Professor Hein begins with a short biography of the author, and then proceeds to explain the author's work, examining its theology and significance. I found this book to be quite fascinating, with the author giving me a look at these masterpieces of Christian literature in a way that I had never thought of before. If you are a fan of any of the authors above, then I highly recommend that you get this book!

At the urging of Inspector Field, the three associates decide to investigate the murder of the don. Although they have worked previous cases, Dickens, Wilkie, and Dodgson remain writers/wannabe authors playing amateur sleuths. Their actions soon place their very lives and that of Dickens' mistress in danger from an unknown assailant.

The fourth Dickens-Collins Victorian mystery is a clever who-done-it, populated by literary references and their associated footnotes. The story line is fun although the use of Victorian era dialect makes one wonder if Dickens is heading in the direction of Chaucer and Shakespeare, difficult to read without a translator. The plot belongs to the trio of writers as the audience sees a glimpse of them beyond the classroom and outside their novels.

Harriet Klausner

Whether you're a student doing research or a farmer/rancher looking for a way to escape the heartache/headache of cattle, this is the best book you could hope to find.

But Williams could almost say "We are Charles Williams," because he somehow seems to be such a kindred soul with Dante, and so attuned to the poet's thought that the effect of hearing or reading him on Dante was and is magnetic--so much so that Dorothy L. Sayers taught herself Italian and translated Dante's Divine Comedy in three volumes for Penguin Books (the Paradiso was completed by her student, Barbara Reynolds). Sayers dedicated her translations to "Charles Williams, The Master of the Ways." The Ways referred to are the way of rejection and the way of affirmation, two sorts of spiritual paths explained in this, and many other Williams volumes.

But she was not the only one to so lionize CW. C.S.Lewis wrote similarly in his Preface to Paradise Lost that Williams had revolutionized Milton criticism. Apparently the door was unlocked all the time, Lewis wryly notes, but only you (CW) thought of trying the handle. Who else did this supposedly obscure and unremarkable British writer influence? How about Canadian poet and singer Bruce Cockburn in his albums Dancing in the Dragon Jaws and Humans (the latter often considered one of his best albums)?

If Charles Williams did have a fault as a writer, it was that he tended to write too telegraphically, almost in a kind of shorthand, assuming his readers were with him when some of them, at least, would be lost. This happens in The Forgiveness of Sins, which assumes a good grasp of Shakespeare, and He Came Down From Heaven, which assumes a good grasp on everything else. Some of his essays do this also, particularly his book reviews, which assume that in reading the review one has also read the book. His reviews of some writers, however, such as D.H. Lawrence, and for that matter, St. Augustine, are so lively and unforgettable that they have long outlived their time. Of his nonfiction works, The Descent of the Dove (subtitled a History of the Holy Spirit in the Church) and The Figure of Beatrice flow the best and assume the least. Oddly enough, you can read the latter knowing nothing about Dante and the former knowing nothing about the Holy Spirit and learn a lot about both. Better yet, you learn a lot about Williams. Once one has met him, his trademark style is unmistakeable and for readers like me who have fallen under his spell, greatly compelling. There is no other writer like Charles WIlliams and no better place to meet him than in The Figure of Beatrice.

There are several themes throughout, the first of which is a focusing on Dante's "Way of Affirmation," or the Affirmation of Images,which is one road, as it were, to see God. The other road, the Way of Rejection is also always there, but this Way does not apply to Dante. The Commedia is the greatest exposition on the themes of the Way of Affirmation. Another theme that runs throughout is the paradoxical statement, "This also is Thou; neither is this Thou." Each of these themes, if you are familiar with Williams, is treated anagogically. If you are not familiar with Williams, then you should know that Williams is an anagogical writer (i.e. he deals with the mystery of, what is vaguely called, the spiritual realm; read his book Descent Into Hell and you will see what I mean). Though I haven't read much modern Dante scholarship, I doubt many moderns would, or could, find a significant anagogical and spiritual meaning, at least not one as satisfying as Williams.

Finally it has been a few years since this book has been in print, and may not be around for much longer (if, God forbid, Williams is forgotten). Its a great opportunity to snatch this one up. Don't let any "modern" ideas get in your way.

Men Against the Sea begins with the mutiny and describes what happens to Captain Bligh and those he commands as they make their way eventually to the Dutch settlement of Batavia in the Dutch East Indies. Along the way, Captain Bligh and his men traverse around 3,600 miles in their fragile vessel while suffering many horrors including attacks from the native people, lack of sleep, storms, bailing for their lives, cold, thirst, too much sun, and hunger. The authors make a good decision in choosing to have the ship's surgeon serve as the narrator of this saga. This perspective made it possible for the book to include his physical descriptions of the deprivations of the Bounty's abandoned crew to help make the story more compelling. In the true spirit of a story about English tars, there is a considerable discussion of how the starvation the men experienced affected their intestinal tracts.

