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Excellent book.
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The development of Lee's character began with his roots. He was the son of Light Horse Harry Lee, the revolutionary hero whose reputation was ruined by gambling and dissapation. He was also the great grandnephew in-law of George Washington. Lee became a man absorbed with his own honor, reputation and family name. In many ways he seemed a bit out of his own time and more like a southern gentleman of the 18th Century. His legend, of course, was the result of one year of great success in the Civil War. However, his overconfidence led to recklessness at Gettysburg. After the war he became increasingly political and developed white-supremacist leanings. To his credit though, he was an advocate of peaceful political change rather than mob violence.
My favorite parts of the book were Lee's letters to his children. In an 1845 letter to his son, Custis, he wrote, "If children could know the misery, the devastating sorrow, with which their acts sometimes overwelm their parents they could not have the heart thus cruelly to afflict them." He later wrote to his daughter, Mildred, "Experience will teach you that, notwithstanding all appearances to the contrary, you will never receive such a love as is felt for you by your father and mother. That lives through absence, difficulties, and time."
Fellman has made a systematic study of ALL of Lee's private correspondence throughout his life: the letters written to his wife and children, to the young ladies he enjoyed flirting with, and his military/political correspondence.An entirely new figure emerges, free of the accretions of Douglas Freeman.
Far from being reluctant to leave the US Army in 1861, he embraces the Confederate cause. A man of his time and place, he carries the racism implicit in the Southern viewpoint. Most interestingly, his post-war career at Washington College shows him completely aware of his role as a political actor who represents the fallen cause. Must reading for any serious student of the Civil War.
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Bevin's biggest virtues are that he usually gives Lee credit when it is due and also makes a good case for many of the alternate decisions and maneuvers that he suggests would have won bigger results for the Confederacy. I found the chapters on the Seven Days battles and the 1864 Overland campaign to be especially good. He points out many cases where Lee should have backed away instead of wasting his strength with costly frontal assaults (though combativeness was the trademark of the whole Confederate Army, not just its most famous general). Also, Bevin does not indulge in any shameful character assassination that other critics of Lee have employed. Lee's final decision to reject guerrilla warfare in favor of national reconciliation is justly praised, as well.
Unfortunately, Bevin does not remain completely objective throughout and many of his proposals were simply not realistic at the time or would have depended too much on the North reacting exactly as he predicted. I think that the argument that the South should have fought purely a defensive war overestimates the Southern population's morale while underestimating the resolve of the Federal Government. The North, too, could have adopted a strategy of avoiding large-scale offensive battles, opting instead to rely on the "Anaconda" plan to run its course. The South became more and more isolated by the Union blockade as time went on, and the war against the Southern population would have grown in intensity, as well (conceivably extending to arming and encouraging slave revolts, which would have been inevitable as economic conditions continued to deteriorate). I believe that Lee had it right, more or less, in trying to win Southern independence by taking the fight to the enemy and inflicting successive defeats on the Union Army. Just waiting it out played into the North's economic and maritime strength and would not have worked in the long run.
To sum it up, this is a very readable and often well-reasoned critique of Lee's battlefield decisions. However, it often fails to sufficiently take into account many of the harsh realities faced by the Confederacy in general and its armies in particular.
Alexander uses a lot of detail on tactical moves that Lee and Jackson used. Lee and Jackson are both praised in the book, and Lee is criticized for his mistakes. Alexander does not criticize Lee's character, but only some tactical moves that he made on the battle field. I know hindsight is 20/20, but Alexander gives Lee is dues. Overall, this was an excellent book and fun to read.
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There is a story of sorts buried in the morass of sexual descriptions. Every so often, it seems like it might get interesting, but alas it never does. Furthermore, the author does not even bother to tie up many loose ends. The most obvious question harkens to the title itself--Vera was "the chosen," apparently, yet I never found out why she was chosen or exactly what she was chosen for. Some of the basic premises of the plot itself simply make no sense. One thing I found most galling occurred in the last few pages of the book--Vera refers to something that she has no knowledge of whatsoever because the only person to have discovered it is one of the other characters.
