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And McIntire chooses his battles well. The battle of Chattanooga is widely know for its gaffs and heroics (on both sides) as well as its strategic importance. The North had the opportunity to completely strangle the South, and the South desperately needed to bounce back after devastating losses at Gettysburg and Vicksburg.
As someone who does not read textbook history well, I was pleased to find that McIntire writes both knowledgably and comfortably. The battle scenes are realistic and most characters are developed very well. Simply put, it is a good blend of history and the author's imagination, and that makes for a good read.
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I would ask the authors to demand, from the publisher, that this outstanding book be made more accessible.
As for the content of the book, the selection of topics and coverage are no less than outstanding. The authors will discuss a topic and then provide an example to illustrate how the topic is applied. Most, if not all, of the fundamental topics in digital communications are covered. Well documented references are provided if the reader desires more information than what's given in the book.
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I will say, though, that the author does spend at least a quarter of the book On the life of R.E. Lee outside of the civil war- the first 70 pages focusing on his Lineage, his training at West point, and his engagements in Mexico, and the Last 20 on his Presidency at Washington-Lee College. Also, sparsely placed throughout the book, Fitzhugh makes use of General Lee's personal correspondance with his wife and family. I would have appreciated seeing more of that, but people 150 years late to the party can't be choosers. Of the Author's style, it is mostly factual, highly romantic(though nothing like Gordon's memoir), and at times he makes allusions and references that let you know he's highly intelligent. This Book doesn't make any in-depth study of General Lee, and mostly considers his character to be untouchable....
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This book came out of the seperation into three books of a manuscript he wrote on Gen. Lee and the campaign just prior to the Maryland campaign and then the Maryland campaign itself. This book is immensely readable and quite detailed. Dr. Harsh is quite blunt when there is a lack of clear evidence on a subject and the reasons for his judgment are well reasoned and sound. My opinion of Confederate strategy and the role of Jefferson Davis in the formation of that strategy changed a great deal after reading Confederate Tide Rising. While he is not the subject of this book, my view of Gen. Jackson also changed as the result of reading this book. Due to his performance in many of the battles and lead up to the battles discussed in this book, it's obvious to me that Jackson has been overrated by historians and could have been much more criticized by Gen. Lee than he was. That he did not do so postwar and only midly criticized Jackson in the action discussed in this book says a lot about Gen. Lee the man.
There are only a few drawbacks to this book. The first is that Dr. Harsh sometimes I think assumes knowledge of minor engagements and also political developments which were important but not directly germaine to his discussion that the reader may not possess. He would have been better served to not just mention these engagements and political developments and leave the reader wondering but to further discuss these developments and their importance, such as the Trent affair which he mentions twice before discussing what it was.
My second gripe with this book has been noted by a previous reviewer. There is a woeful lack of maps, which I think is simply unforgivable in any military history book. As Dr. Harsh clearly demonstrates, terrain and locations are particularly important in civil war battles and helped determine the tactics and strategy employed by Gen. Lee, Gen. McClellan and Gen. Pope. I have a working knowledge of some of the places discussed in the book because I live near many of them, however many readers in other parts of the country who do not have an extensive knowledge of the Civil War yet, may not. The lack of maps would really hamper their understanding of Dr. Harsh's points.
However, one thing that helps this book despite all that is Dr. Harsh's discussion of several terms and their uses in books on the the Civil War as well as how the Civil War generals themselves would have understood those terms such as strategy and tactics. This sort of a discussion is absent in most works on the war and I believe really hampers the understanding of many who look to gain knowledge on the war.
Overall, this book is essential for any Civil War bookshelf and should be accompanied by Dr. Harsh's other two books, Taken at the Flood and Sounding the Shallows.
