On board were other colourful secretive characters, not a few could have a reason to want the victim dead. Also on board was Poirot who was determined to get to the truth, if for no other reason, that he was sleeping right through the murder!
Diverse clues were found throughout the book, a great deal given before the murder took place. Agatha Christie unhurriedly built up the backgrounds of the characters in the book such that doubts can be cast on everyone but none could be suspect. Her portrayal of an intelligent woman jilted, a beautiful heiress born with a silver spoon, idealistic cynic, hypochondriac dame etc were interesting, insightful and most descriptive. Readers would find their personal responses to betrayal, persecution and temptation etc elicited from the various cast.
The only fly in the ointment was that Egypt as the setting was relegated too far in the background. Ancient curses and scheming natives may be passe but one can't help but feel that the ancient Nile put up but a superficial appearance.
This first novel sets the tone for many Christies to follow. The wealthy family inhabiting a country house, the non-violent method of murder (poisoning) so favored by Mrs. Christie, and the light-hearted but often serious romance all became hallmarks of many of her later works.
Have a cup of hot chocolate with Poirot and enjoy the adventure.
The place is Styles Court, a great English country house in the village of Styles-St.-Mary, in Essex. The victim, Emily A. Inglethorp, the matriarch of the Cavendish family who has recently re-married. The suspects? Well, there are many, but her infamous new husband, Alfred Inglethorp, heads the list. The story starts with a re-telling acccount given by Captain Arthur Hastings, an old friend of Poirot, who ultimately brings him into the case to elucidate the murderer. As soon as Hastings arrives at Styles, he clearly senses that not all is well. His old friend John Cavendish tells him he is in financial trouble. John's wife, who conveys to Hastings "the impression of a wild untamed spirit in an exquisitely civilized body"; is entirely enigmatical. Emily's assistant, Evie, is a practical and matter-of-fact woman who "had a large sensible square body". Although we never really learn what such bodys look like, we can immediately picture them. Here, I find, lies one of the secrets of truly masterful character description. Even very early in the book, we come across the famous description of Poirot: "...hardly more than five feet, four inches...", with "the head exactly the shape of an egg", which "he always perched a little on one side. His moustache was very stiff and military." He was so incredibly neat that "a speck of dust would have caused him more pain than a bullet wound." The description of the characters is unique, and so is the great amount of interactivity among them. They are not a huge lot, but there's enough of them to give us a supply of good complications and 'red herrings': the sinister Mr. Inglethorp, the unimaginative John Cavendish and his perhaps too imaginative brother Lawrence, the servants, even the townsfolk. All the characters play their roles in due course, with none overshawing the others.
This is a very complete novel and, as such, is also very graphic. There are at least five illustrations created by the author, among plans of the house and handwritten letters. The reader has - apparently - all the clues at hand. This was very common at the time, as well as the titling of each chapter. It all works to provide us with the whole picture. Poirot displays his wits to no end (with quite a bit of activity I must say that we don't find in later novels), and the story - typical of the rules of a good mystery for the 1920's - ends happily for everyone involved except, maybe for Hastings; who seems to be looking for a wife but has no luck in finding the right one. Ah! No problem, mon ami, perhaps in the next adventure?
Told from the point of view of a village doctor, ACKROYD opens with a suspicious death--and this is followed by the murder of Ackroyd, a wealthy local who learns more about the suspicious death than it is wise to know, and whose death draws Hercule Poirot to investigate. This is not actually one of Christie's more smoothly written novels; most of the characters (excluding Caroline, the village gossip, who is a delight) seem more than a little flat, the narrative drags a bit here and there, and the plot is extremely tricksy... but the conclusion is a stunner, perhaps the single most famous plot twist of Christie's long and revered career. An absolute must read!
While I was reading I could not stop thinking about murderer and the method. Everybody had an alibi then who could have killed Rechett? How could the murderer kill that man and why? This book amplified my anxiety about these questions. And when I finished the book I couldn't have imagined the solution without Poirot's tact and cleverness. He just solved all my questions in the end. It was terrific! If somebody wants to read this book I'll recommend strongly right away. Just keep thinking 'Who did it?' You are going to be surprise.
