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-=Bye!
(Be sure to read my review on 'The Sight' By David David Clement-Davies!)
If you've read the first two books you know that Adriane and Stormbringer are really close and you know that Storm thinks she's the last mistwolf. Key word: thinks. Well, Storm isn't the last of her kind. A pack of Mistwolves drop in for a visit at Ravenswood. Then they leave taking Storm with them. Adriane has to talk to her one last time. So she gets Kara to get the Dragonflies to open the portal. Instead of just talking to Storm she gets pulled into Aldenmor! Where she meets Zach a boy who never saw another human and his griffin. Zach has some secrets that just might mean saving Storm. She also meets the sorceress, sees Fairy Glen and the fairymentals who suceed in confussing her even more. and Meets a Dragon! But will that be enough to save Stormbringer?
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truly a manual to get you on the road to wealth.
Two Thumbs Up, a must read for any Real Estate Investor.
Thanks Bill
Sam
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For it was upon going through a rough time that I again borrowed the complete works of Frost and a few other poets to get me through. And so inspired I was that I began trying to write some of my own. But as Frost had initially drawn me in with his simple, eaasily understood verses, he just as quickly lost me out the other side. But why I write this review is because I admired Frost's ability to start writing so descriptively so late in life, about man, life, decisions, the enviroment and even a wall! (ha! ha!).
So if you have never read poetry before, or you just wan't some new material. Buy Frost's complete collection. Oh and buy it from Amazon.com!
All of Frost's poems are here, plus his two dramatic Masques. When this book first appeared (in 1969) it caused a furor: the editor, it was angrily asserted, presumed too much. He dared to clarify - inserting a hyphen here, excising a comma there. That furor has since died down, as people realize that he did not do away with the sacred texts (any emendation was noted), but simply performed his job as editor. He regularized spelling and the use of single and double quotes (though not Capitalization, which can legitimately be thought of as integral to the poet's expression (think of e.e. cummings!)), and corrected other obvious errors. The notes give the published variants for each poem, so if you wish you may make your own call on some of these finicky issues.
The paperback and hardcover editions are identical, except for the covers, of course. I would, however, buy the hardcover. After all, you will be reading this book for the rest of your life. It is a beautifully-built volume, of an easy size and heft for use, with understated appealing typefaces and an exemplary design. Put out by Frost's long-time publisher, this is one of the few essential books of American literature.
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This book provides a superlative introduction and overview to all of the key subjects in producing a lower- to higher- budget film. Though the title makes reference to the digital age, analog equipment is discussed when pertinent as well, and compared to existing and emerging digital technologies.
The technicalities of optics for lenses is fully detailed, as are filters, microphones, stands and other equipment, recommendations for each field of what emergency supplies to have on hand, editing and previewing equipment, software, to name but a few of the countless topics covered. A truly comprehensive and detailed work.
Anyone with a serious interest in this field can learn from this book the fundamentals needed to get started in extremely high quality digital production. Given the materials and information provided, the cost of the book is truly remarkable. Any reader will complete any section feeling like an expert on the subject. One does not have to begin with experience in the digital arena, however, nor even in video production. Even as technical as this work is, it leads the reader very carefully through all which is pertinent and necessary.
A single possible minor shortcoming, is the description of the process of digitizing analog recordings or an actual/ambient environment, into a digital format. One totally unfamiliar with digital concepts may find the analogies provided a bit difficult to follow. It provides enough of a foundation, however, that an interested reader can seek out more technical and/or accurate descriptions of this process. A very small criticism to an otherwise truly excellent work.
It gets down to all the basics of filmmaking. If you want to know what a line producer does, how light meters work and the ratio of film stock to projection, this is the book for you.
It's thick but easy to read with nice B&W illustrations. As a novice and somebody who wants to know how a movie is made this book is perfect. I was really impressed by how simple and to the point this book was on the mechanics and made it an easy read. I will keep in hand at all times for reference as well!
Very well done and exactly what I was looking for in a filmmaking book!
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...while he blows away five hundred people with machine guns.
