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John Bakeless's "Tragicall History of Christopher Marlowe" was published in 1942 in 2 volumes, and superseded Bakeless's earlier "Christopher Marlowe: The Man in His Time." Bakeless endeavored to write a complete --- and I mean complete --- biography of Marlowe, and he examines his work and life in all its details. The first 6 chapters documents Marlowe's life, from birth in Canterbury, education at Cambridge, playwriting in London, to his death in Deptford. Then in chapters 7-14 Bakeless discusses individually Marlowe's plays, his unfinished poem "Hero and Leander," and the shorter poems and translations. Bakeless dates them, discusses them from a literary p.o.v., documents their sources, and charts their influence to his present day. Next Bakeless gives a study of Marlowe's "mighty line," charts the artistic relationship between Marlowe and Shakespeare, and concludes his work by discussing the "Marlowe Apocrypha" - writings attributed to Marlowe through the ages, but which have not received general acceptance into the canon.
Now Bakeless wrote this in 1942, and of course some more information has been found since that time. Most important, documentation was found in 1975 that Marlowe was in the Netherlands in January 1592, arrested for coining with a goldsmith and Richard Baines (!), and deported back to England. Then the court records for an altercation Marlowe had with William Corkine in Canterbury in September 1592, also the the famous Marlowe portrait was discovered in Corpus Christi in 1953. It has also since been proven that a poem fragment Bakeless credits to Marlowe - the verses in England's Parnassus - was actually written by Jervis Markham. Despite these later additions to our knowledge of Marlowe, Bakeless's biography has never been superseded because so far no writer has yet attempted a fresh biography on the scope of Bakeless's.
To supplement Bakeless, I recommend William Urry's "Christopher Marlowe and Canterbury," Charles Nicholl's "The Reckoning," and Mark Eccles's "Christopher Marlowe in London." But Bakeless is still the bedrock of Marlowe biography.
It talks about a sickness that came into our world, and how few people survived. Then, show us how they have to re-structure the world, after they seach for survivors, for food, home, etc. It also shows how people looked for many material things instead of food, and other things that we really need.
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Perhaps not as bleak as "The Death of Grass", it still manages to unsettle the reader, with every human frailty exposed. Unlike the Wyndham school, there is no comfortable solution, no return to normality. What has changed is irrevocable.
I would recommend this book to anyone who knows Chrsitopher only from the "Tripods" novels, for an insight into why he was once considered the shining hope of British SF.
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I must warn people, however, that the Silmarillion requires a bit of an effort on the part of the reader. There are a ton of names (Finwe, Finarfon, Fingon, Fingolfin, Feanor, etc.) Also, the Ballantine paperback version comes with a very hard to read map, and it definitely takes some time to learn the lays of the land. The work involved, though, is more than worth it
At the same time, this is not an easy book to read. It can be slow and the number of places and names (many of them alternate names for names already mentioned), can have you spending most of your time flipping to the index in the back.
But if you keep with it, you'll be rewarded with an expansive and amazing view of Middle-earth.
"The Silmarillion" is actually five stories in one.
Ainulindale, the Music of the Ainur, deals with the creation of Middle-earth.
Valaquenta, Account of the Valar, shows how the Gods and Godesses of Middle-earth came to be, including their brethren the Mair (of which Gandalf is a member). Valaquenta also lays the groundwork for the betrayal that Melkor would exact on his fellow Valar, forever after being called Morgoth (the first Dark Lord) by the Elves.
The Quenta Silmarillion is the largest and most detailed of the stories. Herein lies the story of the beginning days, the coming of the Elves, the making of the Silmarils by Feanor, and their theft by Melkor. This sets off the major war of the Firs Age between the Elves and Melkor.
Two more shorter stories are included at the end. Allakabeth, the downfall of Numenor, and Of the Rings of Power and the Third Age.
After these are the genealogies of the House of Finwe, the descendants of Olwe and Elwe, the House of Beor, the House of Hador and the people of Haleth. A table showing the sundering of the Elves is also included, as are notes on pronunciation, an extensive (and extremely helpful) index of names, and finally, various elements of Quenya and Sindarin names.
Combined, these stories and the indices at the end, provide a remarkable journey back in time, to the Elder days of Middle-earth. A must read. Enjoy.