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Before going further, let me caution those who are offended by all forms of nudity that this book contains many female nudes. These are all tastefully done, and will not offend those who look with a desire to see the essence of beauty.
Alfred Stieglitz was a seminal figure in 20th century art. One of the foremost photographers in the century, he also helped other photographers define what the aesthetic means in photography. He also was a champion for many of the best known photographers, and seriously boosted their careers. In painting, he was an early advocate of important 20th century artists like Arthur Dove and Georgia O'Keeffe. In addition, he published two influential journals about photography, and exhibited art in his famous gallery in New York. Clearly, though, photography was his first love. "I have all but killed myself for Photography."
This book focuses on his central vision of photography ("search for objective truth and pure form") which increasingly was about "antiphotographs" or images that move beyond simple representation. This concept is examined both in 73 of his best images and through numerous excerpts from his voluminous writings on the subject (over 200 essays).
This book is based on the famous 1983 show of Stieglitz's work, and has been reproduced with amazing care and quality. The images are produced in tritone to give more texture and detail. The paper is of archival quality. Most people's diplomas are not on paper this good or this thick. There is a luxurious feeling to just hold the pages.
The 73 images were selected by Ms. O'Keeffe, Juan Hamilton (her friend and assistant), and curator Sarah Grenough from approximately 1600 images in the collection of the National Gallery of Art. Ms. Grenough selected the writings to be used, and wrote the wonderful introduction.
From looking at these remarkable images, I came away with the impression that Stieglitz was at his best (for my taste) when he was doing portraits, abstractions, and cityscapes. Those subjects seemed to allow him to strip away the unessential better than the others he used. My favorite images in the book are:
Sun Rays -- Paula, Berlin, 1889
From the Back-Window -- 291, 1915 Self-Portrait, 1907
Marie Rapp, 1916
Arthur G. Dove, 1911-1912
Charles Demuth, 1915
Hodge Kirnon, 1917
Marcel Duchamp, 1923
Georgia O'Keeffe, 1918 (3)
Margaret Treadwell, 1921
Waldo Frank, 1920
Dancing Trees, 1922
Music -- A Sequence of Ten Cloud Photographs, VIII, 1922
Equivalent, 1931
His writings are as rewarding as his photographs. I was particularly interested in his ideas about how humans make progress. "Progress has been accomplished only by reason of the fanatical enthusiasm of the revolutionist . . . ." "Experts . . . are the result of hard work."
After you have finished enjoying this astonishingly revealing volume, I suggest that you think about how you like to express truth and beauty in your life. How can you be more direct and simple in this expression?
Be sure to live a life of "constant experimenting" like Stieglitz did!
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I'm not a big fan of the "Coffee Table Book" but this is an exception. While it might be tempting to only look at the pictures, the text is in such a interesting format that reading it turns out to be such a breeze that you will be done before you notice.
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In this colorful guide, the magic and beauty of dance is shown in step-by-step sequences and full-color photographs. The costumes are spectacular and children can see the costumes, learn the stories of the great classical ballets and discover why Javanese dancers "flow like water."
Dances include:
Ballet
Tonga - poetry interpreted in dance in the Pacific Island of Tonga
Flamenco - Spanish
Ghost Dance - Native American
Morris Dance - England
Gharata Natya - Classic Indian Dance (if you enjoy this - watch Lagaan)
Orissi, Eastern India - originally performed by temple dancers
Georgian Ballet - the costumes are amazing!
Modern Ballet
Ballroom Dancing
and many more...
There is a section on footwear and they show how a ballet shoe is made. They explain the process of creating costumes all the way from the drawings to the finished product. Makeup and set design is briefly discussed.
A section on famous dancers and choreography shows what it takes. Finally, they discuss dance crazes through time.
A trip around the world in dance!
Learn about many different styles of dance, costumes and shows, performers, and many other dance-related topics (all augmented by beautiful museum-quality photos).
If you know someone (young or old) who is fascinated dancing, then you must introduce them to this book! It's a great lesson about dancing, and a beautiful book.
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It is a brilliant book for reference especially if one is in the industry. I have not come across any books that could come close to Graf's compilation of plants. I am also very interested in his other book Tropica which is also not been made available in the market. So please could i at least order the book from this review column
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Cortazar always enjoyed playing with words ( much like Borges) but mostly he played with time. The book has brilliant words but also silence and a stream of consciousness flows through the entire book and through an impossible Buenos Aires , a constelation of metaphores and specially a fast and corrosive intelectually challenging book.
In hindsight, some observers wonder whether the devastating 1995 attack was both precursor and connected to the Sept. 11, 2002 attacks on New York and Washington which took more than 3,000 lives.
