Would like to express that this book should not only be compulsory reading for every government leader but for every citizen in the developed world, particularly the United States. Excellent book and very well supported by data. A thriller with no foreseeable end!

This marvellous book should be compulsory reading for every government leader and every economics student, since we seem to have already exceeded the guidelines established in Kyoto for global warming . The phrase "grow or die" will take some time to fade. Douthwaite's book could help to achieve this paradigm shift.

Richard Douthwaite has written an important book. In this updated version of his 1992 classic of the same name, he brings the evidence he has amassed of growth's downside up to the present. If anyone reading the book does not come to question the unexamined assumption most of us hold that growth is a good thing, then he is indeed delusional. Though other growth heretics, such as Herman Daly, have made many of the same arguments as Douthwaite, I know of no book which covers so many of growth's unfortunate side effects or documents them so well, from the inadequacy of GNP as a measure of well-being through the decline in public health in recent decades to the slap in the face of our growth-oriented society administered by the refugees from Tristan da Cunha. Douthwaite uses the history of Britain over the last 200 years to document growth's ambivalent contribution to human betterment, finding it as instructive a guide as Marx found it to be for analyzing capitalism 150 years earlier. Included in the book are chapters on the consequences of growth in his native Ireland and in contemporary Holland and India, chapters enlivened by his direct personal involvement in these countries. It is regrettable that more of his insights do not come from the American experience, both because of the United States' remarkable history of growth and because of its premiere position in the world today as the foremost proponent and most dogmatic practitioner of the growth doctrine. Apparently, this is not where Douthwaite's life experience led him to direct his attentions. Hopefully, in a future book he will.

Truman Capote combines a real life event and all of the components of a novel into one beautiful and emotional thriller that keeps the reader on the edge of their seats. By his use of the suspense, Truman electrifies the atmosphere and keeps the emotional roller coaster at mach three. Gruesome detail leaves the reader feeling as if he had witnessed the crime in first person. Although Capote could have pictured the murder at the very beginning of the book, he continually switching back and forth between the narrator and the different characters. By giving the narrator omnicient abilities the reader is able to probe into the mind of a maniac. This also gives the reader a sense of fright and unsettlement, the likes of which are only known when watching "Psycho." Capote takes on an entirely different and untested writing style in "In Cold Blood." He calls his new style the "non-fiction novel." By writing about a real life murder in novel form, Truman achieves in making the hair on the back of the readers neck stand on end and not lay down for days after the completion of the book. I believe that everyone should read this book. First for the sheer blood curdling entertainment and second for the great and almost frightening writing style that includes ever so colorful language and such suspense that will leave the reader screaming into the book to tell him what happened that faitful night.

After reading In Cold Blood, by Truman Capote, the formerly obscure vision of "natural born killers" is finally illuminated by their own words. To paraphrase Perry Smith, the killer of the Clutter family, somebody had to pay for all of the cruelty he had suffered during his life, even though these people were completely unknown to him, innocent of any wrongdoing, and admirable from every point of view.

The book chronicles the crime of Perry Smith and Richard Hickock, who, acting upon information provided by one of Hickock's former fellow inmates, drive off to Kansas to pursue the contents of one Mr. Herbert Clutter's alleged home safe. Mr. Herbert Clutter, an immensely successful and humble Kansas farmer, and his wife, teen-aged son and daughter are spending a typical quiet Saturday evening at home. After the family retires for the evening, Perry Smith and Richard Hickock walk into the house to make their big score. Upon discovering that there is no safe and precious little cash at the Clutter residence, Smith and Hickock systematically murder each member of the family. Each of the victims is tied up and shot in the head. So ends the lives of a fine, decent American family and so begins the examination of the crime in the seamless, highly readable account by Truman Capote.

Truman Capote takes the reader with the murderers on their long journey to the hangman's noose in the most intelligent manner of any crime writer to date. He doesn't leave anything out of the events and lives of the murderers and yet there is nothing superfluous or gratuitous about the account.

