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I benefit a lot from the book's reminder on those "traps" which I have also committed some.
A good value book.
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Whether you are a new referee or an experienced referee I would highly suggest this book. It covers topics that were never ever discussed in my training sessions. So much so that I actually have a new outlook on how I referee this wonderful game of soccer.
The other books are good and are worth your time but read this book first, then go to the others.
Michael Metz - USSF Grade 7 Referee - AYSO Area Referee
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Then I found the book Go the Distance. Though I was immediately drawn to the theme, I felt skeptical that a book could redirect my path when few others had. I was wrong.
As I sampled the first pages of the book, I was practicing my usual disciplined, "give it a chance mode." I expected to have to dig into the plot of this new book a bit before I gained the desire to finish it. I was so surprised to feel my pulse quicken and my eyes mist over when I was only finishing the dedication. Rowell proved two important points to me while his page numbers were still Roman. He had something to say to one of those deep fears and mysteries in my heart: "How can I be really successful?" Not, "How can I be more productive, efficient, wealthy, intelligent, muscular?" (I've already read all those.) How can I find the purpose for which I was created and live in it? More importantly, Rowell's style proved that he knew how to tell me.
Rowell chose to dedicate a book about success to two of his former teachers. "I would tell Mom over the phone," he writes, "Be sure and tell Mr. Trotter about me." How many times have I wanted the real winners in my life to be proud of me? And I as I go further down the road, how I long to know that I will be the kind of cheerleaders that these men were! Because Rowell could show how these two men made him believe that he had worth, I knew that he was speaking to the kind of success I sought. And, I was hungry for more.
After hooking me, Go the Distance changed my own race strategy dramatically. It offered the experience of many who have run much further than I've gone. This author spares me a published personal agenda. He offers instead a compilation of many interviews with winners and what they can share about their own successes. Having already practiced many of their strategies along the way, Rowell is able to weave these together with his own insights into a game plan that reads like a great story.
Perhaps the most powerful personal application I found in Go the Distance was in the time management arena. When I read about Ken Hatch in chapter one, I winced painfully and felt the need to look over my shoulder to see if someone was watching. For years I've resolved again and again to simplify and not live in such a hurried frenzy. Reading Go the Distance provoked me to stop asking, "How can I fit more in?" "What would make me more productive?" and to ask instead, "Why do I feel such a need to produce?" "How can I stay focused on my purpose?"
Making these kinds of changes in the questions I ask myself has been the catalyst to finally getting me on the right path towards finding my own purpose. I am so hopeful after reading Go the Distance that I will finish well. Finally in all the books I've read, I have one that has helped me focus on the finish line rather than chase my own tail.
In the end, it's not about where you start, it's where you finish. Sound advise from a sound writer who has a lot to say. Listening will help you win the race and enjoy the journey.
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This book addresses the problem by taking us inside twenty-five examples of Greene and Greene's work. The text is accompanied by the breathtaking photography of Alexander Vertikoff. I own a large collection of books on the architecture of this period, and those illustrated by Vertikoff stand in a class by themselves. His photos are magnificent, doing justice to the material he portrays. I doubt if there is a finer photographer working in this field today.
With photos like these, it would have been easy to turn this volume into nothing more than a glorious picture book. Instead, Bruce Smith provides an engaging story of the careers of the two architects. The best writing is found in an extensive introduction, where the author discusses the Greene and Greene style in general terms. One can see at a glance how the style starts with Arts and Crafts. Indeed, there is a wealth of Stickley furniture in many of the houses. It is equally obvious how the two went beyond the plain craftsman designs so common further east. The Japanese influence was much stronger here, and the craftsmanship in the wood joinery was much more refined. There is more woodworking than carpentry here. The woods included Burmese teak, Honduras mahogany, Port Orford cedar, oak, maple and redwood. In some cases, the brothers were able to design furniture, landscaping and gardens to go with the architecture.
For the remainder of the book, we get a tour through twenty-five houses designed by Greene and Greene. Each house is presented in the order of its design and construction, with a history of the entire house to the present day. In some cases, this includes restoration after some abuse. Some of these houses were created on a budget; others were done with no apparent limits on the imagination of the architects. All are works of art, created as a labor of love by all concerned. For anyone unfamiliar with the work of Greene and Greene, this is an excellent introduction. For those who are already captivated, this book is a must, if only for those magnificent pictures.
