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As usual, the late great Father Brown did an excellent job. He explores the Old Testament roots of Mathew's and Luke's Birth Stories and analyzes broad and beautiful topics such as "the Meaning of the Magi" (the Good News is for all who will believe, including Gentiles) and the "Importance of the Shepherds" (they symbolize an Israel that comes to recognize and glorify its Lord Jesus, the Davidic Messiah foretold in the Jewish Scriptures).
Father Brown said he hopes the regognition that there is an adult Christ in the message of Christmas--i.e., that the theological meaning of God's gift of Jesus is included in these beautiful opening verses--will lead believers to proclaim that revelation to others, and that they will respond in faith. It was a wonderful thing to have this brilliant and intellectually honest scholar also put his faith on display.
This book is an exacting and thoughtful set of essays by the most eminent bibical scholar of our time, the late Fr. Raymond Brown. It is a summation of much of what he wrote elsewhere in his volumnious work (for example, his epic "The Birth of the Messiah"). In this 50-page book he explains why the gospel writers wrote the birth stories the way they did, with differing plot twists. Brown reaches profound insights with major implications for the spirituality and theology of the Christian Church. His insights about the centrality of Mary is particularly interesting, especially for a Roman Catholic. He sees the miracle of Mary not so much as the "virgin" birth or as the theotokos (mother of God) of the early Church, but rather as the first and most loyal disciple of Jesus. And that should have implications about the role of women in the Church and priesthood.
Brown, as ever, does his homework. His scholarship is solid -- even the footnotes are worth reading.
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B-M starts with a pre-christian history of baptism and cerimonial washing, including the Baptisms of the essenes, John, and the baptism of Jesus. He then looks at the formation of Christians baptism in the bible (broken down into each book starting with acts). Then he does a topical look at what Christian baptism means and theology about baptism: icluding grace, repentence, and faith which are almost always overlooked in modern discussion of baptism. The book ends with a look at infant baptism.
B-M is thorough in his quest to figure out baptism. He rest his arguments on facts and logical conclussions instead of assumptions (normally a problem with modern theologins). Instead of writing a book to support his denominations theology, he has the courage to challenge it (and other denominations as well).
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From the terrifying active Duke, the contemporary story focuses on passive Cidrolin, once wrongly convicted for a crime for which he is still persecuted by an unknown graffiti artist who daubs obscene accusations on his fence every night. Now living on a barge, drinking endless glasses of essence of fennel, he doesn't do much, giving directions to tourists, staring at construction sites or the nearby camping site. Any trip out of the ordinary invariably finds him back where he started; conversations are banal and repetitive. Like the Duke, he has three daughters and sons-in-law, a dead wife and the first name Joachim. He spends most of his time taking siestas, dreaming of the Duke. When the Duke sleeps, usually replete from an enormous meal, he dreams of Cidrolin. Queneau says his book's starting point was the old Chinese saying about a philosopher - When he went to sleep, he dreamt of a butterfly; when he woke up, he wondered whether he was a butterfly dreaming of a philosopher.
'Flowers' is, according to the experts, Queneau's most dense and philosophical novel, an intimidating mixture of Chinese philosophy, 'Finnegan's Wake', Plato, Hegel etc. It certainly deals with Big Themes, such as History, Time, Cosmology, Art, the Importance and Interpretation of Dreams. But for the less intellectually alert amongst us (including me), 'Flowers' offers sundry, more accessible pleasures. The comic set-pieces, which can arise from slapstick; bathos and deflated rhetoric; the deadpan recording of absurd conversations, and the absurd convolutions of deadpan conversations. the characters, from whom biography and psychology is deliberately and crucially elided, nevertheless end up being so completely endearing you don't want to leave them. The eulogy to dreams and their subversive power over official history. The detective story element - what crime was Cidrolin accused of? Who is his persector? Why is the watchman of the camp spying on him? Who sabotaged the new flats? Mostly, 'Flowers' is a joy for its language: the historical settings and wide social range of characters allowing for an Augian feast of archaic and obsolete words, jaw-breaking technical terms, slang, puns, neologisms, for all of which Barbara Wright finds delightful and rich equivalents in the wealth of English life and literature. So inventive, audacious and important is her translating, she should really be credited as the book's co-author.
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Added January 2003
I used some questions from this book in my college physics class last fall (2002). I noticed a couple problems with the book and what it tries to present. The book is still fun and amusing, but not fully accurate. Consequently, I reduce my rating to a four.
I believe that logic is nothing more than reading (or hearing) and comprehending sentences, and identifying whether sentences are true or false. This book does an excellent job of training the reader to read what he reads. This is something the modern reader needs desperately -- witness the success of persons like Hugh Ross in persuading people that the Bible says what the Bible manifestly does not say.
However, the book emphasizes something that is very wrong: the claim that "A false statement implies anything" and its logical equivalent, "Anything implies a true statement."
"If we hadn't stopped and turned back, we would have been caught in an avalanche" would be just as true (after stopping and turning back) on the hottest summer day in the desert as on a stormy snowy day in the mountains in winter. Likewise, "If Al Gore had been allowed to take office as President, 9/11 would have not occurred" and "If Al Gore had been allowed to take office as President, 9/11 would have occurred" would both be equally true without considering what might have happened had Gore been President.
If "a false statement implies anything," then we cannot discuss intelligently what might have happened if we'd made different choices.
The book does prove that "If 2 + 2 = 5 then I am the Pope." It is possible that false statements of a certain type are guarranteed to imply anything.
I would like to see this book back in print. Most of it is excellent and on target in logic. Perhaps a second edition could be published, adjusting its take on these issues.
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Queneau does not forget to fill the book with swearwords and other vulgarities that are common in Paris, and he leaves no opportunity out to make everyone look ridiculous - a bus full of tourists, the "gendarmerie", the Parisian car drivers...
I laughed a lot.
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If you're a fan of sci-fi, Galactic strategy games or scathing social commentary, you will completely enjoy Birthright.
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The plan makes sense and seems simple. The only part I was not entirely clear on is when to move items from bucket 3 to bucket 2. Maybe I missed it. In any case, the book was a good read and I plan on reading it again when I get closer to retirement.
I'm looking forward to Ray's next book (the radio show is good too).
I also enjoy his radio show, he's much better than that boring Ramsey guy that follows him. Maybe I'll get the nerve to call in one day and ask a question to the Braintrust!
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I find the vibrant colors and highly evocative imagery of this deck to be one of the more interesting I've ever used. The basic images aren't that different from other decks that you won't know what the cards mean anymore, but they're different enough to allow you to gain a whole new insight on the Tarot by using this deck.
The four cards that are shown in the picture section give you a good idea of what some of the cards from this deck look like. I'm particularly fond of the secondary interpretations that one can divine from these cards. Are those Gypsy children getting a drink from the cups on the stairs of the Six of Cups or are they spiking a cup with a Gypsy love potion? It's up to the reader to decide - based on the cards around you in a reading.
The art is fantastic and reminds me a lot of the supposed Gypsy heritage of Tarot cards, although some people might be put off by that type of imagery. The colors and symbolism give me a great insight when using this deck to give readings to others.
The book is very informative and it's use of the images from the cards enhances it's value to potential users of this deck.
But it's not too overpowering for new Tarot readers either, and that's a big plus. This deck might work well at a carnival or renaissance fair if you want to give it an ideal flavor. I'd recommend it to anyone interested in Tarot reading, especially if you are interested in Tarot readings for other people, and not just self discovery.
Ray has included an robust index and a clever socratic dialogue that helps the reluctant reader digest his