Captain Bligh comes across very poorly in Mutiny on the Bounty. The opposite occurs in Men Against the Sea. His leadership is one of the great accomplishments of seamanship of all time. Throughout the troubled voyage to the first landing at the Dutch settlement on Timor, Captain Bligh only lost one man. Captain Bligh also comes across as a brave, worthy, and dedicated sailor who is more than willing to share the deprivations of his men. In one stretch, he mans the tiller for 36 straight hours despite being exhausted. At the same time, even the most querulous of the crew usually keep their silence.

But the men are only human after all. Someone steals two pounds of pork. Another shipmate sent to capture birds is overcome by the need to eat them, and spoils the hunting for everyone. In their weakened state, they miss many wonderful chances for food. When they reach civilization and begin to recover from their privations, complaining quickly returns.

My test of how well written such an adventure tale is that I often felt like I was in the boat struggling with them. The main weakness of the book is that it skips many days on end, when the circumstances were at their most dire such as during unending days of storms. By doing this, the reader is denied the chance to have the full horror of the crossing bear down more strongly.

Most of the weaknesses of Mutiny on the Bounty are overcome in Men Against the Sea. So if you found that work unappealing, give this one a chance. It has many of the qualities of great survival and adventure books.

After you finish this remarkable tale, I suggest you think about the ways that adversity brings out the best in you. How can you do as well when times and circumstance are not adverse?

Squarely face the challenge, with confidence that success will follow!

Read it for yourself. Such books makes being an avid reader so much fun!

Fletcher Christian and his mutineers allow Bligh and his loyalists no guns, three cutlasses, a small medical kit, and a pitiful store of water and victuals. Their boat must skirt all inhabited islands because they had no gifts to give to the natives -- which in the islands at that time meant that they were risking attack every time. Their water supply came from rainstorms and occasional landings for food. They had no gear for fishing. All they had to go on were Bligh's knowledge and guts.

I actually prefer this book to MUTINY and now eagerly look forward to seeing if PITCAIRN'S ISLAND, the third volume in the trilogy, is as good.

Contrary to popular belief, I'm fast coming round to the idea that Williams was a *philosophical* writer rather than a *religious* writer. And not only because he himself described his seven novels as "metaphysical thrillers".

Unlike "Descent into Hell" - which is quite frankly an overwrought gothic monstrosity - "Many Dimensions" is a 'typical' Williams story, with standard English prose (standard for the 1930s, that is), a straightforward plotline and plenty of pace. In fact you could put "Many Dimensions" up against later fiction of a similar tone - like Dennis Wheatley, for example (not very well-known now, but immensely popular in the 50s and 60s) - and be hard put to pick a winner.

So where does the philosophy come in?
Primarily in the form of a series of very basic, but also very important, questions that lie just below the surface of the story - and sometimes not even below the surface.

Questions like: "If you can restore all of the people in group A to health, but in the process throw at least an equal number of people in group B out of work - at a time when work isn't that easy to come by in the first place - which group should take priority?"

This question, and others closely related, run all through the story yet, due to Williams' writing skill, they do nothing to impede the plot unless the reader actively chooses to think them through.

The final answer Williams gives, I *think*, is that there is no *easy* answer. Only he frames his conclusion far more lucid and impactful manner than that last observation might suggest.

In short, this writing has the power to enthrall and satisfy a wide range of readers.
The only reason I don't give it five stars is because the literary style is typical of British writing in the 1930s, which I guess won't necessarily be to everyone's taste.
Having said which, I really do recommend the majority of Williams' novels as a taste worth acquiring.

Oh yes, why did I give this review the title "Does God Play Dice?"? When you read the book I think you'll know exactly why.
Good reading!

Williams combines an ultimately serious theme with high poetry, good plot and characters, and his highly individual treatment of the supernatural and mysticism for a very satisfying read (and re-read).

The picture which Williams chose for The Place Of The Lion is this Platonic one. It so happens that on one occasion, Mr. Berringer's meditation is deep enough to cause a rupture in the divide between the outer and inner worlds. He is out walking in a condition almost of trance, deep in meditation upon the Platonic idea of strength and kingship, using the archetypal image of a lion. In this state, it so happens that his path is crossed by a real lioness which has escaped from a local circus or zoo. The animal attacks him but the remarkable result is that the lioness vanishes into thin air, and Berringer falls into a cataleptic trance, while the mighty figure of a maned lion is seen walking away - the very archetypal image on which he had been meditating.
Bizarre huh? It's only beginning. He now lies in a coma, and his home and the surrounding area become the place of severe archetypal activity. At one point, the archetypal enormous butterfly appears and all the normal butterflys of the world fly back into it. Totally wild.
I cannot begin to scratch the surface of all the very strange happenings that take place in the book, but I think overall it is meaning to say that man ought to be able to rule all of these forces. There is one man in the book that does, and the story ends with him as a second Adam "naming the beasts" and establishing dominion over them.
To "get it" and maintain interest in this book a reader should have a pre-familiarity with Platonic theory. It is by no means an easy read.

The quality of the printing and photo reproduction, in the paperback version I read, was very good.

English language books on modern French history are not abundant. This is a excellant volume to start off with or
add to a collection.