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If you buy only one non-fiction Chritie reference book you will not be dissapointed with Matthew Bunson's brilliant hommage as no better critique could you find than a dedicated fan who would go to this much trouble. Thanks, Matthew, hope you sell loads
THE COMPLETE CHRISTIE: AN AGATHA CHRISTIE ENCYCLOPEDIA is a fun piece of work that will provide much enjoyment to fans of Ms. Christie. Perhaps the only drawback to this wonderful book is a lack of a table of contents tied to the wonderful listings in the appendices that would enable casual fans to do even more specific digging.
Harriet Klausner
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This is a fine book of short stories and, as usual, Dame Agatha outfoxed me every time. Though Miss Jane publicly disdains outlandish plots ("undetectable poison from an African village"), her creator is sometimes guilty of just that. The very few that left me less than impressed involved entirely too much running around, an outlandish premise, and an overabundance of purple prose.
My hands down favorite was "Death By Drowning" when Dame Agatha shows her superb ability to misdirect. Even with broad hints, I didn't come near the answer. And never be certain that the villain will be punished, at least right away. "The Tuesday Night Club" and "A Christmas Tragedy" each have her particular brand of cleverness stamped clearly throughout.
This would be a wonderful book to have in the guest bedroom, but be sure to read it first!
In addition to Miss Marple, the storytellers include a number of always welcome re-occurring characters such as Mr. and Mrs. Bantry, Miss Marple's nephew Raymond West, and Sir Henry Clithering. Each of the stories is as memorable as anything Christie wrote in novel form, and although you can easily read any of the stories out of sequence the dinner party concept gives the collection a unified quality which nonetheless escapes the more demanding requirements of tackling a full-length novel.
This is the ideal bedside book, for you need read no more than a single story--drop off to sleep--and then return again to the next story at your leisure. At the same time it will satisfy even the most hardcore Christie fans; every one is sure to have their own favorite tale (mine is "The Herb of Death") and serious Christie readers will enjoy spotting plot devices that Christie later elaborated into full-length novels. Very, very enjoyable and highly recommended.
- "The Tuesday Club Murders and Other Stories" (TCM)
- "The Blue Geranium and Other Stories" (BG)
- "The Herb of Death and Other Stories" (HD)
The first 6 stories cover one of Raymond West's extended visits to his aunt, Miss Marple, while Sir Henry Clithering is also in the neighbourhood. He, she, and four other guests on the first evening form the 'Tuesday Night Club' (1st story, told by Sir Henry), to see which of the various professions represented has the best chance of solving a mystery. Miss Marple, as hostess, is included as an afterthought - at first. :) One real mystery is why Raymond never quite realizes that he's plain wrong in underestimating his aunt. Given the short format, the characters aren't drawn out at length, but even so, we see signs of a romance progressing between Raymond and Joyce, and that they certainly aren't fooling Jane Marple.
Dr. Pender, local clergyman, sets the 2nd puzzle, 'The Idol House of Astarte' - reader, beware that Christie, as a member of the Detection Club in good standing, never set puzzles requiring a supernatural solution. Raymond West, the writer, tells of a strange Cornish holiday in 'Ingots of Gold' - although he doesn't know the answer, Sir Henry does. Joyce Lampiere, the artist, visited Cornwall more professionally, to find herself painting 'The Bloodstained Pavement'. Miss Marple herself outwits everyone with 'The Thumb Mark of St. Peter'. If you're interested in unabridged recordings or more details about the individual stories, the first 5 appear on the TCM recording, the 6th in BG.
In the 'The Blue Geranium', first installment of the second group of stories, Sir Henry Clithering, staying with Colonel and Mrs. Bantry, is asked to suggest a female 6th dinner guest for the evening. Remembering the Tuesday Club of the previous year, he suggests Jane Marple, and explains to Mrs. Bantry how he knows her. Mrs. Bantry suggests trying her on the Colonel's ghost story ("The Blue Geranium"), since they'd be thankful if she could solve *that*. Afterwards, each of the other attendees, tells a story, albeit each in a different style, beginning with Dr. Lloyd (The Companion) and Sir Henry (The Four Suspects). In 'Never Two Without Three, or, A Christmas Tragedy' (usually known as 'The Christmas Tragedy'), Sir Henry protests that the 3 downtrodden males have been doing all the work, and urges Miss Marple into the breach. Mrs. Bantry, warning everybody that she can't tell a story, turns 'The Herb of Death' into a cross-examination - she tells the very bare bones, but doesn't know how to go on without giving it away. Jane Helier, the ornamental but apparently empty-headed actress, goes last with 'The Affair at the Bungalow'. Again, if you're interested in details / unabridged recording, the first 4 of this group are on BG, while the last 2 and the final story are on the HD recording.