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I was concerned that the introduction of the book began by discussing the recent EP-3E incident near Hainan, PR China, fearing the book was a cheap attempt at capitalizing on recent events. I am glad to say that I thought wrong.
The book is an incredible compendium of incidents between U.S. reconaissance aircraft and Soviet fighters. Every incident is described and analyzed in exacting detail. Even the EP-3E-focused introduction is intensely researched and well thought out. I was impressed that Tart and Keefe were able to acquire internal Soviet documents detailing the incidents and the U.S. reaction, which provides fascinating and fresh viewpoints from which to view these provocative moments of the Cold War.
As mentioned, the introduction focuses almost exclusively on the April 2001 collision involving a U.S. Navy EP-3E ARIES II ELINT aircraft and a Chinese J-8II fighter. The first half of the book details most every hostile incident between U.S. recce crews and Soviet 'defenders,' a history of U.S. aerial SIGINT and COMINT since WWII, and a history of the USAF Security Service, which was responsible for much of the airborne electronic intelligence gathering along the Soviet border regions. The second half of the book details the shootdown of an USAF C-130A on 2 September, 1958 over Soviet Armenia, and its repercussions. The wayward C-130, tail number 60528, lost with all 17 aboard, became a symbol of the risky aerial ELINT game played in the 1950s and 1960s along the Soviet border regions.
Though not as friendly to the causal reader as "Blind Man's Bluff," to which it has been likened, "The Price of Vigilance" is a fascinating look at a shadowy and deadly aspect of the Cold War that is a must-read for anyone interested in the Cold War, the history of surveillance, or someone looking for a real life spy thriller.
The authors also in their informative way present the technology and terminology in a clear and comprehensible manner. When one reads this book they can readily understand the need for intelligence surveillance flights. I heartily recommend reading "The Price of Vigilance."
Theresa Petrochilos Durkin
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Get the book - no shelf should be without the sagas and it is a thrifty choice.
The collection that both the hardback and softback are taken from is a large collection called _Sagas of the Icelanders_ which is about ~$600 so you might also keep that in mind when buying. By no means is this all the sagas from that massive collection but it is a good survey and there is a good further sources section.
For those who are saga junkies be aware that the Sagas of the Icelanders (Islendasogur) is only the Icelandic family sagas and not any of the Bishop Sagas nor Heroic/Mythic Sagas e.g., Saga of Hralf Kraki. So if you are hoping to score the Saga of Harold or any saga whose action is outside of Iceland or not related to one of the great families look elsewhere. Also, for saga junkies these translations do not footnote the geneaology of the characters which the Penguin translations usually did. So you get more of the original feel with "son of...daughter of.."
Overall, if you have become enthralled with the sagas or just taking the plunge for the first time this is a very good and economical choice. Be aware that it is a very thick paperback and not as sturdy as it could be. But by all means get it.
Highly recommended. If you like this set then get Njal's Saga.
The stories richly describe the heroism, psychology, strength, values and day to day life and decision making of the people within these tales. This is inspiring and entertaining literature which should grace the shelf of anyone interested in the study of history, anthropology, epic literature, or norse religion.
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This book takes us long ways in pushing for such changes. Written by a group of people who know a lot about the topic - unlike most business books, which are typically written by those who know very little, because the ones in the know are too busy working - this sounds the first death knell of corporate reporting as we know it. It is a rather courageous set of arguments that the authors make, coming as it does from an institution, PriceWaterhouseCoopers, which, frankly, has plenty of incentives to maintain the status quo.
I would highly recommend this book to every manager, investor, and student of business. One of the nice aspects of the book is its international breadth, further reinforcing the argument that in today's global realities, the changes ought to be globally driven and required.
The best thing about the book is its rigor. The authors' authority of over their subject matter clearly comes through the book as does their hands-on experience in wrestling with tricky, complex, corporate reporting issues that companies face and shareholders need - issues that under today's requirements are typically not addressed, and therefore, lead to the kinds of deleterious effects that are evident in today's pump-and-dump markets.
