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The saga follows the life of Egil Skallagrimmson, one of Iceland's early settlers, beginning with a relatively lengthy section about several generations of ancestors preceding any mention of Egil's birth. Egil himself is a morally ambiguous figure, committing his first murder at six, but displaying moments of generosity and leadership as well, and of course he's also a poet. The action revolves primarily around Egil's movements back and forth between Norway and Iceland, though there is also a section that takes place in England, with Egil acting as a mercenary in a war against Scotland. Sagas do not read like modern novels--this is more of a biography that follows Egil birth to death--but part of the saga's purpose is to entertain, and it does that well.
Two things are involved in making this saga readable: first, the skill of the translators, whose sole fault seems to be an utter inability to translate Egil's poetry in any way that conveys why people thought he was such a great poet (maybe it just sounds better in Icelandic). Fortunately, the poetry takes up a pretty small fraction of the book. More significant is the author's skill together with the distinctive features of the saga genre--namely this: the sagas are primarily concerned with people and their actions. Thus every detail serves to carry the plot forward. You won't get landscape descriptions unless landscapes are relevant to the plot. Use of dialogue is frequent and relatively natural, but the conversations are brief and always move things forward. This might sound like the book reads like an action movie (and to a degree it does), but the fact that the saga includes Egil's genealogy and stories about others in his generation in his family that result in a story that evolves from a web of motivations. You don't get much in the way of examination of Egil's psyche, but the stripped-down style of the saga and its convincing portrayal of Egil as a complete human personality makes me wonder how necessary the tendencies of much modern literature to pay so much attention to inner life as a true representation of the human experience really are.
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Making Money In Cyberspace was written to demonstrate that a number of traditional occupations including domestic, technical, and corporate level work can be conducted online from the comfort of a home or office. The authors cite a number of occupations that just about anyone can make a living from online. Check out the helpful checklist at the back of the book!
The book focuses a considerable amount of attention to the details of designing creative Websites that will effectively market an online business operation. Building and promoting effective Websites, developing content, advertising options, payment considerations, and selecting an Internet service provider are covered. A number of actual cases studies are provided to reinforce these important issues.
Readers will appreciate the fact that the authors have expressed themselves in a non-technical manner. Anyone can pick up this book and put it to use! It will make a great companion to other books written by these authors. This is sure to be a favorite among those who love what the Internet has to offer and desire to derive an income from it! This book would also make a nice gift!
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This is good value for money and should be on every credit administrator's bookshelf
The writing is accessible to beginners, and the content is a useful reference for experienced professionals. I also highly recommend Tavakoli's "Credit Derivatives & Synthetic Structures."
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As someone having helped many people start their own home business myself, I applaud Paul & Sarah Edwards for their continuing loyalty for those looking to start and run a home based business.
Paul & Sarah go into a good amount of detail for each business they recommend, they provide you with all the startup information you'll need and then add many resources for even more follow-up.
If you would like to start a great home business. Drop me a line at info@HomeBusinessSecrets.com
I would love to help you get started!
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Once again this book highlights that just when the accepted authorities are fixed and comfortable in their domain along comes something to surprise them and everyone, nature just can't stop being creative and interesting can it.
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You must read it if you're even considering it and once you've read it, you should pass it on to someone else. Life dishes us a lot. Life dishes out some people more hardship than others and sometimes we get the opportunity to give ourselves and those we love a chance at a better life. Not only does this book tell a wonderful story of a man who found strength most of us never realize we possess, but in doing so - has proven the power of language, written and spoken. The world can be full of possobilities in even the most impossible situations - to say nothing of the horror we inflict upon each other...but that's another story.
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~~~~ Stacy
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Negatives: The book does not use the Visual C++ wizards. The author states this up front. But who would actually use Visual C++ without the wizard tools? I think after showing the information about MFC the author could have then shown how to do the same things with the wizards.
The book of course only covers a small part of MFC. The authors do not cover Wizards and the Document/View architecture. So after reading this book you must read some other book that covers those topics. There are lots of them. You will find a dozen in any book store.
But read this book first. Otherwise Wizards and Document/View apps will just seem like black magic. This book will give you a solid foundation that helps you understand what you are doing.
Even at a young age, my brother and I recognized the sheer number of kitschy lines invading this book. It had us in stitches, and I'm certain if either of us mentioned the title, we'd begin to recount our favorites. One that sticks in my head:
"'I guess we can't count on you for anything, Jonah, so we'll have to count you out...' Those are the last words you ever hear."
Ah, yes, the plot has something to do with your being a secret agent who has to save the whales. But who ever EXACTLY cared about the plots? It was all a matter of racing through the book to figure out every possible twist. Who can forget the hand-wringing tension of deciding which of four or five different spots would be the best to swim to? Or whether to secretly break into the bad guys rendez-vous house, or simply knock at the front door and bluff your way in? The KGB figures in somewhere, and all the villains are ridiculous Russian stereotypes (who look in the illustrations, if I remember correctly, oddly similar to Stalin, Kruchschev, etc.). This surely did derive from the collective Cold War imagination. I believe Trotsky is even mentioned by name, totally out-of-place, showing a complete disregard for not mixing up the historical facts in young children's brains.
Oh, the flood of nostalgia! Of course, the copy my brother and I had eventually became so worn out, it had to be disposed of, and I've never seen another edition. If I ever found it in a used bookstore, I'd pay the price. But does anyone else remember this classic piece of camp? E-mail me, we'll rap about the glory days of the strange series, and its wonderful seventh volume.