The final story, "Death by Drowning", occurs later in Sir Henry's visit. Learning of a death in the village, Miss Marple not only suspects murder but has identified the killer, and she turns to Sir Henry to ensure that justice is done.
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Agatha Christie wrote this in a spare and efficient way so that the story starts moving immediately, and speeds up as you go. It will be impossible to put this book down once you start reading it.
As you can imagine from the book's age and the author, this is a classic English murder mystery. The murders are there, but the blood does not overwhelm. Violence and social niceties nudge one another for your attention. At the same time, there is hope. Agatha Christie adds her hope for the future in a most unusual way in this novel, that will leave you encouraged for the future of humanity after first causing you to despair.
One of the beauties of the plot is that it expands on the famous locked room format to include an island where there is no access or exit, nor any way to communicate. That gives much more room for interesting plot developments without losing any of the intellectual puzzle of a locked room.
An unusual factor about this novel is that you will soon find yourself identifying with the guilty victims (even though you are not a murderer). Usually, mystery novels have the reader identifying with the innocents or the detective. That is accomplished by creating a gripping sense of paranoia as the numbers of those on the island rapidly dwindle.
Don't miss this book!
After you are done and have savored all of the book's brilliance, reflect a little about how Agatha Christie explored stalled thinking about what was going on to make the plot so effective. Then think about all of those places in your life and business where things may also not be what they seem. If you can use this insight to locate your misconception stalls, you will be doubly blessed by reading this book.
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The family is the dysfunctional Lee family, summoned to pass Christmas together in the house of old Simeon Lee, the patriarch. During this stressful reunion, a commotion followed by a blood-curdling scream is heard from the room on the first floor occupied by old Simeon. When the locked door is forced open, the furniture is found upended, the safe rifled, and Simeon is found lying dead with his throat cut. The door key is in place, on the inside of the door.
Having depicted how the family members despise, hate, or resent each other up to this point, Agatha Christie next allows the investigations and theories to develop. Poirot is on hand, but she cleverly allows other police inspectors and investigators to do most of the work and make most of the mistakes.
The solution is one you will never forget, but also one that you will probably never arrive at before Poirot reveals all. Agatha Christie is wonderfully clever at laying out all the clues in an arrangement that directs the reader away from the vital ones.
Apart from a few lines of description, almost everything in the text is dialogue. To anyone in the world who has not yet read this 1940 mystery nothing more need be said. To those who are re-reading it, I suggest they notice how cleverly it is plotted and planned.
Simeon Lee is one of the richest men in England. He is estranged from most of his family, but one Christmas, he invites them to come to his mansion to spend the holiday with him. He is found brutally murdered in a pool of blood in his bedroom, which was locked from the inside. Each of his relatives has a motive, but it is up to Hercule Poirot to figure out which one of them is the murderer--before he or she strikes again.
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The title, in fact, is a pun on "tell," the Arabic word for hill or mound, which is used in the Middle East to describe the hill-like shapes of buried archaeological sites.
This book is probably the most humorous book the detective writer has ever written. She not only puts her own fame in perspective, but also acts as a keen observer of those little things that make humans such funny creatures. Although you never lose the impression that most of the characters in this non-fiction book are caricatures of real people, it still gives you a plausible impression of how life strolled on in the Middle East at that time.
Do not expect a serious treatise on archaeological excavations, because you won't find any scientific information in this book. What you can expect is a rather messy hodgepodge of all-day situations that may bring a smile on your face. And that's fine with me, because that's all Agatha intended it to be: an easily digested chronicle written with love.
Yallah Shebab!
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Ten people are invited by the misterious U.N. Owen to spend a weekend in a very isolated island. They don't know each other, but all of them have something in common. They commited crimes in such a way that they can't be touched by common justice.
Suddenly, the murders begin.
Agatha Christie has created in this book a story with an amazing psychological level, that has set the parameter for most of future books of such kind.
The outcome of the plot is an amazing effort of creation, and no reader can guess who is responsible for the deadly reunion, or his/her motives.
Another information: there is a movie with the same name, starring (incredible) Sylvester Stallone's brother. It's terrible, don't ever think of watching it.