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So, with a real feeling of nostalgia, I picked up Volume One of Fantastic Four Visionaries. The stories hold up amazingly well, even after Twenty years. Byrne doesn't do a flashy overhaul of The FF (Like he did with DC's Superman..); he simply returns the group to their most basic element: They are not a Super-Hero group. They are a FAMILY, and Byrne, for the first time since the Lee/Kirby run, has them ACT like one. They bicker. They squabble. They tease each other, but they do it with love. When one is in trouble, the others rush in to help. They have more at stake when they're in a battle than the fate of The Earth: They have to worry about the Family members they're fighting alongside.
The stories in this volume are really just warm-ups for the stories that will (Hopefully!) be included in Volume II. The FF runs into Alchemical creatures sent by Diablo; Johnny (The Human Torch) Storm tries to clear the name of a dead man; The Earth is saved by the most powerful man in the World, while The FF are battling The Living Planet, Ego. A strange alien is coerced by winos (!) into helping them rob Banks. The FF welcome a new member, and help the Inhumans relocate to the Moon. Most importantly, they have their fondest wish granted by their greatest enemy: Dr. Doom. This story is perhaps the most poignant FF story ever. The emotions that Byrne imbues the characters with in this story are totally believable. The only beef that I have with the book is this: It would have been nice if Marvel had re-mastered the color. (And Byrne's stories are too wordy!! But that's just a small quibble.)
Fans of The World's Greatest Comic Magazine will love this book!
After Kirby left the art chores on the book and Lee later stopped writing, The Fantastic Four took a long (decades long), slow slide into complete generic mediocrity. In 1981 long-time comics fan-turned-pro John Byrne, hot off a pencilling stint on the ascendant Uncanny X-Men, decided to try his hand at his old favorites...The Fantastic Four. This was made more interesting by the fact that he intended to write and draw each monthly issue alone, with only a letterer and colorist assisting. Although he was a top young talent at the time, not many people believed he would keep a monthly schedule, let alone make the book interesting enough to read. But Byrne had a plan...
"Fantastic Four Visionaries: John Byrne" collects the first eight issues of his triumphant five-year run on the book, and highlights Phase One of the Byrne FF Plan: Get Back to the Basics. For his first several issues of there's not even a visual cue that the book isn't set in the Sixties; the street clothes, dialog, art -- even the coloring! -- is straight out of the Lee/Kirby days. In effect, it's retro yet so bereft of irony that it's classic! These issues are a love letter to the days when the book was great and also a little work therapy to get Byrne (and the book) in fighting trim for the real battle: returning the Fantastic Four to it's rightful spot as "The World's Greatest Comic Magazine". The pinnacle of this phase is the return of Doctor Doom in Byrne's now-classic 20th anniversary story, "Terror in a Tiny Town".
Byrne's sixth issue marks the beginning of Phase Two: Shake Down the Status Quo. After declaring that he's finally found a cure for Ben Grimm's disfiguring transformation into The Thing, the stretchable super-genius Reed Richards proceeds to screw him up even worse -- and permanently -- by 'devolving' Grimm back to the even uglier lumpy orange oatmeal look that he had immediately after his initial cosmic ray accident. Then the Inhumans are forced to move their entire homeland, to the Moon to escape death from the pollutants in Earth's atmosphere. Oh, and Johnny Storm's shy girlfriend turns out to have flame powers almost as powerful as his own!
My singular complaint with collection is that it ends just when Byrne is hitting his stride on the book and just before Phase Three of his Master Plan: Really Big Changes. Being arguably the best work of his career and definitely the best post-Lee/Kirby era for our titular heroes, I can only hope "Fantastic Four Visionaries: John Byrne, Volume 2" is coming soon!
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Captain America and Batman meet up during the 1940s to face off against their arch rivals, Red Skull and Joker. The book has Red Skull and Joker woking together as a team, only to have Joker betray Skull because he's a Nazi. As if the giant Swasticka didn't all ready point that out. And since when does the Joker have morals? Isn't he supposed to be an insane murderer?
The most insane, cracked-out part about this book, though, has to be when Captain America faces the ultimate Nazi weapon. It's sort of a tank that's the size of huge city building. It is very well drawn, that I admit, but so totally unrealistic...and I'm talking about a comic book, where we're supposed to stretch our imaginations to believe that such things can be possible!! Captain America takes it out EASILY, no sweat!
The only reason why this book gets two stars is because this is probably the best showing of Byrne's art. That's as good as it gets, folks. One hundred pages of pretty good artwork, and one hundred pages of total [garbage] for a story. Don't even think about buying this.
The story is poignantly written. It's great to see Batman and Captain America and their sidekicks Robin and Bucky join forces to defeat their respective enemies. I liked the concept of Joker and Red Skull as the villain duo of the book.
What better team-up than this pairing? Pairing of DC's Batman and Marvel's Captain America. The duo are arguably the best fighter in his own universe.
the ending was well done with a feeling of inspiration.
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The counterpart to any given U.S. whiz kid for the British during WWII was one Lord Leathers, appointed as material and logistics chief by the war cabinet, whose exploits were referred to by Churchill in his 6 Vol. history of WWII.
For the Germans, we had Albert Speer, seeking to wring gasoline form coal while still promising the Fuhrer that he could still have his new boulevards and buildings in Berlin. I'm not sure who ran this end of things for Stalin, but whomever that was, they must have been pretty smart as well.
The interesting thing is the way the Whiz Kids took what they had learned about moving material to feed soldiers and blow things up, and transferred those skills to rescuing Ford from the predations of Henry I just in time to save the industrial neck of Henry II (since in this tragedy we skip over Edsel I as irrelevant, since Henry I pretty much snuffed him out, emotionally anyway).
This is all living history, and envy of the Whiz Kids is probably what drove GM to hire Peter Drucker from Vienna to analyze itself, leading to Drucker's first major work describing management of a major public corporation. This in turn egging on Alfred Sloan to reply with his less readable "My Years with General Motors."
So a lot happened after these Whiz Kids hit the scene in Detroit. Overall, their quantitative streak seems to elevate them well above trivial "guru" status achieved by so many modern management consultants. McNamara had an interesting feedback into government, by rejoining DOD as a Kennedy guy, from which I guess he repented after the fact to assuage whatever damage he did to his soul by egging on JFK and LBJ beyond the limits of American power, if not authority. That's a lesson for businessmen, too.
Author did give a clearer picture of this ten guys. And intrigue me to know more about them. This is a rather interesting books, also a good lesson to those in "Internet" fever.
Don't lose your humanity!!!
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GOOD book for beginners to intermediate readers!!
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However, I was disappointed by the fact that most of the houses featured in this volume only have the year it was built, who built it, and a very brief description. Often there is only one sentence saying this house was built in Queen Anne style and that it has a tower (self-evident from the picture, or once you actually see the building). The book says very little about the history of each house, why it was built like it was, notable persons that lived there, etc. It also does very little to put the houses in the context of the surrounding neighborhood.
The book features "tours" that you can take to view the described houses, but it doesn't quite pull it off, and the end result is a strange mix of tourist guide and architectural reference that performs mediocre at both.
San Francisco desperately needs a good book to picture, describe and catalog its unique architecture, but alas, this book is not it. It would have been better if the author concentrated the book on San Francisco houses only, instead of the entire Bay Area, and offered fewer houses with a better description of each. Still, it is the best I have been able to find, and it is better than nothing, hence the three stars.