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For the record, I prefer L'Amour's original to HONDO, both book and movie. Louis' original story is more accurate historically and works better on nearly every level. One significant change in Grant's treatment involves the character of Ed Lowe, the female protagonist's murdered husband. In the original, the Ches (Hondo) Lane character is motivated entirely by a sense of duty toward Ed, and the events of the story revolve entirely around this motivation. I believe Grant deliberately made this change in order to deconstuct Lane's typical L'Amour-hero integrity and create a moral ambiguity in the love story. (He seems to have been fond of moral ambiguities in all his John Wayne scripts.)
Read the story and see what you think. It is one of L'amour's best moments as a writer.
L'Amour was a better writer in his pulp days than he will ever be given credit for. In fact, as a late purveyor of the pulp western's twilight era, I prefer him to Elmore Leonard, H.A. DeRosso, et al. These men were just self-conscious crime writers (with some hipper-than-thou neo-naturalist brightness and talent) who condescended, for a time, to sell westerns. L'Amour, on the other hand, was a believer! -- and BOY, could he knock off a tale!
Check out the 'slicks' he wrote for COLLIER'S and the SATURDAY EVENING POST-- pure, smart story-telling! (Especially the forgotten 1960 Sackett story "Booty For A Badman.") The ladies will love his excursions into "Ranch Romance" territory-- "One For The Pot" and the title story. There's not a single dud here and the collection would be perfect if it included "Bluff Creek Station" (later collected in THE STRONG SHALL LIVE), my personal choice as L'Amour's greatest short story.
So buy it when you can, especially if you have never read Louis L'Amour! This anthology is a perfect introduction to an American legend.
Al
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Just talking about the beautifully reproduced photographs alone, without the text, this would be an awesome coffee table book. But we like to ride too, and now that we've enjoyed all of the routes in Colorado, we're looking at Mt. Shasta and Alaska.
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Joseph Finsbury is a character whose heart may be in the right place but his head never is. Constantly preoccupied with trivial intellectual pursuits, he allows his leather business to go heavily into debt to the brink of ruin. Having raised his two nephews, John and Morris, since the death of their father, the news of the loss of their fortune to Joseph Finsbury's malfeasance lays the ground work for all that is to come.
Morris, who is shrewd and extremely self-centered, is given the ailing leather business as consolation. But Morris counts on Joseph winning the tontine to make him whole. A tontine is a scheme where participants pay an equal amount of money into a kitty and the last one living gets it all.
The three are involved in a train wreck and the assumed body of Joseph Fisbury is found by Morris and John who hatch a plan to first hide the body and then ship it back to their home in Bloomsbury, London, where they will pretend Joseph is still alive; which he needs to be to keep their claim to the tontine intact. It is during shipment that its' destination is changed as a sort of practical joke and mayhem ensues shortly thereafter.
The bulk of the story essentially has people coming home and finding a dead man in their house whom they've never seen before, dead or alive, and who definitely wasn't there when they left. The problem then is obvious; What to do with the body? It is here that Stevenson is ulra-creative with the solutions these poor unfortunate souls come up with long before Bernie ever had two losers over for the weekend.
I found myself laughing several times throughout the book, which is only about 150 pages of text, and always eager to pick it up again to see where poor "Joseph" would end up next and who would get him. This is one of Stevenson's less familiar works but also one of his best. Buy it, read it, tell a friend. You'll be glad you did and so will they.
If you have some heart problems, it is better to avoid this book. You might have the same reactions that Rudyard Kipling had on this reading: laugh and fast heart-beating.
Practically it is impossible to touch this subject without been absorbed through the mirror as Alice and in the same time to be happy to be different. Morris Finsbury, the "great Vance", uncle Joseph, Miss Hazeltine, Gideon, the uncle "Wooden Spoon", William Dent, Bloomsbury, Victoria Station, are surely coincidental with your world, parents, neighbors, your TV characters and other people you know. Never a virtual Country (this 18th Century England) was so similar to the Country in which you are leaving now.
But this vivid Victorian picture is penetrating in your mind as ever before.
The other problem you will encounter is that of ever putting this very addicting book down. You will read and read it again to search the hidden treasure left in this Island on which only few elected spirits are claimed to wreck being happy of doing it.