This research--conducted by the Oklahoma Bombing Investigation Committee, and funded by private citizens--raises many unsettling questions.
For starters it provides clear evidence that U.S. Federal authorities never found all of the perpetrators of the Oklahoma City attack, that they did not pursue every lead, and that they did not utilize all available physical evidence. Substantial evidence surfaced that dozens of crucial eyewitnesses were neither interviewed nor called at federal trials.
In October 1995, Oklahoma State Representative Charles Key petitioned the District Court of Oklahoma County for a Grand jury to be formed to investigate the bombing. His petition was denied in February 1997.
Nevertheless, an FBI agent swore in an affidavit included in this volume that Abraham Abdallah Ahmed, a Jordanian-born naturalized U.S. citizen detained by American Airlines security personnel in Chicago on April 19, 1995 met the description of one of the male suspects seen running from the scene of the bombing. Ahmed flew from Oklahoma City to Chicago after the bombing. The FBI man further swore that Ahmed's luggage, which continued to Rome, contained several car radios, substantial amounts of shielded and unshielded wire, a small tool kit and other tools. While these could be used for everyday work, they were also "consistent with use" for "explosive devices." Ahmed was requested to appear before a Grand Jury, but had fled.
The Grand Jury indicted Timothy McVeigh, along with "others unknown." Composites of two "others," each called "John Doe," are shown here. They were never found.
In addition, actual evidence from terrorist attacks in Columbia in 1989, Saudi Arabia and Lima Peru in 1996 proved that a car bomb alone could not destroy reinforced concrete supports like those in the Alfred P. Murrah building. Chemical and electrical engineers, physicists and a U.S. Brigadier General all concurred that the damage to the Murrah Building on April 19, 1995 could not be ascribed to a single truck bomb containing 4,800 pounds of ammonium nitrate fuel oil.
A former military man at the scene on April 19 to search for victims witnessed fire department teams removing two devices that were placed in bomb disposal units. These were described as "military olive drab in color," the size of "round, five-gallon drums, with black lettering designating the contents as fulminated mercury," a high grade explosive. He saw mercury switches on devices which he recognized as detonators.
Had complete work been done in 1995, might 2001 have been prevented?
Read this book, and weep for the victims of both heinous attacks.
--Alyssa A. Lappen
You have not read the complete story until you've read this. The "official version" is nothing like this.
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Some believe the event to be a myth or legend. Alfred M. Rehwinkel explains how nearly every nation and tribe in the entire human race has a flood myth. The peoples of Egypt, Mexico, America, India, Pacific Islands, Asia, Australia and Africa all have a story to tell. It seems to deny the existence of a flood rejects the most ancient and most sacred traditions of universal humanity.
One of the most fascinating discoveries is also recorded in this book. The great Gilgamesh Epic was found in the ruins of the Assurbanipal library in Nineveh. The narrative bears a striking resemblance to the writings of Moses in Genesis. It was in fact written centuries before.
According to the author, there are many reasons modern man has rejected the possibility of a flood. Many scholars do however believe it to be the greatest catastrophe in the history of the earth.
Alfred M. Rehwinkel goes into great detail and shows how the ark was in fact quite capable of holding a great number of animals. He explains how many of the animals at the time could be found in the vicinity and that the climate, animal and plant life, where vastly different in Noah's time.
He answers the following questions in detail:
1. Where did all the water come from? 2. When did "The Flood" begin? 3. What was the population of the earth before "The Flood." 4. Why was there a flood and why was Noah saved?
He also goes on to show how the earth would have in fact been a virtual paradise with a warm climate and food for all. In his opinion, the earth was rich with resources and most likely sustained a great number of people. He also believes they had reached a high level of civilized culture. He basis his opinions on archeological discoveries.
A diagram on page 10 also explains how if the earth was perpendicular to the plane of its orbit, there would have been no change in the seasons. The seasons may in fact be a result of the earth tilting 23 1/2 degrees at the time of the flood.
If you are interested in archeology, you will enjoy reading about the fossil remains and how many different species were found all in one location in mass graves. This goes against modern geology, which is based on a system of biological evolution. (Oh, by the way, I have a Trilobite fossil my father brought me from Russia.)
This book does in fact succeed in bringing to our attention, the most outstanding evidence for a universal flood from a geological and archaeological standpoint. The most fascinating part of this intellectual work was the story of a Russian aviator named Mr. Vladimar Roskivitsky. He actually claims to have seen the remains of Noah's Ark on Mount Ararat in 1942. If anyone knows where I can find more information on the evidence for this claim, I would love to hear from you. I have only begun my research on this topic!