If you are looking for wonderful, full-page color photographs this is it. The first 50 pages are devoted to the G&G style; there is a page or two devoted to Materials, Joinery, Lighting etc. Descriptions are quite brief, and include a couple of pics.
The next 170 pages are devoted to 25 different houses with narration about the original design process, the ensuing history, and the current state. Again tons of color pics, and lots of shots of the furniture they designed to go with the particular house.
If you are looking for an in-depth discussion, check out Randall Makinson's "Architecture as a Fine Art/Furniture and Related Designs. These two books (now available in one edition) cover the G&G history in detail, but have less photos (many in black and white). They do have many front on center views of the furniture (as well as early drawings) so if you are interested in building their furniture, these books make a suitable companion to the one being reviewed.
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I am an African, and I have witnessed different spiritual powers and and different ways of worshipping and interacting with God. I have spoken with the dead aand it is for real!
Finally, I was in a bookstore in Holland ono faithful afternoon,very depressed and asking God why I have to go through so much hardship in my life, when I accidentally stumbled onto this great book. It has really changed my life. I believe that something propelled me towards this book. I believe that God has finally aanswered my call. I also believe that I deserve to have this great revealation because I have chosen to know the truth. However, I have finally realised that religion is jusst a vehicle used by people to gratify there selfish needs. I have since been living in peace.
This book will keep gravitating to those who are ready for it and no church nor authority in this universe can stop the intensity the message is radiating all over the world.
I choose to wish the messages in these books for my fellow travelers and may your lights continue to shine O Illuminatis!
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The appearance of this marvelous little book is deceptive. Its pocket-book format might suggest a brief regimental history or narrow personal account, but author Edward Murphy's text is, in fact, a captivating and relatively sophisticated narrative of the 173d Airborne Brigade's five-month campaign in 1967 in the dense jungle of South Vietnam's Central Highlands. The fighting around a small hamlet called Dak To proved to be especially hard for two reasons: the first concerned the physical conditions and the second was in the nature of the enemy. Daytime temperatures were in the upper 90s, with humidity in excess of 90 percent, and the moisture brought out mosquitoes and leeches. At times, it rained hard practically every day. According to Murphy, "frequently [the American paratroopers'] clothes rotted in the damp jungle," so, about once a month, fresh fatigues were delivered by supply helicopter to the field. The jungle was so thick that visibility often was limited to a few meters, and nearly every foot of ground was covered by vegetation. Sometimes the paratroopers had to carry chain saws to cut through the jungle and to make landing zones for their supply helicopters. (It could take two hours of hard work to hack a landing zone out of the jungle.) Enlisted men carried their weapons, ammunition, and personal gear on their backs in rucksacks which weighed from 75 to 90 pounds. During the rainy season, marching 1,000 meters through the jungle in a day was considered "good progress."
The physical conditions often negated the United States' vast superiority in weapons technology. For instance, according to Murphy: "Artillery [could] be ineffective in the jungle...[because] shells [had] the tendency to burst in the tops of tall trees, scattering shrapnel harmlessly about." "Too often, airstrikes and gunships could not effectively penetrate the thick jungle canopy." Furthermore, according to Murphy: "To prevent U.S. air strikes and artillery from decimating its ranks, the [North Vietnamese and Viet Cong] 'hugged' the Sky Soldiers, closing to within ten to twenty meters of their perimeter." In addition to the difficult conditions, and in contrast to the combat farther south, which was mostly against Viet Cong irregulars, the paratroopers, many of whom were still teenagers, battled elements of the North Vietnamese Army, "professionals who [knew] how to fight." The fighting often was brutal. One of the favored weapons of the North Vietnamese was the RPG, a Soviet-manufactured antitank rocket used as an antipersonnel weapon against American infantry. Furthermore, there was nothing chivalrous about the war at Dak To. After one fierce firefight, Murphy reports, a medical specialist "could hear the wounded screaming for mercy as the NVA walked among them, executing those paratroopers still alive." On another occasion, when the paratroopers returned to the site of one battle to recover their dead, they found that "corpses had been mutilated, their features destroyed, ring fingers cut off, and ears removed." Early in the book, Murphy writes that the "173d possessed great morale. All its men were volunteers for airborne training and most had