When I got this book, I had already been using UNIX at work. I just needed some guidance in installing Linux the first time at home. This book proved to be too shallow for me.
For those attempting to bring more structure to their development process, this book's utility can be enhanced with knowledge of design patterns, and previous OOAD experience. One can certainly modify / improve the various deliverables covered in the book to their own needs.
I do wish for a better title and singular focus on UML, now that it is a standard. The code listings can surely be reduced and made more up-to-date. Some basic Java dev guidelines (like package names in lowercase) have been ignored.
For organizations new to OO, this book provides an excelent "how to". You can even take the inside cover and put in a project tool like MS project!
As the authors state, it is like a cook book and after you try it, you can modify the recipe to suite your environment.
The structure of the book is excellent. The information was very well presented.
I highly recommend this book.
Textel and Williams provide a cookbook which can be followed to the letter, or which you can modify to satisfy your own OO sensibilities. I particularly found the continual contrasting and comparing of Booch, OMT, and UML to be interesting and edifying.
The Project Management spreadsheet was an unexpected bonus. By following the phases described in this book step by step, producing the recommended deliverables, and using the review items for each phase, anyone with half a brain could successfully manage an OO project -- even someone in management! :-)
The author was a professor at Oxford University and the text & pictures are from a 1924-1925 trip thru southern England.
Thorough historical coverage. The book is more of a study of the history of the castles. The pictures are rather dull and small or old-looking.
So why read a relatively obscure history about a relatively obscure king? Aside from the obvious (it's Shakespeare, stupid), it is a wonderful piece of writing - intense, lyrical, and subtle. Richard II is morally ambiguous, initially an arrogant, callous figure who heeds no warnings against his behavior. Of course, his behavior, which includes seizing the property of nobles without regard for their heirs, leads to his downfall. Nothing in his character or behavior inspires his subjects so he has no passionate defenders when one of the wronged heirs leads a rebellion to depose Richard II. But Richard now becomes a much more sympathetic figure -especially in the scene where he confronts the usurper, Richard acknowledges his mistakes, but eloquently wonders what happens when the wronged subjects can depose the leader when they are wronged. What then of the monarchy, what then of England?
On top of the profound political musings, you get some extraordinarily lyrical Shakespeare (and that is truly extraordinary). Most well known may be the description of England that was used in the airline commercial a few years back... "This royal throne of kings, this sceptred isle, ..."
If you like Shakespeare and haven't read this play, you've missed a gem.
Shakespeare masterfully manipulates our feelings and attitude toward Richard II and Bolingbroke. We initially watch Richard II try to reconcile differences between two apparently loyal subjects each challenging the other's loyalty to the king. He seemingly reluctantly approves a trial by combat. But a month later, only minutes before combat begins, he banishes both form England. We begin to question Richard's motivation.
Richard's subsequent behavior, especially his illegal seizure of Bolingbroke's land and title, persuades us that his overthrow is justified. But as King Richard's position declines, a more kingly, more contemplative ruler emerges. He faces overthrow and eventual death with dignity and courage. Meanwhile we see Bolingbroke, now Henry IV, beset with unease, uncertainty, and eventually guilt for his action.
Shakespeare also leaves us in in a state of uncertainty. What is the role of a subject? What are the limits of passive obedience? How do we reconcile the overthrow of an incompetent ruler with the divine right of kings? Will Henry IV, his children, or England itself suffer retribution?
Richard II has elements of a tragedy, but is fundamentally a historical play. I was late coming to Shakespeare's English histories and despite my familiarity with many of his works I found myself somewhat disoriented. I did not appreciate the complex relationships between the aristocratic families, nor what had happened before. Fortunately I was rescued by Peter Saccio, the author of "Shakespeare's English Kings". Saccio's delightful book explores how Shakespeare's imagination and actual history are intertwined.
I hope you enjoy Richard II as much as I have. It is the gateway to Henry IV (Parts 1 and 2) and Henry V, all exceptional plays.
Despite the comments below, which may or may not reflect someone who has actually read or used the book, my comments are based on using this book when I took the course and ordering it for a course I am teaching this summer.
Regarding the infractions cited below, I have not found this text any worse than others. It covers a wide range of an exciting subfield of psychology, and it does so in a way accessible to an initiate to the field. Allyn and Bacon provide excellent support for the text, as well.
Finally, I wish to note that while I am currently working in the same Psychology department as Donn Byrne, the second author, we are not affiliated in any way.
Here is an excerpt that caught my attention: "how we interpret, analyze, remember, and use information about the social world-suggests that we are far from perfect in our ability to think clearly about other persons and reach accurate decisions or judgments about them."
"Social Psychology" covers many branches of psychology but the chapters give you enough information to learn just the basics. I think that this is great for lay people or new students in Psychology. I found that the personal stories that both authors used, helped me to better understand the topic of the chapters; however the, I met this psychologist and have been friends with since, led me to believe that this reaction was due to a schema. Perhaps our society has created a schema in which others' names define who we are. I particularly don't sympathize much with this.
The colorful pictures and cartoons in the book, I enjoyed greatly. I tend to be very visual in many occasions. In fact, I feel that many of the pictures were more thought provoking than the text. I found them very helpful to understand the subject. I also sensed that the targeted audience was mainly young students since many of the studies were conducted or focused on young students. I just wished that the authors had not forgotten that there are older people (like this book reviewer) who go back to school or who want to learn about social psychology. Once again, I highly recommend this book to anyone. You'll learn to view the world under a new perspective.
If you are a beginner I would not recommend buying this book. Look for something else!!