The text notes that statistically the South could not win. To overcome the odds, the Confederacy needed to conserve its resources while inflicting unacceptable casualties on the North. The text explains the doctrines of the Swiss military theorist Jomini, the probable basis for Jefferson Davis's doctrine of the "offensive-defense." Davis's doctrine provided a firm strategic framework within which Confederate generals in the field could work. By October 1861, pursuing the offensive-defense considerable progress toward achieving Confederate war aims was made; followed next by reversals of Southern fortunes resulting in part from the failure to continue the policies/strategies that yielded early successes.
On June 1, 1862 Robert E. Lee took command of the Army of Northern Virginia, when Joseph Johnson was wounded. The offensive-defensive policy was already in practice and was not initiated by Lee as some contend. By "late May 1862, the South had nearly lost the war. Lee knew that Jefferson Davis expected him to go on the offensive to save Richmond and to reclaim Virginia. Harsh also notes "Lee chose the offensive because he wanted to win the war, and he thought it offered the only chance. He believed the defensive was the sure path to defeat." His first response was the Seven Days Battle, whose strategy/execution contained errors, but nevertheless relieved the pressure on Richmond.
The author gives an excellent account of the strategic/tactical problems during the Seven Days Campaign and the events leading to the Battle of Second Manassas. Richmond was a major railroad center, banking center, manufacturing center, milling center and its lost would have been serious. It was important that the city is not captured and that Virginia is reclaimed. After the Seven Days Campaign Lee lost the initiative and was in a strategic stalemate that didn't end until Union General McClellan's Army of the Potomac was ordered back to Washington thereby ending the threat to Richmond.
The text gives an excellent account of the development of Lee's field strategies before and throughout the Battle of Second Manassas. The author notes as the battle neared its climax "Lee desperately wanted to finish the task at hand by destroying the army of.... Pope." However a frontal assault was the only option; and Lee couldn't afford the losses a frontal assault would incur. Nonetheless the author notes following the Second Manassas "Through chance, risk and much bloodshed, he and the Army of Northern Virginia were cobbling together the series of rapid victories that might lead to Northern demoralization and Confederate independence." The text ends with the Battle of Second Manassas and closes with six appendixes that discuss strategy questions.
While this an excellent work, my major criticism is an almost total lack of suitable maps. I read the chapters on the Battle of Second Manassas with a copy of Hennessy's book on Second Manassas at hand for its maps. While much can be gained from this book without prior study of the first eighteen months of the Civil War, prior reading of history about the period covered by this book will greatly aid the reader in comprehending Harsh's text.
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When you get done with this book you'll probably think, "I can't believe I just read that." As sick as it can be, you'll keep turning the pages wondering what else Lee could possibly do next.
If you like your stories tight, blunt, and graphic, this book is definitely one to have on your shelf.
Lee is primarily a horror writer, but as "The Ushers" aptly proves, he can write as effectively in other genres as well. For example, "Grub Girl in the Prison of Dead Women" shows the author easily pulling off a plot that is as much science fiction as it is horror. Then there is "The Decortication Technician," a groovy yarn about space exploration and a most unusual discovery found in an abandoned alien spacecraft. Again, this tale is just as effective as a sci-fi story. Another tale dealing with science fiction elements is "Secret Service," a primer about the dangers of protecting a former president suffering from mental decline. After reading the stories in this book, I have few illusions that Ed can write just about anything he wants if he puts his mind to it.
Of course, horror is Lee's forte. "The Ushers" overflows with gruesome tidbits while offering personal revelations about why the author wrote a particular story. Fans of "The Bighead" or "Monstrosity" have recognized Lee's fascination with backwoods folk. Ed's the "redneck" guy, the horror author who frequently inserts rural yokels with a penchant for gory violence into his stories. In a personal note at the end of "The Man Who Loved Clichés," we finally discover why this author relies so heavily on these character types. According to Lee, James Dickey's novel "Deliverance" had a deleterious effect on him, as the book and subsequent film version reminded him of particular "outer elements" he recognized from his youth. Finally discovering the reasons for this author's love of country bumpkins is worth the price of the book alone. His statement that he will continue to write stories about hillbillies is great news for his fans. "Mr. Torso," a Bram Stoker Award nominated story written in 1994 and containing one of these beloved rural types also makes an appearance in this collection.