When I saw the book assigned to me on my summer Junior year British Literature reading list I was happy to actually get to read a decent book. And when I read it I was swept up in the mystery of things, trying to find the real killer myself. Poirot is an interesting and clever charecter. This was my first Agatha Christie book but it won't be my last. Enjoy!
The story takes place on the unusually crowded Orient Express (A prestigious Euroean train), which is forced to stop practically in the middle of nowhere because of a snow storm, and nobody can get in or out of it, again, because of the storm.
On the train, in the Calais coach, where the murder was commited are some very unusual characters: A big Italian man; The killed man's valet; The killed man's secretary; A Russian princess; A count and a countess; A detective undercover, who pretends he is a dealer of typewriter ribbons; A loud American woman; Hercule Poirot, Monsieur Bouc, and Dr. Constantine; And some more unusual characters.
The murder is commited sometime in the night, and on the next day, Hercule Poirot, Monsieur Bouc (Poirot's friend, and manager of the train company), and Dr. Constantine (another one of Poirot's friends) start questioning the suspects (in this case, everybody) and looking for evidence. They know that the killer is very clever, and still on board.
When I got this book I thought, well, I'm just going to read about the evidence and stuff like that, and that will be all. Well, it wasn't. The first part of the book (first 50 pages) really isn't very interesting even though I enjoyed it very much. But after page 50, you will not be able to take your eyes off of it. I stayed up until two o'clock in the morning and read all 200 pages in one night, because I said to myself "I won't be able to go to sleep until I know who the killer is."
Get this book. It's worth it.
List price: $29.95 (that's 30% off!)
About a week later, she recieves a letter from London, asking her to go to the late Mr. Rafiel's solicitors' office. There she learns that Mr. Rafiel is leaving her a rather large amount of money, at the condition that she manages to solve a certain mystery, for the sake of Justice he says. The problem is, he doesn't give her any clues as to where she should start, nor what she should be looking for. Is she to witness, or prevent a crime? Catch a murderer red-handed, or maybe right some wrong that was done in a time long past? Intrigued, Miss Marple decides to accept the proposition.
Not long after, she recieves an invitation to go on coach tour of the Famous Houses and Gardens of Great Britain. Everything has been arranged and paid for by none other than Mr. Rafiel. Miss Marple starts her investigation.
What I enjoy the most in Nemesis is the way Agatha Christie makes you look at the world through the eyes of an old lady, the way you can follow her thoughts and deductions. How Miss Marple takes advantage of seeming a harmless old lady to bully people into revealing things is very funny too. Of course it's cleverly written and very suspenseful, but you wouldn't except less from "The Acknowledged Queen of Detective Fiction", now would you?
a well-rounded book. Her ability to make you want to keep reading the book makes you not want to put it down. She forms the characters in great detail, never giving you too much or too little information on any one character. Agatha makes the books environment such that it feels
as if you are right there, trying to solve the murder's mystery right along with
Hercule Poirot, the great detective portrayed in the book. She can at times write in a way that may get you confused but her realism makes you press on because its so interesting. First, her writing style is
unique, I cant really describe it i just know i haven't ever read another book written in this style. Her style is enthusiastic and keeps you interested in the book. She catches your attention in different
ways and makes you keep on reading until the very end. She also describes the characters to the last detail, making sure every detail has
importance in the conclusion of the murders. All the seemingly unnecessary character details seemlessly tied together at the end concluding the mystery with great strength and reassurance to the
reader. Lastly, the atmosphere of the book is really great. She makes it seem very realistic and when the story is over you feel as though you should be able to turn and talk to Hercule about the mystery.The ABC Murders is great because it makes you want to keep on reading and reading, with no skimming to the end of the book. With interesting writing, great detail, and enthusiasm to read on, Agatha Christie has written yet another outstanding detective fiction to add to her collection