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The rarity of the 100 birds varies greatly. There are many birds which are so rare that no pattern of occurence can be given, while others are quite regular in certain areas (ie Pacific Golden-Plover). The book is most usefull for the rare birds which show clear patterns of occurence (like Tuffted Duck in the San Fransico Bay Area or Cook's and Stejneger's Petrels of the California coast). This book is just usefull for listers. Each description includes information on ID, which can be very difficult to find on some of these rare species.
Is this book a must have? No. But for many birders, who seem to lust after every bird book on the planet, this book is a usefull addition to a personal collection.
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The title of the volume refers to the recent challenges to the idea of wilderness, and therefore the book starts with the received notion of wilderness. There are wonderful selections from well known U.S. wilderness writers as Ralph Waldo Emerson, Henry David Thoreau, John Muir, Bob Marshall, and Aldo Leopold. There are also important ideas from Jonathon Edwards, Teddy Roosevelt, and Sigurd Olsen -- each representing important components of the wilderness idea such as spiritualism, redemption, sacred american virtues of the frontier, etc.
Then J. Baird Callicott, William Cronon and an assortment of postmodern and postcolonial scholars take this 'romantic' notion of wilderness to task. The idea of wilderness is seen as dualistic, ethnocentric, racist, and an attempt to 'freeze frame' nature. Defenders of the wilderness idea then include Reed Noss, Dave Foreman, and others. To some this debate is now a little weary, but it was a high profile and contentious discussion that is still doing the rounds today.
There are also some hidden gems in this volume, and it is to those that I return most readily. Some examples are Fabienne Bayet's story from the Aboriginal communities of Australia, Jack Turner's call for the wild, Gary Snyder's more recent reflections on Turtle Island, and Tom Birch's piece on the incarceration of wilderness. These are cutting edge ideas that are taking many of today's wilderness thinkers beyond the postmodern debate into tackling questions of ecological restoration and the role of wilderness management.
In summary, a solid and thorough discussion of the idea of wilderness. For those of us living and working in the U.S., wilderness is a crucial part of what it means to be American - the ideas in this volume deserve a large readership. But, don't expect to read from cover to cover - this is a collection to which you will continue to return and find great insight and delight.
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The description of the destruction of Philadelphia's inner city by block-busting, intentionally engineered by East-coast liberals, is worth the price of the book.
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Michael's later books in the "Medicinal Plants of the" -series got steadily better, with the "Medicinal Plants of the Pacific West" being the crown of the trio, beating _all_ the other practical guides out there with a very wide margin.
Sure, buy this one, if you live in the Mountain West - as likely as not you won't find anything else as good on the plants in _your_ region.
Buy it, too, if you're a die-hard Michael Moore -fan. His writing was entertaining back then, too.
But if you don't live out there, or don't yet know Michael Moore's writings, go get the Pacific West book instead. And wait for the revision of this, his oldest book. It _should_ be out one of these years.
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Reviewed by Matt Welter
If there is one word the sums up Michael Van Stappen's collection of nature essays, it is "timelessness". Each of these essays slows down time while fishing for steelhead, condenses time in a Lake Superior fall bird migration, turns on the time-lapse camera of glacial time and rekindles the time-suspended fun of playing in the waves. Van Stappen's naturalist eye and poetic style draws his reader in. A writer for Wisconsin Outdoor Journal and 1996 Pippistrelle Best of the Small Press Winner, Van Stappen's collection of Lake Superior essays puts this achievement in the osprey's nest: high above and easy to spot. In his essay about blueberry picking, his dry wit can be found: "After all, our opposable thumb and forefinger didn't develop just to flick coins into vending machines. We were berry pickers before we were tool users and are still berry pickers today." Each essay is also accentuated with paintings by Kate Wright. Wright is obviously inspired by Van Stappen's writing. The paintings interact superbly with each essay. In his essay, "Ephemeral Like Clouds", Van Stappen writes about clouds of mayflies (Aurora ephemeralis) appearing everywhere in his hometown, Washburn. He writes, "They didn't spread themselves evenly like some insectile fog, but instead clustered in discrete, cloud-like swarms resembling miniature thunderstorms. Within each swarm there was a continuous circulation of mayflies rising and falling as if in updrafts and downdrafts." Wright's painting depicts the whirligig desires of mayflies, flocking to a lit cabin window. Hunters, birdwatchers, cabin owners, and fishermen will love this book. Vacationers heading for Northern Wisconsin and Lake Superior can enhance their trips with it. Residents of the region will find these essays a warming balm in the long winter nights. With it's sense of timelessness, "Northern Passages", will hopefully make it into the shelves of libraries and family favorites.
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The book gave me some foundation for my ideal, but (probably due to his profession) the author's style is wordy and, sometimes, over-thoughty. I do recommend it as valuable to people who understand and celebrate the connections of the human-animal-plant kingdoms, but with the caution that it is a demanding read.