Do you like reading about sociopaths, psychotics, and serial killers? Pull up a chair and get ready to read some crime thrillers. In "Hands," we get a grim whodunit about a murderer who likes to collect trophies from his victims. This one is a gem of a yarn with a great big twist at the end that's sure to please. "Scriptures" delves into the world of a family plagued by sociopathy and is particularly forbidding in its mix of religion and violence. And don't forget to read "Please Let Me Out," about an aging female lawyer and her seemingly foolproof plan to keep her young boyfriend from straying far from home. Ed Lee definitely has little aversion to writing a thriller once in awhile, although his versions always stray far from the mainstream with politically incorrect dialogue, over the top scenery, and wacky characters.
In my opinion, the absolute best story in the book is the one that describes why Lee writes horror. Split into two separate stories in this collection, Lee describes the horrors of everyday life in vivid detail, the shocking, sad, nauseating inhumanity man shows towards fellow man. The author's fascination with the dark side of reality informs his horror stories, which usually deal with the pettiness of mankind and the resulting disaster that befalls those who are vain, greedy, evil, and self-righteous. Ed Lee argues that there is a relevancy in studying the nether regions of the human spirit, and several of these stories accomplish that quite nicely. This story should have won a Bram Stoker Award.
If I seem overly enthusiastic about "The Ushers," it is because these are entertaining stories from a maturing master in the horror genre. I'm still hoping most of Lee's works will find mass-market release soon, but even if they don't I am more inclined to shell out a few dollars more to get them after reading this collection. Yes, he is that good. Oh, I almost forgot: this book also includes an Ed Lee bibliography stretching back to his first stories and novels. It should go without saying how helpful this is to those fans who wish to obtain more books written by this author.
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As a Gen-X conservative, though, I feel I probably have a different view about events than Lee Edwards who apparantly is old enough to have witnessed most of this history first hand. For one thing, I find it extremely hard to think of Barry Goldwater as a true conservative, given his pro-choice abortion views and his anti-school prayer stance. Also, as a person who experienced his teen years during the 1980's, I also can't forget that Barry Goldwater loved to run to the microphone to criticize Ronald Reagan any chance he got. To me it is obvious that conservatives of the 1960's were following a complete charlatan, and it is no wonder he went down in landslide defeat.
Which brings us to the point that the book should have had far more information about Ronald Reagan than it did. Ronald Reagan is the true Rock of Gibraltar of the conservative movement and he should be the centerpiece of the book rather than sharing space with Goldwater and Gingrich.
However, I do highly recommend this book simply for the reason that most conservatives do not know the history of the conservative movement and this book is the best I have seen in giving that history.
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The back cover of it sounding pretty good, but upon reading and completing the book I was extremely disappointed. This book is filled with ridiculously trite cliches, and the writing is simply abominable. I think this book is trying to make a hero of the killer, because all the men she kills and tortures are complete and utter slime. I find it interesting that she never once happened to take home a genuinely nice guy, that all the charming men she picks up in the bars all happen to turn out to be scum-of-the-world evil.
Aside from that, we have our usual cast of idiots. The flaky poet type is lampooned, the feminist woman who's the victim of a child molester who is typically paint-by-numbers, another atypical molestation victim who calls out for "Daddy" every two seconds, and a tough, gritty cop. Why is it that every book that has a girl molested by her father must repeat the phrase "Daddy" incessantly? It's a cheap, mawkish, and maudlin way to underscore the idea of innocence lost.
The book tries to put a spin on the tough-as-nails cop by making him gay, but this seems more like an afterthought than anything. And nothing can save the plot, which is predictable.
The writing is the worst part. Not to be mean, because I know writing is difficult, the way this book is put out and paced reminds me of an R. L. Stine book. It's a pretty immature work.