I could go on and on. Suffice it to say, this book is badly written and reeks of adolescence. As is typical with Lee, the plot seems to exist only for the purpose of providing him with a means of unleashing his deep torrents of sexual fantasies. My copy has a number of typos and grammatical errors in it, but I can hardly blame an editor for letting these things slip because no one should have to read this novel thoroughly. I hate to criticize a novel in such harsh terms, but The Chosen may well be the worst book I have ever read.
Within Edward Lee's books, there seems to be an underlying current telling one to always look a gift horse in the mouth - especially when dealing with jobs that seem too good to be true. This is because there's always a catch, always some sharpened instrument waiting in the dark to sing a lullaby to an unsuspecting audience, and it always seems to be fashioned from the same threads. There, the unfortunate woes of the rurally-challenged reigns supreme, always greeting the unfortunate in some sexually explicit way they never seem to want, and there are always lurid dreams and doom lurking in the shadows. Many times, this is a good combination, too, and it makes something that is well worth checking into. Unfortunately in the instance we call The Chosen, all this book has to offer on an otherwise interesting theme that this author has been developing is a seed, a little seed, and the cohesion of the book's multiple themes, well, they never pan out. Sure, there are violence tones, many of them, with people and blades greeting one another and the people oftentimes regretting it (the blades, well, they never seem to offer their opinions), but the way this is presented is mostly useless. The blood spilled seems to be nothing more than filler, plodding the story along on a course that, to me, ends in the dullest of manners. Sure, there are shadows and things going bump in them, but the explanation comes late in the book and the reasoning, it is a lifeless thing that only evokes more blood and the death of other people. And the build, based on dreams of hands that grope and do some rather livid things, really begins to wear on the patience after a time.
Basically, this book is nothing more than an erotic dream manifesting itself in a creepy place full of events that, for some odd reason, seem to be a fright train destined for a little town we call Disappointment. As an Edward Lee reader, it basically made me have to take a break from his works, almost keeping me away from some of his newer ideas on what a monster should be. Within all of my objections, the word "demonic pimp" can be attached, showing the questioner why they might want to rethink looking into the idea. . Yes, with phrases like this, the mood built in the beginning is defeated soundly.
There are some great scenes in this one, especially when the protagonist goes into the cellar and gets a glimpse at what she's become involved with. The cook, a parody of Lee no doubt, is hilarious as the foul mouthed comic relief.
I would recommend this to anyone who wants to escape for a while with a good horror story. I also recommend Brian A. Hopkins, Richard Laymon, Heywood Steele, and Philip K. Dick.
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In this trenchant analysis of the Confederate defeat, McKenzie's criticisms of Southern arrogance, disorganization, corruption, military errors, and dubious ideology are difficult to refute, but considering the 5:2 manpower and 10:1 industrial advantages of the North, his belief that a defensive strategy and greater Southern dedication might have prevailed is less persuasive.
With bibliography, a good index, and wonderfully clear action-maps which lack only scale to be perfect, McKenzie's work is recommended as a highly readable, if tendentious catalyst for further discussion.
(The "score" rating is an ineradicable feature of the page. This reviewer does not willingly "score" books.)
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Savage postulates that Lee is court-martialed over the defeat at Gettysburg, the trial taking place some time during the winter of 1863. This gives Savage an opportunity to run through all of Lee's battles (with a side trip to Jackson's Valley Campaign) and command decisions up until then. As an amateur scholar who enjoys reading nonfiction studies, I still found these segments excruciatingly boring. The more fictional bits, the court-martial itself, were slow as well and the characterization seemed flawed. Savage doesn't have anything interesting to say about Lee, his leadership, and why he should or should not have been court-martialed; he recaps other scholars' arguments with no particular insight.
The use of language in this book was horrifically bad. This is an example:
"He had foresworn strong drink as a teenager for his mother."
Whoa. Think about that one a while.
Despite the work the author has apparently put in, I see no reason whatsoever why anyone would want to read this book.