In Cold Blood is quite a departure from Breakfast at Tiffany's, to say the least, but for anyone who has read Answered Prayers, it is easy to look back with that good old twenty-twenty hindsight to see that Truman Capote never shrinks from an unpleasant topic. He, in fact, embraces it with his customary gusto and stylish restraint. However, In Cold Blood, presents the reader with an array of issues to ponder and inspiration to learn more about the trial. Mr. Capote addresses the possibility that the two killers were denied a fair trial since the venue of the trial was right in the heart of the region where the Clutter family were known and loved by so many. There was serious questioning about the competency of the prosecution and defense attorneys, the impartiality of the judge. All kinds of good stuff to chew on, to this day, if you are a hard-core advocate of the rights of the incarcerated self-confessed murderer. There is also some rather toothsome stuff for those who fervently believe in capital punishment (but would be content with plain old punishment) in cases such as O.J. Simpson. There is a twisted form of satisfaction, a faintly amusing irony, to be derived from the notion that Perry Smith and Richard Hickock paid with their lives for the future celebrated murderers who got off Scot-free. I wonder how Perry Smith would feel about that? Could his twisted sense of justice make any sense of that concept?

In Cold Blood is deftly written to leave the determinations of the outcome of the case to the reader. It would have been so easy for Truman Capote to slide in his own sentiments about the case but he stuck to excellence in writing, in reportage, and creating another one of those "can't put it down" books of my summer of 1999.

You won't be able to put this book down, and when you're done with it, you'll sit for awhile, deep in reflection of the journey you've just made.

It's difficult to easily categorize these dark works of fantasy: they are short stories written by such notables as Ray Bradbury, Michael Bishop, Nina Kiriki Hoffman and others, blending literature and art and all based on the strange kinetic sculpture Crowded After Hours by Lisa Snellings. Dark carnival stories probe the limits of humanity.

Strange Attraction is a fascinating anthology that combines quality writing, art and binding into a unique synthesis. This showcase volume presents memorable and highly recommended work by Michael Bishop, Ray Bradbury, Ed Bryant, Richard lee Byers, Nancy A. Collins, Jack Dann & Janeen Webb, Charles de Lint, James Dorr, Harlan Ellison, Neil Gaiman, Nina Kiriki Hoffman, Alexandra Elizabeth Honigsberg, Caitlin R. Kiernan, Brad Linaweaver, Jason Miller, Fred Olin Ray, Robert J. Sawyer, Darrell Schweitzer, John Shirley, S.P. Somtow, Chet Williamson, David N. Wilson, and Gene Wolfe.

Strange Attraction is a fascinating anthology that combines quality writing, art and binding into a unique synthesis. This showcase volume presents memorable and highly recommended work by Michael Bishop, Ray Bradbury, Ed Bryant, Richard lee Byers, Nancy A. Collins, Jack Dann & Janeen Webb, Charles de Lint, James Dorr, Harlan Ellison, Neil Gaiman, Nina Kiriki Hoffman, Alexandra Elizabeth Honigsberg, Caitlin R. Kiernan, Brad Linaweaver, Jason Miller, Fred Olin Ray, Robert J. Sawyer, Darrell Schweitzer, John Shirley, S.P. Somtow, Chet Williamson, David N. Wilson, and Gene Wolfe.

This comprehensive reference volume will appeal to both specialty and general-interest libraries: American Aquarium Fishes provides over 118 color and over 200 black and white photos of various species of aquarium fish, providing detailed discussions on where to find native fishes, how to collect and transport them around the globe, and regional rules of collecting. The depth and detail and the vivid photos are impressive.

It's about time that a talented group of aquarium hobbyist (who are also biologists I believe) got together to write a book that the layman can understand and appreciate. You will not find convuluted passages common in the scientific literature. Each species account is well written and contains the information that the hobbyist wants.

Goldstein, Harper, and Edwards are well known hobbyist and if there are any real experts in the field, it's these guys.

This is an all around great reference for the North American native fish hobbyist.

E. E. Cummings is perhaps the most misunderstood poet of his generation. His verse has been decried and described as simplistic, sentimental, fatalistic, misanthropic, myopic, and just plain unapproachable, despite the fact that it has had such wide popular appeal.