Finally, in a world of superficial, shoddy, silly, ghost-written tripe that is published under the guise of management thinking, this book stands as a shining, stellar example of what good management writing is all about: rigor, clarity, and the kind of expansive and aspirational thinking that forces people to want to read a book and ask themselves, "where do I begin?" This book is a much needed call to action on probably the most important managerial, corporate, and financial issue.
After thorough analysis of the shortcomings of today's "earnings game," the authors map out a comprehensive approach to determining and sharing key financial and nonfinancial data that will help all business stakeholders assess a company's value. By using internal performance measurement tools such as the Balanced Scorecard for external reporting, companies can focus more clearly on creating value rather than face a quarterly scramble to burnish their earnings picture. Nonfinancial disclosure would also improve decision making for investors by providing a more complete picture of company operations and strategy.
In addition to promoting a commitment to improved ongoing communications, the authors note that the Internet and recent financial disclosure regulation have enabled new entrants to develop and distribute a range of economic information and services that compete directly with traditional Big-5 and Wall Street firms. This could signify the end of the "double-secret, uber-whisper" the earnings rumors that reach (and reward) only a subset of a subset of people in the know.
As an organizational consultant, this book was very helpful in clarifying the network of relationships among companies, analysts, regulators, accountants, and investors - and showing how they misestimate value and often move markets based on limited, asymmetric information. ValueReporting suggests an alternative way for companies to account for themselves that is aligned with sound management and sound investing.
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Rachel Roberts has created a fantastic fantasy story, weaving it together from the last two books in the Avalon: Web of Magic series, Circles in the Stream and All that Glitters. each one features an exciting climax and interesting writing style that bring the charecters of this book into real personalities and real life.
Three girls, three powers, three mages, three unique talents. Emily Fletcher, Adriane Charyde, and Kara Davies are three girls who coundn't be more different- or the same.
Emily is a animal- crazy redhead, who has a fun nature and a love of pets. Her mom owns a vet clinic, and Emily likes to help out there for fun. She also gives her mom a hand in the Pet Palace, an animal hotel, and it was three dogs, Jellybean, Biscit, and I forget the third one's name, who first lead her to the Ravenswood preserve. Emily posses a special healing magic that makes her a favorite among the creatures at the Ravenswood Preserve. Emily and her mom just moved there, so Emily hasn't made any friends yet.
Adriane is a spunky, modern girl who doesn't have any friends. She never wears anything but black, and her parents are artists that travel around the world, so she lives with her grandmother, who is the caretaker of a wildlife preserve. Adriane is the first of the three to discover the animals and the secret of the magic. She is granted with the title of "warrior' and, indeed, is strong and brave. Adriane is bonded with a lone mistwolf, Stormbringer. She is really lonely on the large peice of land which is her home.
Kara Davies is spoiled, rude, and popular, a "barbie" in Adriane's words. She is the mayor's daughter, and is interested in fashion, clothes, phones, and boys. She is caught between her popular friends, and Emily, because she Adriane don't get along very well. Her title in the blazing star, and she doesnt have a power yet. Even though the magic likes her and reaches her, she still thinks she's better than Adriane and Emily. Her ideas for the preserve are good, though, and help alot.
An elf that's been transformed into a ferret, Ozzie, is sent by fairymentals from another world, Aldenmoor, to find three human mages. He helps them discover a portal, a path between the two worlds. There goal is to live in a place called Avalon, peacfully, away from the dark sorceress who will spread the black fire and kill all in Aldenmoor.
Stormbringer, Adriane's wolf, is the last of her kind. But soon she learnd there are more mistwolves in Aldenmoor, and joins them.
Adriane is heartbroken, but she can understand her friend's decision. So secretly, she follows Stormbringer through the portal to Aldenmoor, and is amazed by what she sees. She meets a young boy, Zach, and his griffen. Her adventures never end in Aldenmoor, but soon they might- her magic lets her meet up with the dark sorceress, and it may cost her her life.
Don't be suprised- this author isn't afraid to make anything happen to Adriane, anything.
Also- for those who love this series.... visit there website, its really cool!!!