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I originally saw Catherine Clinton on C-Span Book TV (yes, I admit I do watch it! LOL). Her enthusiasm regarding Fanny Kemble was clearly evident and the book does not disappoint. I do want to point out that I've chosen to read Clinton's book before I've read the journals which she edited.
With respect to Fanny Kemble, I find her to be a study in contrast. On the one hand she craved independence of thought and financial means yet she appears to have despised the very things that would bring her either independence, financial security or both. For example, she clearly was an excellent performer - something which would have allowed her independence of both thought and financial security - yet it appears she in many instances indicates she disliked performing.
After reading Catherine Clinton's book, I can't help but wonder what the literary world lost when she married Pierce Butler. Would we have another Jane Austen if she had remained unmarried or if she had a supportive or better match for a husband? Unfortunately, we're only left to guess.
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As scholars, the father-and-daughter biographers are lacking in appropriate perspective and historical context; however, the "insider" information they impart makes the book a veritable treasure chest of Mitfordiana.
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The marriage of Catherine of Braganza, who was from Portugal, to the newly restored King of England, Charles II, was a purely political alliance. Catherine was the daughter of King Juan IV of Portugal, who had previously been known as the Duke of Braganza, a vassal of Spain, as Spain had invaded Portugal in his father's time. When Catherine was five, after sixty years under Spanish rule, her father drove out the Spaniards and assumed his rightful role. His rule was a tenuous one, however, as the only foreign countries who recognized Juan IV as King of Portugal were France and England, who were enemies of Spain, at the time. The Pope, however, under the thumb of the Spaniards, did not, and other countries followed suit.
When Catherine, the Infanta of Portugal, was about eighteen years of age, her father died, leaving her mother, Donna Luiza, Queen Regent, of Portugal, as her brother, Alfonso, was only thirteen years old. Shortly thereafter, in the year 1658, Cromwell died, and within two years, Charles II of England was restored to his throne. Donna Luiza sought the marriage of her daughter, Catherine, to Charles II, as a way of being able to shore up her defenses against the ever pervasive threat of Spanish subjugation. By the time Catherine was twenty two, she was married to the thirty year old King of England.
Catherine was a Catholic Queen in a Protestant England that had never forgotten the cruelties of their last Catholic ruler, Mary Tudor, also known as "Blody Mary", for her excesses againt those of the Protestant faith. Consequently, the English were cool in their reception of Catherine. Moreover, she was married to a King who was a natural philanderer and whose amorous escapades with the beautiful, though notorious, Lady Castlemaine, as well as with the cockney actress, Nell Gwynne, among others, would cause her much heartache.
When Catherine failed to produce an heir, and it became clear that she was barren, there was much political intrigue in hopes that Charles II would divorce her and marry someone with whom he could beget an heir. That the King was capable of doing so was evident from the number of children he begat with his mistresses. Still, this merry monarch, much beloved by his people who viewed his amorous escapes with amusement, refused to discard his faithful and loyal wife, despite the fact that the public reviled her.
The author weaves a compelling, first person narrative of a Queen whose personal travails are little known. Against a backdrop of historical events, political intrigues, and well known personages, her story artfully unfolds, capturing the imagination of the reader. Hers is a story all too familiar. It is the story of a young noblewoman whose personal happines is subjugated to matters of state. Well written, it is a somewhat romaticized account of a life lived in the shadow of political expediency, and its pathos will keep the reader turning the pages.
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The marriage of Catherine of Braganza, who was from Portugal, to the newly restored King of England, Charles II, was a purely political alliance. Catherine was the daughter of King Juan IV of Portugal, who had previously been known as the Duke of Braganza, a vassal of Spain, as Spain had invaded Portugal in his father's time. When Catherine was five, after sixty years under Spanish rule, her father drove out the Spaniards and assumed his rightful role. His rule was a tenuous one, however, as the only foreign countries who recognized Juan IV as King of Portugal were France and England, who were enemies of Spain, at the time. The Pope, however, under the thumb of the Spaniards, did not, and other countries followed suit.
When Catherine, the Infanta of Portugal, was about eighteen years of age, her father died, leaving her mother, Donna Luiza, Queen Regent, of Portugal, as her brother, Alfonso, was only thirteen years old. Shortly thereafter, in the year 1658, Cromwell died, and within two years, Charles II of England was restored to his throne. Donna Luiza sought the marriage of her daughter, Catherine, to Charles II, as a way of being able to shore up her defenses against the ever pervasive threat of Spanish subjugation. By the time Catherine was twenty two, she was married to the thirty year old King of England.
