Rachel Roberts has created a fantastic fantasy story, weaving it together from the last two books in the Avalon: Web of Magic series, Circles in the Stream and All that Glitters. each one features an exciting climax and interesting writing style that bring the charecters of this book into real personalities and real life.
Three girls, three powers, three mages, three unique talents. Emily Fletcher, Adriane Charyde, and Kara Davies are three girls who coundn't be more different- or the same.
Emily is a animal- crazy redhead, who has a fun nature and a love of pets. Her mom owns a vet clinic, and Emily likes to help out there for fun. She also gives her mom a hand in the Pet Palace, an animal hotel, and it was three dogs, Jellybean, Biscit, and I forget the third one's name, who first lead her to the Ravenswood preserve. Emily posses a special healing magic that makes her a favorite among the creatures at the Ravenswood Preserve. Emily and her mom just moved there, so Emily hasn't made any friends yet.
Adriane is a spunky, modern girl who doesn't have any friends. She never wears anything but black, and her parents are artists that travel around the world, so she lives with her grandmother, who is the caretaker of a wildlife preserve. Adriane is the first of the three to discover the animals and the secret of the magic. She is granted with the title of "warrior' and, indeed, is strong and brave. Adriane is bonded with a lone mistwolf, Stormbringer. She is really lonely on the large peice of land which is her home.
Kara Davies is spoiled, rude, and popular, a "barbie" in Adriane's words. She is the mayor's daughter, and is interested in fashion, clothes, phones, and boys. She is caught between her popular friends, and Emily, because she Adriane don't get along very well. Her title in the blazing star, and she doesnt have a power yet. Even though the magic likes her and reaches her, she still thinks she's better than Adriane and Emily. Her ideas for the preserve are good, though, and help alot.
An elf that's been transformed into a ferret, Ozzie, is sent by fairymentals from another world, Aldenmoor, to find three human mages. He helps them discover a portal, a path between the two worlds. There goal is to live in a place called Avalon, peacfully, away from the dark sorceress who will spread the black fire and kill all in Aldenmoor.
Stormbringer, Adriane's wolf, is the last of her kind. But soon she learnd there are more mistwolves in Aldenmoor, and joins them.
Adriane is heartbroken, but she can understand her friend's decision. So secretly, she follows Stormbringer through the portal to Aldenmoor, and is amazed by what she sees. She meets a young boy, Zach, and his griffen. Her adventures never end in Aldenmoor, but soon they might- her magic lets her meet up with the dark sorceress, and it may cost her her life.
Don't be suprised- this author isn't afraid to make anything happen to Adriane, anything.
Also- for those who love this series.... visit there website, its really cool!!!
-=Bye!
(Be sure to read my review on 'The Sight' By David David Clement-Davies!)
If you've read the first two books you know that Adriane and Stormbringer are really close and you know that Storm thinks she's the last mistwolf. Key word: thinks. Well, Storm isn't the last of her kind. A pack of Mistwolves drop in for a visit at Ravenswood. Then they leave taking Storm with them. Adriane has to talk to her one last time. So she gets Kara to get the Dragonflies to open the portal. Instead of just talking to Storm she gets pulled into Aldenmor! Where she meets Zach a boy who never saw another human and his griffin. Zach has some secrets that just might mean saving Storm. She also meets the sorceress, sees Fairy Glen and the fairymentals who suceed in confussing her even more. and Meets a Dragon! But will that be enough to save Stormbringer?
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In fact, these physical details model the whole point of the book--that learning is essential for sustainable growth, for organizational and personal development.
Thus people who have read The fifth discipline will gain the most from this book. It's a must read for people who want to make their organizations transition into a 'learning organization'
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...while he blows away five hundred people with machine guns.
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Now as Christopher Hitchens once pointed out, to be even compared to Tolstoy is no small achievement, so saying that Grossman does not meet this standard is hardly a damning criticism. Grossman, during the war a prominent journalist and later a novelists, was understandably horrified at the infinite cruelties and callousness of the Stalinist regime. That he is unsparing of the interrogations, the deportations, the tortures, the bureaucratic spite and viciousness, the way that political correctness encouraged cowardice and despair does credit to his courage. But courage is not enough, and one should beware those who believe it is a substitute for art. To say, as George Steiner, that Solzhenitsyn and Grossman "eclipse almost all that passes for serious fiction in the West today," is unfair. These subjects are powerful and moving is true, but beside the point. How could such they not be? Grossman must do more, and ultimately he does not do it.
