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So why should a peerage genealogist be interested in the Orkneys? Because Turf-Einar, created first earl ("jarl," actually) by Harald Fairhair, was a brother of Hrolf the Ganger, first "duke" of Normandy, both being sons of Rognvald, jarl of More. Various of the Orkney earls also were related by blood or marriage to the rulers of Norway and Denmark and to the Scottish earls of Moray. Because the saga was originally an oral history, it deals in varicolored language and vivid detail and powerful oration -- most of which the translators have managed to preserve in their prose rendition.
If you have any interest at all in the northern lands and in the heroic deeds and blood feuds of an earlier, less gentle time, this volume will hold your attention (but don't forget to take notes).
The saga tells of a 200-year stretch of time when the Orkneys -- islands off the northern tip of Scotland -- owed their allegiance to the Kings of Norway. For the Viking marauders who ravaged Europe, the Orkneys were a friendly refueling stop on the inbound and outbound voyages. The earls ruled not only the islands, but large chunks of the Scottish mainland and most of the Hebrides as well. So widespread were their lands that they were frequently forced into power-sharing arrangements with their kinsmen, which then turned into power struggles to the death. The best instance of this is between the co-earls and cousins (Saint) Magnus Erlendsson and Hakon Paulsson.
It was common in those days, if one had a disagreement, to wait until one's enemy was in his cups; then pile dry rushes against the doors and set them alight. Men, women, and children escaping the flames were hacked to death by waiting swordsmen. This happened not once, but several times in the ORKNEYINGA SAGA. And yet, there is also poetry, craft, and a strange beauty in this book which make it more than a Grand Guignol with Vikings. Here, on the bleak northern edges of civilization, the novel was born while our Western European ancestors were quaking in their boots.
At first, reading an Icelandic saga is like reading a Russian novel: There are all those long names that are so similar to one another. The anonymous author of the sagas couldn't help it: These were their real names.
Today, the men and deeds set forth in the saga are very much a part of the everyday life of the Orkneys. It is, therefore, the one book that you must absolutely read before visiting this remote and fascinating part of Scotland.
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Two years later, out comes this book, Dead Cats Bouncing, from Bedlam Press, an anthology edited by the creators, Gerard Houarner and GAK.
With a contents pages that reads like a who's who of the small press horror scene, we're treated to 15 new Dead Cat stories, plus the original, by authors like Jack Ketchum, Ed Lee, Charlee Jacob, Yvonne Navarro, and Brian Keene. The styles of the stories range wildly from the original short-burst sentence style of the first Dead Cat, to more traditional flowing prose, all the way to sing-songy rhythms like John Skipp's contribution "Soul Maggot Jamboree".
And accompanying the great stories are the pencilled drawings of GAK, an artist with a definite Gahan Wilson influence, with a terrific eye for the smaller details--and he draws a hell of a dead cat.
Dead Cats Bouncing is one surprise after another. For example, I did something I don't normally do when reading an Ed Lee story: I laughed.
Or there's the entertaining way Paul Di Filippo wrote his story, "Mehitabel in Hell".
This is a book for the kid in every adult, for the person who's seen what else is on the shelves and just wants something unexpected.
Call it a book of bedtime stories for the already-damaged child.
Call it whatever you want, just grab it quick before Gerard and GAK do it again with another Dead Cat book, or better yet, Dead Cat the Animated Series. And then it'll be Dead Cat stuffed toys for everyone.
The premise of these tale, forged by Gak and Houarner as they sought and almost captured a Stoker Award, focuses on the exploits of Dead Cat, who was a sacrifice to the goddess Bastet and finds that being in the land of the dead is quite boring. There are no happy hunting grounds filled with birds or mice, no naps and dreams of bliss, or any of the other things that a cat needs to enjoy themselves when finding oneself outside the land of the livelihood. In fact, all Bastet tells him to do is, "eat sand." So, what's a cat to do when confronted with a dilemma like this? Why, return to the land of the living without becoming alive, of course! Most of these portraits of the Dead Cat's "life" are written in choppy sentences, focusing themselves from the thoughts of Dead Cat himself and not in the narration aspect of storytelling, with a few of the writers deviating from that course. At first I found this practice somewhat questionable, but I soon overcame this initial hesitation and found the style enjoyable and, in many instances, funny. This came as quite a surprise, too, because I never thought of many of these writers in the comedic sense before reading DCB.
This isn't to say that the book is a challenging read, because that is far from the case. I found myself finishing it within an hour, covering the two-hundred plus pages of large print in what amounted to no time at all and longing for more. Still, the captivating prospects of a cat that evades death for no other reason than boredom is something worthwhile and deserving of a look, especially if you want to see writers in a different light. Recommended for the oddities, young and old (with attention paid to the profane, of course)!
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The contributing authors include some big names, such as George A Wells on the topic of Jesus historicity, James Randi on the topic of hoaxes and frauds, and numerous other highly regarded experts in their respective fields. All in all, this is an impressive compilation of essays by the finest skeptics in the world today.
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Let me make a few things clear here. Like the other Frommer's edition for this same place (2000), this guide also has NO good maps. And there are still NO nice sidebars filled with local tidbits. And there aren't a lot of website or email addresses either.
But then again, this is NOT that type of book. This Frommer's guide is the nitty-gritty, the essence of what you would want to know for each of the major areas in Nova Scotia, New Brunswick, and Prince Edward Island. The guide does a good job of giving you information on at least a few places to stay (if there are any in that area), places to eat, tours, and any major landmarks or places to visit in a number of cities and towns, even the smaller ones. And the price range is mostly for the budget to mid-range values. The book is also a smaller size, allowing for you to easily carry it around or stash it when you travel. The format is easy to read, and the layout is clean and uncluttered.
To get over the drawbacks I mentioned above, I suggest augmenting the Frommer's with the official Nova Scotia travel guide (a behemonth, comprehensive thing) that has great photos, maps, and the like; request it for free from the tourism office. There are also some other good guidebooks on the market that will fill in some of the (small) gaps of the Frommer's. And anyone with access to the Internet can easily do web searches for websites that have tons of info on Nova Scotia, including the official Nova Scotia website.
Give it a try. At the very least, if you get it and don't like it, you can return it. I look forward to making my trip and then verifying the info I've gotten from the Frommer's guidebook.
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I particularly enjoyed the many tried and true words of wisdom and found reassurance learning that others make some of the same mistakes I have. Over the years, I read a variety of books about being self employed.
There are many others who have shared their working formulas in this best yet HOW TO BOOK by Paul and Sarah. One is Jodi Lynn, author of Mommy-CEO. In her book, Ms. Lynn brings first-hand guidance to the challenges of balancing family life, personal life and running your own business.
Kudos to the authors and everyone who was brave enough to take a stand and "tell it like it is." Now, I know why I decided to be my own boss and am inspired more now than ever before.
T. Collins, Founder
SilomarkHouse.com
If you are serious about finding out if you can make it on your own, then this is the book to start with!
The book did spend a lot of time talking about how to deal with family problems, creating a quiet workspace, setting work hours and how to get through a project when you have no desire. While some people might find this beneficial, it read like "filler" to me.
All in all, though, it's worth checking out.