No poet who has enjoyed such popularity as Cummings has been so largely ignored by the scholarly establishment. Professors scarcely mention his name, and many anthologies of 20th Century American verse simply choose not to include him, as though he were only a minor figure. In fact, there could be no statement more off the mark than one that dismisses this artist as a minor figure. If there is proof of this, Richard Kostelanetz has given it to us in this excellent compilation.

For anyone who is only vaguely familiar with E. E. Cummings, this book is a good place to begin to delve further into the mind, life, and work of a consummate artist and one-of-a-kind individual. To be truthful, the only knock against the book is that it doesn't give us enough of Cummings. But, to Kostelanetz' credit, we must acknowledge the wide and varied cross-section of work available to us here.

Here we find for the first time selections that would have been previously unavailable or largely unattainable for most readers. There is everything from poems to biography to theatre. Included are some of Cummings' letters, some of his criticisms, a ballet scenario, a film scenario, a bit from the non-lectures delivered when he was the Norton Professor at Harvard, an untitled novel, poems set to music, and much more. Hardly any aspect of Cummings' literary career goes untouched.

In addition, Kostelanetz includes small essays at the beginning of each section that are both cutting and insightful despite their brevity. In these essays, Kostelanetz comments on everything, from the fact that Cummings was an accomplished painter to the fact that Cummings was perhaps the most prolific sonnet writer of the past 100 years. Each little piece offered adds something to one's appreciation of the genius that is E. E. Cummings, even the miniscule note that betrays the convention of spelling the author's name with lower-case letters as something assigned to him by outside forces.

For those who are tired of the same old anthologies, tired of those books that won't take chances on publishing anything too far outside the mainstream, AnOther E. E. Cummings is a must have. This collection, by no means complete in itself, is nonetheless the last, necessary piece to anyone's Cummings puzzle. Indeed, no collection should be considered complete without it.

I was briefly introduced to e.e. Cummings in college and I loved his poems. I randomly picked this book up in a bookstore because it seemed fairly complete and interesting. It is. It has some background info. on cumming's and some hints on how to read him. The poems in this book are amazing! I would recomand this book to anyone who is fascinated with e.e. cummings.

Eugene Richards, one of the worlds best photojournalist, has a gift to not only photograph well but also write about his subjects equally as well! He shows the world a part of this world many do not see nor wish to see. This is one of those photo books that a good photographer must have to essentially help to chisel a path in the photography world for themselves! Taking this style to learn and grow from! One can learn much by the raw and realness of Richard's Cocaine life pictorial!

Cocaine true, Cocaine Blue represents the best of Eugene Richards. If Robert Capa's maxim about your pictures being close to be good is true, then Richards work is hands down about as close as anyone is getting.

This book focuses on the impact of crack cocaine in three eastern cities -- North Philadelphia, Harlem, and Red Hook, New Jersey.

Richards seems to have none of the fear that would stop most people, because his pictures bring a viewer over the comfort line to become shocking. The scenes exceed imagination. In fact, one of his pictures in this book was challenged for its authenticity because it seemed almost too perfect... In it, a women pauses to look at her John, her hands on his zipper, with her young child watching her. On a wall behind her, a picture of Martin Luther King, Jr. is displayed. Some black political leaders saw this picture and insisted that Richards must have set it up. He could only assert that he was truthful in his portrayal.

Truth is always stranger than fiction. This might be photojournalism's answer to magical realism: there is a wickedness and abandon to this world. The cover picture is another example -- the photograph shows an addict holding a syringe in his mouth. His eyes gleam in a way that suggests the insanity in the spirit of this individual.