Grossman suffers the vices of a journalist. His writing resembles romantic magazine cliches ("His love for Marya Ivanova was the deepest truth of his soul. How could it have given birth to so many lies?) The sententious title, all too reminiscent of War and Peace, does not help. Passages are suffused with rhetoric ("No, whatever life holds in store...they will live as human beings and die as human beings, the same as those who have already perished; and in this alone lies man's eternal and bitter victory over all the grandiose and inhuman forces that every have been or will be.") and the comments about freedom are particularly hollow. ("Does man lose his innate yearning for freedom?" "Man's innate yearning for freedom can be suppressed but never destroyed.") Behind the suppressed liberal, a middlebrow is waiting to come out.
Grossman writes at one point of how in totalitarian countries a small minority is able to bully or brainwash the rest of the country. This point has two flaws: it is a simplistic description of how modern terror works and Grossman does not bring it aesthetically to life. True, there are some stirring passages as the protagonist Viktor Shtrum finds all his colleagues at the scientific institute he works with drop away from him once he is criticized for supporting modern physics. But Grossman cannot portray the mind of an Anti-Semite or a Stalinist torturer. This failure is particularly damaging when one considers that Russian literature has no shortage of profound portraits of this sort of corrupt mindset (Dostoyevsky, Gogol, Saltykov-Shchedrin, Chekhov, Tolstoy, even Nabokov's Humbert Humbert). While it is true that Hitler was not the product of a primordial German anti-semitism, Grossman's picture of the Holocaust where almost none of the perpetrators are actually anti-Semites, just cogs in an automatic system, is seriously misleading. (One thinks of Omer Bartov's Hitler's Army in contrast).
Stalinism per se seems to be a caste separate from the population. This is misleading because it does not deal sufficiently with the internalization of Stalinism among the Soviet population. Viktor Shtrum seems surprisingly calm and composed towards the Germans who murdered his mother because she was a Jew. What is really odd is that most of the rest of the Soviet characters feel the same way. On both sides there is stoicism, a sense of comradely duty, thoughts about loved ones. There is not on the German side violent racist loathing towards the enemy. Likewise, there is surprisingly little rage, indignation, heartbroken grief and anger or lust for vengeance on the Russian side, though God knows there was no lack of provocation from the Germans. It would have been very easy, indeed one would think it unavoidable, to show reasonably decent Russians consumed with rage against the Germans. But that would complicate Grossman's picture of evil flowing down from a totalitarian state. It also says something that the Communists never win an argument in this book. (When a Russian prisoner of Tolstoyan pacifist opinions speaks of redeeming the world with acts of spontaneous kindness, no one actually points out that a lot more is needed to stop the Nazis.)
A comparison to Aharon Appelfeld's novels, or Gunter Grass's The Danzig Trilogy, or This way to the Gas Ladies and Gentlemen, shows Grossman's weakness as a writer of character. He assumes that most people are like himself. (Consider the failure in his portraits of Hitler and Stalin). And so there are endless scenes of people thinking about their loved ones, because Grossman cannot provide much more. They are endless scenes of women portrayed as the objects of men's affections, rarely as subjects, and certainly without the depth of other writers. (One notices that in Stalingrad the German soldiers have love affairs with Russian girls. They do not rape them). Strikingly, Grossman's characters are overwhelmingly Russian. Although the Soviet Union was a multinational state, other nationalities are usually only mentioned as reminders of Soviet persecution. In the end one is reminded that whereas Dostoyevsky could convince a reader that it is just and humane for Dimitri Karamazov to suffer the punishment for a murder that was actually committed by someone else, Vasily Grossman is unable to bring many of his liberal good wishes to life.