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Vasubandhu sifted through the whole mass of Buddhist teachings to produce this "treasury" (kosa) of them. Because of its excellence, it soon eclipsed all its rivals in early India, and has remained a classic for fifteen hundred years. This translation includes Vasubandhu's own detailed commentary, "bhasyam," so it forms a self-contained veritable encyclopedia of Buddhism.
Vasubandhu's encyclopedic treatment of the
Abhidharma from the French of Louis de La
Vallee Poussin is a stunningly meticulous
work of scholarship. In the marvelous
setting of a high-quality hardcover edition,
it displays Professor Pruden's
uncompromising dedication to bringing a
complete, accurate and well-annotated
rendering of the crown jewel of Abhidharma
compilations into English.
For those who are unfamiliar with the
significance of the Abhidharma, it is the
systematic delineation of Buddhist
philosophical tenets. In aggregate, it forms
one of the three collections comprising the
three-fold Buddhist canon known as the
Tripitaka. The importance of this work of
Vasubandhu lies a) in its encyclopedic
completeness; and b) in its exposition of
the common philosophical ground shared by
both the Southern and Northern traditions of
Buddhism. It is a work which, though
dedicated primarily to material most readily
associated with the fundamental teachings of
Southern-tradition Buddhism, has always been
held in the highest esteem in Chinese and
Tibetan traditions as well.
This work is graced by a 60-page
introduction to Abhidharma written by
Professor Pruden entitled The Abhidharma:
The Origins, Growth and Development of a
Literary Tradition. That is then followed by
de La Vallee Poussin's own 50-page
introduction to Vasubandhu's work. Each
volume is preceded by an extremely detailed
table of contents, totaling 30 pages in all.
The final volume includes a carefully
compiled 50-page index to the entire work.
Each chapter includes copious annotation in
the form of end notes. Given this sterling
approach to presentation and annotation,
this four-volume edition constitutes a
veritable encyclopedia of abhidharma tenets.
To help the reader better understand the
construction of Vasubandhu's work, I present
here the basic breakdown of its
construction:
Chapter One: The Dhaatus
Chapter Two: The Indriyas
Chapter Three: The World
Chapter Four: Karma
Chapter Five: The Latent Defilements
Chapter Six: The Path and the Saints
Chapter Seven: The Knowledges
Chapter Eight: The Absorptions
Chapter Nine: Refutation of the Pudgala
Ideally, this work should abide on the shelf
of every serious English-speaking Buddhist
as a counter-weight to the foolish notion
that "just-sitting" will somehow bring about
true liberation. The Buddha himself insisted
that the two provisions of: a) merit; and
b) wisdom are essential to any meaningful
advancement along the path to enlightenment.
This work contributes a solid foundation
stone to the edifice of wisdom which each
practitioner must endeavor to construct. Its
utility as a foundation is equally valuable
whether that construction eventually
expresses a Southern-tradition or Northern-
tradition architecture.
The expense of this work ($300), while not
at all unreasonable given the extravagance
of the meticulous four-volume hard-cover
edition, may place this work beyond the
grasp of many struggling Dharma students.
At the very least, however, every Dharma
center could acquire a single copy as a non-
circulating library reference. It is
difficult to overestimate the value of this
work in clarifying the meaning of
fundamental Buddhist philosophical tenets.
For the translator, it is an invaluable
reference work which serves well in the
correct translation of abstruse technical
terms which might otherwise be distorted by
over-reliance upon the Tibetan- or Chinese-
language renderings of such terms.
In short, the presence of this marvelous
compendium of Abhidharma in such a fine
English edition is a cause for celebration
in every tradition of Western Buddhism.
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Assuming Palmer actually was in Afghanistan and actually met some of the people he talks about, all the book can be viewed as is a well meaning fairy tail about the brave and chivalrous fighters against the Soviets. One doubts that any of the incidents in the book really took place, or if they did, that they were described acurately.
Reading other books about the war in Afghanistan makes it pretty clear that the anti-soviet fighters were formidable, but hardly chivalrous or even civilized in any sense that we in the west would understand.
If read as a Sufi allegory, it is quite valuable and illuminating, hence the 5 stars. But anyone wanting a true view of the fighting in Afghanistan would be better served with any of a number of books written by authors such as Larry P. Goodson, Jason Elliot, Eric Newby, Artem Borovik or a host of others.
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(Please feel free to correct my english) Jeroen van Dijk
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