On the upside, the best character is a pimp whose character may throw you a curveball.
My recommendation is to not read this book.
Haled by many to be an American Psycho without the cosmetics of apparel nametags and one that is more direct to the punchline, this book was something I looked forward to and I found intoxicating as I delved deeper and deeper into it. The book, it was exclaimed to be shocking, and some of the use of description, of crafting a character that had motivation and yet went past that to inflict oceans of pain, it was indeed that. Still, after finishing it, I found some problems in the way it had been showcased. While I do agree with the fact that this read is indeed a disturbing reach into a mind where medical utensils touch base with human organs and where revenge is a dish served by vengeful hands, I do not agree with this being another American Psycho. This isn't because I think one book is more valuable than the other, or that I found this to be lacking in some right. Instead, I say this because the work stands on its own and the book understands more of the symptomology of the affliction and not the monster itself. It looks outside the mind of the beast and addresses what the thing with the need to kill means to other people.
In Portrait of the Psychopath as a Young Woman, shock/ rather talented gore creator Edward Lee and storehouse of serial killer expertise Elizabeth Steffen team up and craft a tale of horrific deeds that focus, as the name implies, upon an attract yet insane young woman. Through expert use of description and an impressive knowledge of medical utensils, this rather attractive young woman is given a gift that speaks through tomes of blood and that wants to be heard, that needs to be heard. Still, she isn't the only persona explored within this experience. Enter our other 'main' character, Kathleen, and yet more impressively crafted characterization, her poet boyfriend and his reasons to be, the police officer that seeks to end this, and a drove of other voices that don't just 'appear' and speak. Herein is one of the main reasons I found this adventure into terror interesting because it goes past the gore and the terror and it seeks to make people out of simply notions. This, by and far, goes a long way in the progression of a tale, making people that feel like people and not like hollow things going through the prospective rounds.
Before recommending this, I feel I need to stress that this tale is a graphic piece and not one to be taken lightly. The things that the killer does with medical sheers, needles, bonesaws, and other random articles that sound painful without even being used that are quite terrible and quite wonderful to those looking for more. Here, many people would find themselves disturbed, and rightfully so. This is one of Edward Lee's talents, to make something that seethes and that seeks to maim, and Steffen is worthy of collaboration and her hands on the story can be felt. So, it has a voice and a hammer that impacts the senses. For fans of Edward's work, people looking to see what is lurks in the realms of pain, or someone simply wanting an object lesson into the motivations of a psychopath, this would be something easily recommended and highly praised. Me, I've read many things but few make me cringe and some of this one did just that. Honestly, that is commendable and most deserving of my horror-laden five stars.
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Grant was by no means an incompetant general, but his main attribute was tenacity; he won through stubborness more times than anything else. He nearly let the garrison of Ft. Donaldson get away (and would have if anyone had listened to Forrest), he came within a hair's breadth of losing his entire army at Shiloh, he was frustrated time and again at Vicksburg by an inferior general, his plan to defeat Bragg at Chattanooga was convoluted and shouldn't have worked, and Lee out-generaled him on multiple occasions. What made Grant superior to any other Union general (save perhaps Thomas) was his refusal to give up. Grant understood the advantages he worked with and knew how to use them to win. Put him on equal footing with Lee and the story may well have been different.
The main point Fuller makes is that Grant was the first general to understand the totality of warfare in the modern age, including the role of political expectations. He also was a superior strategist and campaigner to Lee, although Lee was probably the better battlefield tactitian. Lee had the advantage in the Overland campaign of fighting on the defensive, and Grant was aware of the approaching elections and the need to produce a result, rather than the traditional Army of the Potomac stalemate, or worse. He additionally had responsibilities for overseeing the Western and Valley battlefronts.
The main point to remember when considering the careers of the two men is that, if my memory is correct, of the three armies that surrendered during the War, Grant received two of them.