Catherine was a Catholic Queen in a Protestant England that had never forgotten the cruelties of their last Catholic ruler, Mary Tudor, also known as "Blody Mary", for her excesses againt those of the Protestant faith. Consequently, the English were cool in their reception of Catherine. Moreover, she was married to a King who was a natural philanderer and whose amorous escapades with the beautiful, though notorious, Lady Castlemaine, as well as with the cockney actress, Nell Gwynne, among others, would cause her much heartache.
When Catherine failed to produce an heir, and it became clear that she was barren, there was much political intrigue in hopes that Charles II would divorce her and marry someone with whom he could beget an heir. That the King was capable of doing so was evident from the number of children he begat with his mistresses. Still, this merry monarch, much beloved by his people who viewed his amorous escapades with amusement, refused to discard his faithful and loyal wife, despite the fact that the public reviled her.
The author weaves a compelling, first person narrative of a Queen whose personal travails are little known. Against a backdrop of historical events, political intrigues, and well known personages, her story artfully unfolds, capturing the imagination of the reader. Hers is a story all too familiar. It is the story of a young noblewoman whose personal happines is subjugated to matters of state. Well written, it is a somewhat romaticized account of a life lived in the shadow of political expediency, and its pathos will keep the reader turning the pages.
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It is rare for an author of a biography to write such that you think you are reading a fiction romance story, but that is just what Carolly Erickson has done. I was drawn into the story of Catherine and her thoughts and feelings from the first page. From her mother's ambition, to her own ambition, to the murder of her husband, to her many lovers. The story just flows in an awesome fashion. The only dissappointment was that the book seemed to gloss over Catherine's many acomplishments as a ruler. It did seem like the book was mosty about her early life and not enough about her rule.
This book will take a while to get throught, it is not an easy read, but is well worth it to understand the history of a people who are such a mystery to most American people.
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This book is awful, but it holds a sick, twisted charm. It's kind of like those home videos where men get hit in the groin by a football; it has tears of laughter running down your cheeks even as you cringe in sympathy. I swear that these characters are the medieval equivalent of guests on the Jerry Springer show. I've read this thing twice, and both times I've had conflicting feelings of disgust and amusement.
It starts out innocently enough. Impoverished, misogynic, yet handsom and manly Lord Sevrin arrives to marry the only child of the dying land-owner and inherit the property. The daughter, Hastings, is a defiant girl with a hot temper. It becomes apparent from the first time Servin opens his mouth that he is a jerk. He also happens to be a close friend of Grealem de Morten, another of Coulter's power-mad rapists. Birds of a feather folks.
The first few rape scenes are brutal, shocking, and disturbing, but after getting past the initial abuse I struck comedy gold!
Watch as characters' personalities change drastically for no apparent reason. Drink some beer every time Servin yells "I will beat you!" Marvel as characters come back from the dead. Everyone is so over-the-top, from the evil ex-lover Marjorie in her quest to lure that abusive lout, Servin, back into her bed to Hastings, the heroine, as the hissing spit-fire to whom abuse, humiliation, and rape are like water off a duck's back.
In every Coulter book, the author always picks some reoccurring theme in which to be cute and funny, but ends up lame and annoying: here it's an obsession with William the Conqueror and Trist, the marten. At least it's not racing kittens.
However, the ending isn't very funny. These are obviously two very dysfunctional people if they earnestly feel love towards each other. Sevrin has am obsessive need to dominate the people around him and he isn't squeamish about being brutal to achieve his ends. Hastings is proud and defiant. Though she does try to go along to get along, she has a limit to how much she can take from him. When this limit is reached she can erupt explosively. Servin probably won't be satisfied until he crushes her spirit completely, which Hastings will fight against. I can really see him killing her one day when she doesn't give into his demands. I really don't think the power of love can change Servin that much. He did revert back to a brutish lout after the part where he and Hastings started to finally get along after all.
The Kembles were England's leading theatrical family. Sarah Siddons was her aunt, but Fanny became equally celebrated. Despite this, her family were chronically in debt, and the American tour was one of innumerable unsuccessful efforts to make money. Soon after arriving she fell in love with Pierce Butler, a Georgia plantation owner, who made her stop working after they married. She quickly regretted her decision, but there was little a woman could do in that era. When Butler moved to his plantation, Fanny encountered slavery first hand and did not like what she saw. She complained bitterly and protested the slaves' treatment. Worse, she outraged her husband and the neighbors by expressing her opinions in print and in the north. Perhaps her most impressive accomplishment was getting a divorce, a nearly impossible feat in the nineteenth century. It took fifteen years. Except for public readings she never acted again, but her personality and writing sustained her celebrity until the end of the century.
Like many nineteenth century figures, Kemble seemed to spend half her day writing. She kept a journal, sent and received a torrent of letters, published a dozen books and scores of articles and essays. Catherine Clinton, Professor of History at Baruch College (The Plantation Mistress, 1982) has obviously read it all and transformed it into an entertaining account of one of the most colorful women of her time.