The narrative is simple. Victor's mother's last letter from the German concentration camp is one of the moving chapters in the novel.The scenes at the Russian labor camp are also interesting and informative. Life anf Fate gives a total, let me say, accurate picture of the Soviet Union. As some critics said, while other writers went out of the soviet system and wrote about it, Vasily Grossman lived in and through the troubles of soviet society and wrote about it. Like Dr. Zhivago this is also an important book for them who who love great fiction.
Grossman's magnificent acheivement is to allow us to empathise with these characters and explore a war of the bad with the worse. The pages do not "fly by" - but they do stay with you long after the book is finished. Grossman was a Soviet war journalist, and his coverage of everything from the battle of Stalingrad to the gulag is utterly gripping. It is not a feelgood book, or a "testament to the triumph of the human spirit". It is a beautiful, memorable tribute to how ordinary people cope with impossible situations. If you have any interest in life in an utterly different situation, this book is a purchase you should really, really not pass up. I cannot praise it highly enough.
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Personally, I would have liked to have seen a few more photos of his second wife and his children. I would have also liked to have learned how his wife managed after Emerson died and perhaps some information regarding his descendants. However, these are my own personal preferences and are in no way meant to diminish the excellence of this book.
The material is well structured into about 100 brief chapters which I thought made the reading easy. I never felt bogged down due to the length of the book. This is not a short book.
I really came away from the book with a sense of the man and an appreciation of the events and societal pressures of his time. After reading this book I think anyone familiar with Emerson's writings would feel like sitting down with the man to have a discussion to clear up a point or two.
The great merit of this biography is that at the end of it, you feel that you have gained considerable insight both into Emerson and New England intellectual life in the 19th century. I was especially intrigued with Richardson detailing of Emerson's reading. Emerson was, without any question, a great reader. Great readers rarely read books from cover to cover. Samuel Johnson, who was himself one of the most accomplished readers in the history of civilization, once said that we have more of a need to reread than to read. But he also once quipped, "What, you read books all the way to the end?" Emerson did not read books all the way to the end. But like Johnson and other great readers, he had a genius for picking out the most important points. What Boswell wrote of Johnson is true also of Emerson: "He had a peculiar facility in seizing at once what was valuable in any book, without submitting to the labour of perusing it from beginning to end."
One comes away from the book also enormously impressed with Emerson's character. He seems by any standard to have been a remarkably good human being. He was both a man of high principle, and a man of powerful attachments to other human beings. I found the accounting of his various friendships, many to equally famous individuals, to be of the utmost interest. Also, he seems to have met virtually every important thinker and writer in the English-speaking world, from Coleridge to Carlyle to Melville.
I heartily recommend this book to anyone who wants to gain a deeper knowledge of Emerson's life and work. By any standard, Emerson is one of the giants in American life. His influence on American thought is incalculable. Consider: not only was he the major influence on such American literary figures the magnitude of Thoreau and Whitman; he was a profound influence on artists such as Thomas Cole, Moran, and Bierstadt. America's deep-rooted environmentalism is steeped in Emersonian Transcendentalism. John Muir was a devoted reader of Emerson. One could make a case for Emerson having had perhaps more influence in the shaping of American thought than any other individual. This biography is an outstanding introduction to that person.
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He tells how war changed his life and talks about the treatment the soldiers faced after the war. Finally, he describes the ghosts he chased and drowned in drink trying to forget. And, he sadly chronicles the near fate of the Memphis Belle and how the US nearly relegated the plane to the scrap heap.
Just an incredible book. I highly recommend it.
No doubt some people will be turned off by his womanizing and cheating ways. However, if you can get past that you will find one of the most amazing war books I have read in some time. Mr Morgan saw as much action as any bomber in WWII and his casual writing style is really wonderful.
The books last chapter shows that you can go home again and you can find what you have been searching for. It is a touching ending. Mr Morgan is still alive and kicking and all I can say is I would love to sit down with him and just talk about his life. He is a true hero!
The story's plot is when a monster from another world comes to earth and poisons all the magical animals who live there. Emily has healing powers and has to help them with the help of Phel, a wonderful and magical creature. Emily, Adrienne, and Kara have to put away their diferences and work together to fight the monster with some help from the magical animals and Ozzie, an adventerous elf who is stuck in a ferrets' body. A fantastic book for all ages.