Richards is for the most part a photographer who works inside America. Some domestic photographers lament that all of the best photographs are made in wars, and that the situations in our home communities preclude us from being able to make great pictures. Eugene Richards shows how this is false. He takes horrifying pictures in Long Island, in Philadelphia, in West Virginia, in Kansas City.

a wonderful book ... especially the love story and photos of cummings and marion moorehouse

Recently having completed DREAMS IN THE MIRROR, I can say that I haven't read a better biography in a long time. If you are a true E.E. Cummings fan (or e.e. cummings as he spelled it), the insights that Kennedy has into the man's life, as well as the interpretations of his poems, seems to make sense. I own a copy of his "Complete Poems 1904-1962", and having read many of them, I thought that the logical next step was to see how someone else thought of them. Kennedy's biography of Cummings is the only one that I know of in existance. Adding to that is Nancy Andrews, Cummings' daughter, who gave a lot of insight into her father, as well as previously unpublished poems and even drawings(!!). The book doesn't read like a novel, so don't expect to pace though it quickly. It is a well-written account of Cummings' life, so remember to pay attention. Being it as it may, and considering that information, I say go on and read it. It's worth the time.

This cookbook has opened our eyes to "Real Italian"! My husband and I bought this book only a week ago and have already made at least 10 recipes all of which have been delicious! Everything is light, fresh and suprisingly fullfilling. Giobbi shares delightful stories and his knowledge about the recipes he's altered from fattier versions (southern Italy) or collected in his travels from people and places. Wolff fills us in on all the health info you need to know about being healthy, calories,fat,cholesterol and how it relates to these recipes etc. What was amazing to me is all this time I thought I knew great Italian food here in America and I come to find out that most of our "Italian" food has been Americanized....now that I know the difference (and there definitely is one!) I don't know if I'll ever be able to eat Italian food outside MY kitchen ever again!

In Eat Right, Eat Well, -The Italian Way, Ed Giobbi and Richard N. Wolff, M.D. team up to show that excellent Italian cuisine is not incompatable with healthful eating. I have had the pleasure of using this book for several years, and continue to be delighted with the recipies, advice and memories of Mr. Giobbi. Many people who think that Italian food is heavy and laden with olive oil, butter, eggs, cream, or cheeses will have their eyes opened by this splendid book. This is not simply a "heart healthy" book, it is a first rate cookbook with little or no compromise in the recipies. We have repeatedly returned to the pasta primavera recipies. The true pasta primavera is not the cream/flour paste/overcooked vegetables mishmash usually served in most resturaunts today. This is a combination of raw peeled and crushed tomatoes (we take ours right off the vine in our back yard, but purchased from the local roadside stand will suffice) fresh basil ( as many handsful that you can manage) garlic, salt, pepper, and a splash of olive oil (1 or 2 tablespoons is more than enough for flavoring and feeds 3 to 4 people) tossed with freshly cooked pasta. We often saute whatever veggies we have at hand in the olive oil and skip the oil in the sauce. The heat of the pasta warms the sauce. This is truly the best of Italian cuisine; taking advantage of what is fresh NOW, cooked as little as possible to avoid masking the flavors, and served combined to maximize the harmony of fresh flavors, textures, and aromas. We find that the zest and juice of a lemon enhances the flavors. A bit of fine parmesean or romano cheese ( a bit is allowed, and the recommendations regarding fat and calorie counts is included in an expansive appendix, as well as nutritional breakdowns for each dish) and you have a meal that certainly doesn't taste like you're on a diet. The book was written to help those with heart disease, or those wishing to avoid heart disease, to eat a better diet without sacrificing taste or enjoyment. The collaboration works well, and the dietary information is sound. The book does not get preachy, and does not sacrifice taste for theory, as is true in too many "diet" books or "heart healthy" books. Mr. Giobbi's assertion is that true Italian cooking, as practiced in Italy, is usually consonant with good eating practices for heart health. In America, Italian cooking has been co-opted, fattened up, and generally made unrecognizable. Fresh ingredients, emphasis on not overcooking, and harmonizing flavors is the essence of this cuisine. Once you taste the real primavera, you will never go back again. I haven't found a bum recipe yet. Enjoy!!

This book is a collection of numerous classic articles on software project management. It is well organized and it is clear that a great deal of effort was put into identifying the best articles to include in this collection. The reason I give it 4 stars instead of 5 is for what it doesn't have -- an index! Without an index you will have a difficult time finding specific information without scanning many pages of text.

