interested in testing the waters of historical, evangelical Pretestantism, I heartily recommend this book as a launching point.
Probing deeper than other books about trial advocacy that merely focus on the rules of evidence, Judge Lavine's book discusses in depth such topics as identifying the audience, establishing and enhancing integrity and credibility, the necessity of thinking creatively, the importance of total preparation, and the need to frame the issues, focus on key themes, and use language precisely and persuasively. The text is greatly enhanced by well-chosen illustrations from law and literature and, at the end of each chapter, musings and exercises that provide the basis for stimulating discussion about each topic covered in the book.
As an experienced trial lawyer and law school teacher of trial advocacy, I have found Judge Lavine's book to be an excellent resource.
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Leo's summer visit to a friend at Brandham Hall introduces him to the landed gentry, the privileges they have assumed, and the strict social behaviors which guide their everyday lives. Bored and wanting to be helpful when his friend falls ill, Leo agrees to be a messenger carrying letters between Marian, his host's sister, and Ted Burgess, her secret love, a farmer living nearby. Catastrophe is inevitable--and devastating to Leo. In descriptive and nuanced prose, Hartley evokes the heat of summer and the emotional conflicts it heightens, the intensity rising along with the temperature. Magic spells, creatures of the zodiac, and mythology create an overlay of (chaste) paganism for Leo's perceptions, while widening the scope of Hartley's focus and providing innumerable parallels and symbols for the reader.
The emotional impact of the climax is tremendous, heightened by the author's use of three perspectives--Leo Colston as a man in his 60's, permanently damaged by events when he was 12; Leo as a 12-year-old, wrestling with new issues of class, social obligation, friendship, morality, and love, while inadvertently causing a disaster; and the reader himself, for whom hindsight and knowledge of history create powerful ironies as he views these events and the way of life they represent. Some readers have commented on Leo's unrealistic innocence in matters of sex, even as a 12-year-old, but this may be a function of age. For those of us who can remember life without TV and the computer, it is not so far-fetched to imagine a life in which "mass communication" meant the telegraph and in which "spooning" was an adults-only secret!
The author's use of the older Leo's retrospective narrative provides flexibility to alter recollections and timelines in a way that allows him to introduce symbolism to the text - the heat as a guage of the sexual relationship between Marion and Ted (he first notices its destructiveness at the moment he finds out of the true nature of their relationship by glancing at the unsealed letter) - the belladonna / deadly nightshade (even the two names provide contrasting meanings) as a symbol of Marion which he eventually destroys - phallic symbols such as the cricket bat and the gun for Ted (the latter which destroys him both physically and metaphorically).
Hartley's text is also a critique on the 20th century. The story is placed in 1900 and the great hopes of Victorian/Edwardian Britian - the progress of science, the progress of human society and the height of Empire. The shattering of Leo's life and hopes evokes the reality of the 20th century West. Denys and Marcus are killed in WW1 and the 10th Vicount and Vicountess Trimington by WW2. The signs are there at the time of the illusion of this sense of progress for the new century, with the frequent references to the Boer War and the disfigurement of Trimington.
There are some minor quibbles with the story. The emotional collapse of Leo seems disproportionate to what he saw - he may not have known what "spooning" was but he was aware of the intensity of Marion and Ted's relationship. However, it adds dramatic impact and does not detract from the brilliant integration of the text - its use of language, symbols and narrative patterns.
The main themes of the novel are loss of innocence and the destruction of a 'golden age'. Leo's loss of innocence at the climax of the novel foreshadows the loss of innocence that Europe is about to suffer as the twentieth century unfolds. The emotional scars that Leo suffers are also a reflection on the world's inability to ever fully recover from the world wars.
The characters within the novel are highly effective because of their complexity - for example the reader is forced to question themselves whether Marian's manipulative nature is generated by selfishness or from the fact that she is incredibly miserably and desperatly trying to escape from her mother's social ambition.
The Go-Between is full of intense imagery including that of the belladonna plant which represents passion and female sexuality as something beautiful and highly desirable but ulitmately deadly.
The tragedy which ends the main novel is deepened by the epilogue which discusses the fates of all the characters within the novel and the way in which they appear to be 'cursed'. Whilst The Go-Between is by no means a cheerful novel, it is highly thought-provoking and provides a fascinating insight into the charmed life of the wealthly in Edwardian England before it was destroyed by the Great War.
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The book contains 12 stories, all of them good, none of them bad. But of course, some stand out against the others. Jack Ketchum's "Luck" is a great little campfire tale, Rick Hautala's "The Screaming Head" is about a horrifying folklore legend that comes to life and Yvonne Navarro's "Divine Justice" plays with the idea of heaven and hell in a Western setting.
But there are three great masterpieces of the bizarre in this book. Richard Laymon's "The Hangman" is a classic ghost story mixed with the elements of the Western tale and ends up being a great, satisfying read. Lawrence Walsh's "The Devil's Crapper" is a funny and twisted story that will make you laugh with every word and every sentence. And Adam-Troy Castro's "The Magic Bullet Theory" (the longest story in the book) is an epic tale that is brilliantly written and highly satisfying.
And if that's not enough for you, there are also stories by Edward Lee, M. Christian, Nancy A. Collins and a very twisted, very disturbing story by Robert Devereaux. Skull Full Of Spurs has it all; horror, action, fantasy, humour... It has something to please every reader of the genre. This is one collection you'll want to come back to time and time again. So saddle up part'ner and get ready to be entertained!
Highly recommended.
Y DE AQUI, SALEN RISAS Y CARCAJADAS...