volunteered for South Vietnam." During the Dak To campaign, however, the paratroopers' frustrations mounted. At one moment, when a "friendly" artillery round landed too close for comfort to an American captain, he grabbed his company's radio handset and screamed: "Send another round this way and I'll kill the son of a bitch who fires it." One of Murphy's clearest themes is the gradual erosion of the paratroopers' confidence in their superior officers. According to the author, the generals' "grand plans meant little to the average Sky Soldier. All he knew was that he was out in the boonies, humping day after day in the monotonous mountains and valleys of the Central Highlands." Furthermore, Murphy writes that when Gen. William Westmoreland, the American commander in Vietnam, flew to Dak To on June 23, 1967 to talk with the survivors of one fierce battle, "You took on a tough NVA unit and whipped their asses," a sergeant whispered to a buddy, "Wonder what he's been smoking?" Murphy offers many glimpses of the cruel ironies and inequities of war. In one instance, after a Marine jet dropped a 500-lb. bomb directly on an aid station for wounded American paratrooper, an American officer on the ground pleaded into a radio: "No more f------ planes. Please no more planes. You're killing us up here. Stop it." The bomb wounded over 80 men badly enough to be brought to the aid station, but nearly all the medics were dead. Meanwhile, the pilot returned "to his base at Da Nang with its air-conditioned officers' club, ice-cold beers, hot showers, and clean sheets," The ongoing controversy about the accuracy of "body counts" is on display here. At one point during the Dak To campaign, when North Vietnamese dead were reported as 1,644, Gen. Westmoreland stated in a press conference: "I think [the battle was] the beginning of a great defeat for the enemy." According to Murphy, however, "these figures are suspect,"and the actual number probably was closer to 1,000. (After one battle, the 173d's after-action report stated that 513 NVA had been killed even though the best estimate of men engaged in the battle was that the number of enemy of killed in action actually was 50 to 75.)
One veteran master sergeant, who fought in three wars, told the Murphy that, in 25 years as a paratrooper, he had never seen anything approaching the death and destruction at Dak To. The author leaves no doubt about the paratroopers' bravery or the 173d Airborne Brigade richly-deserved reputation as one of the elite units of the United States' armed forces. But the answer to the larger question - What were American fighting men doing in the jungles of Vietnam in the first place? - remains unanswered.
For me personally, this book means much, as my brother was a company commander in the 2d Battalion of the 503d infantry, one of the four infantry battalions of the 173d Airborne Brigade, and he was killed in action leading his company on Hill 875.
This book is as good as We Were Soldiers Once And Young, and it is one of the best books I have read on the war in Vietnam. It shows the courage and skill of outnumbered Americans who fought, died, and never quit-something that never really came out of the general media coverage of that unpopular war.
This volume is highly recommended and the author is to be congratulated for he has told a story of high valor and much suffering, and of the ongoing skill of the American soldier doing his duty, appreciated or not, in foreign lands fighting and defeating a skilled and determined enemy.
Virtute et Valore
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Annotations should be done in the manner of Gardner's own annotations of Alice in Wonderland. Now those were annotations that made *sense*. Annotations that simply explained out of date concepts, gave relevant details from Carroll's own life, or obscure humour. That's all! That is what annotations should be like.
The pedantic geekery of these annotations remind me of the...games of Star Trek fanatics (or Sherlock Holmes fanatics).
The poem is brilliant, though; and the illustrations were funny, before the annotations over-analysed them.
Dr Jacques COULARDEAU
I noticed some confusion in the Amazon listings for this book, so let me clarify that the edition with Gardner's annotations is the paperback, and for illustrations it contains reproductions of Henry Holiday's original woodcuts from the 1800's. There are only eight pictures, and these are in old-fashioned style which may turn off some modern readers. This edition does not contain the illustrations - listed in the review of the hardcover editions - by Jonathan Dixon, nor the illustrations by Mervyn Peake also listed as available in hardcover from Amazon.
To Snark fans, though, I would unhesitatingly recommend both those editions as well. Dixon's is little-known, but excellent, the most profusely illustrated Snark, with pictures on every page in lush, gorgeously detailed and humorous pen and ink. It may still be available through the website of the Lewis Carroll Society of North America, who published it in a small edition. Peake's drawings are also in beautiful black and white, and capture his own rather dark, quirky "Gormenghast" take on the poem. (A good companion, too, to the recently released editions of "Alice" with Peake's drawings.)