This collection was so good that I went back and ordered the other two collections (Software Engineering and Software Requirements Engineering). For anybody who teaches Software Engineering or Project Management classes (or anybody wanting a broad knowledge of the subjects), these books are invaluable.

For anybody involved in teaching classes on Project Management, this book is an excellent reference. Broad focus, enjoyable and informative reading...

Few things are harder to understand than why we do what we do. In fact, most psychologists would agree that it is virtually impossible for a person to understand his or her own motivation - and consequently that it is not possible to understand the full scope of motivation of another person. Therefore it would be asking too much from this book to give an answer to the question why we do what we do.

What the book does is summarize findings in the psychology of self-determination and intrinsic motivation, the main fields of research of the author, who has published two books on this subject previously.

Deci starts from the position that individuals have something that can be called a "true self," and that people wish to act in accord with this "true self." They wish to be autonomous (authentic) rather than controlled. If they act autonomously (authentically), they are self-motivated. If they act autonomously, they also respect others because the "true self" wishes to be related to others (a point on which Aristoteles would have agreed, and Thomas Hobbes would have strongly disagreed). Deci assumes that human beings are cooperative by nature, rather than competitive.

The "true self," of course, is an artificial construct, a theory. And even if we assume that there is such a "true self," it is conceivable that there are people whose "true self" is competitive as well as people whose "true self" is cooperative. Some people may simply enjoy open confrontations whereas other people may abhor disharmony and clashes. Deci's book is mostly silent about such issues of personality, and his assumption that the "true self" is expressive of human connectedness is just that - a very general assumption.

Deci's book builds on the theories of an American school of psychology called "Humanistic Psychology." One of the most important proponents of this school was Abraham Maslow (1908-1970) who pioneered the concept of "self-actualization," a technical term for what Nietzsche once called "becoming who you are." Maslow's book "Motivation and Personality" (1954) is still well worth reading.

So, what does this book tell us if it does not tell us why we do what we do? It tells us - quite convincingly - that control is always second-best to autonomy. Deci's core thesis is that "self-motivation, rather than external motivation, is at the heart of creativity, responsibility, healthy behavior, and lasting change," (9) and that "social contexts that support and affirm people's perceived autonomy and perceived competence enhance intrinsic motivation, while social contexts that diminish people's perceived autonomy and perceived competence undermine intrinsic motivation." (81)

This is not exactly rocket science, but it gets interesting when Deci delves into the details of what "autonomy support" means - not permissiveness, but being clear, consistent and setting limits in an understanding, empathic way. He spells this out on about twenty pages in Chapter 10 titled "How to Promote Autonomy," and I would love to make these pages required reading for parents and managers.

In the nature-nurture debate, Deci's focus lies on the nurture side: "Although the social context is ENORMOUSLY important in affecting people's motivation and behavior, people's personalities ALSO affect their motivation and behavior" (184; italics are mine). In fact, Deci is largely silent about matters of personality, or defines it simply as "autonomy orientation," whereas he discusses the impact of the social context at length.

I am very much a fan of humanistic psychology, which has seen its heyday in the 1960s. It conveys important insights into the impact of "nurture" on human beings. But the assumptions of humanistic psychology about what constitutes human nature appear quite unfounded in the 21st century. To make claims about human nature without recourse to genetics, evolutionary theory, twin research, or the biochemistry of the brain is rather futile. In this respect "Why We Do What We Do" is definitely behind the curve (to make up for this I recommend Matt Ridley's "Nature via Nurture: Genes, Experience and What Makes Us Human" (2003) - popular science writing at its best and quite an education).

I found the book most helpful in understanding the subject of self-motivation. With case studies, it is easy to relate theory to practical applications. I find the application of the theories, concepts and ideas to a wide array of situations useful. The book is written in fairly simple manner that any lay person can easily understand the subject of self-motivation without prior knowledge of the psychology of motivation.

The book's explanation about intrinsic and extrinsic motivation is very detailed and interesting. I really enjoyed reading it, and I can relate the concepts explained in the book with my daily experiences. Furthermore, the author(s) explained the concepts with simple language so that the book is very easy to understand. You don't have to be a psychology major to be able to enjoy the book.