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Note to teachers: This book is great when used as a part of a social studies unit on America. Have children create a U.S. map. Find California. Practice letter writing. Send Flat Stanley to friends and relatives in other states. Locate those states on the class map. Gather information about those states through return letters and let children learn from each other.
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However, Bass is obsessed by the loss of his dog and what that loss has meant to him. He has already written a lovely book on the subject, but apparently it wasn't enough to ease his pain. In trying to tie the animal's death to his work as a writer and activist in this book, you can tell he's stretching it. It's almost as if the offer to write a book about activism was seen as another opportunity to voice his sorrow. Somehow it just doesn't work.
This is not to say that you shouldn't read this book. If nothing else it offers insight into the inner workings of one of our most gifted writers, but expect to struggle with Bass a bit. For once you get the feeling he hasn't gotten it all worked out, that the words he's chosen aren't quite what he meant to say in some places. To me, this is as valuable, and in some ways more meaningful, than reading the fine tuned stuff. It just isn't as satisfying.
Perhaps the most interesting thing about reading this book for me was the reaction I had when I finished. Ordinarily I have a strong feeling of satisfaction when I come to the end of a Bass book. I put it down and mentally tip my hat to a fellow writer. "Well done!" I say. This time however, I had a completely different response. At the end of Brown Dog of the Yak, I felt unsettled and slightly down. Even more unusual was the urge I had to look Bass up, take him by the hand, look him in the eye, and say, "It'll be all right, you'll see."
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Only thing I didn't like about the book was sometimes they explained the same thing over again, they just talked about. Just in a little different way. Seemed Repetitious. Would highly Recommend if you would like an overview of the Field.
The areas covered by the authors include chapters on surveillance work, going undercover, using public records, doing interviews, using high-tech listening devices, working with the police and
federal and state agencies. As the book points out, much of private investigative work is based on a patient, plodding, nuts-and-bolts approach. Domestic and romantic disputes, industrial espionage, labor unrest and white collar crime are only a few of the matters addressed to private investigators. No other book has presented this much detailed information in one volume.
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Fanny had been in contact with New England abolitionists and was well aware of the slave problem; but she was unprepared for the appalling conditions she found in the slave quarters, in the fields, and especially in the infirmary. She prevailed on her husband to mitigate the harsh rules imposed by the overseer, procured blankets for the infirmary and sewing material for the women; taught them to make clothes and take care of their babies; and even tried to teach some of them to read - which was, of course, frowned upon. She found that some of the slaves were skilled craftsmen and suggested that they should be paid for their work like any artisan.
An accomplished horsewoman and energetic walker, she also learned to row a boat so she could explore, unchaperoned, the coastal waterways. Her unconventional, spirited life style drew reprimands from her husband, but earned her the respect and admiration of the slaves.
The journal she kept on Butler Island gives a lively account of her daily routine. For those who imagine the lives of southern plantation owners along the lines of Hollywood movies, this book provides a healthy dose of reality. With an outsider's keen and critical eye, she chronicled her own involvement in a dark chapter of American history. She did not publish the journal until 1863, when she was divorced from Pierce and had returned to England. It came out just before the battle of Gettysburg and may have influenced public opinion in England which had been drifting toward favoring the South.
Today, the Butler plantation no longer exists; but neighboring "Hofwyl" gives a visitor a fairly good impression of what plantation life may have been like before and after the Civil War.
But then in the midst of this filth there is a bright shinning light. That light is Fanny. This brave and intellignet lady fought against big odds to somewhat improve the plight of the slaves on her husband's plantation. Often not taken seriously, or worse treated condescendingly, Fanny nevertheless kept at it.
The first five chapters are a delight to read. They narrate her journey to the plantation along with her experiences at stops along the way. But from then on be prepared for a long sad book. This is an important book that deserves your attention. The next time I visit one of those beautiful antebellum mansions with the aroma of magnolia's in the air I will remember the cost of human lives wasted. I will remember Fanny.
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This book follows Venturi's "Complexity and Contradiction", where you can learn how cynically to use casement windows in housing for the elderly where the elderly will happily put their plastic flowers in the windows, but *you* secretly know these are not really hormal casement windows, since they are out of scale (like fascist architecture's lack of scale?).
This book will tell you about ducks and decorated sheds, but it will tell you nothing about building spaces which nourish creative human community. Try Louis Kahn (e.g., John Lobell's lovely little book "Between Silence and Light"). My postmodernist teachers at Harvard said Kahn's writings were incomprehensible, which says more about them than about him.
Read Lobell's book and learn why, e.g., a city might deserve to exist. Remember: Only *you* can get beyond postmodernism!
Venturi should open the eyes of readers who self rightiously condemn today's highway commercial architecture and signage. Venturi challenges us to look at this urbanscape with fresh eyes...to see and understand the order (both functional and visual) in what we have been conditioned to condemn.
The book is well illustrated and gives examples of "the duck" and the "decorated shed" as metaphorical strategies to attract attention to highway commericial buildings.Anyone interested in architecture history and contemporary planning issues should read this book. It may piss you off, but it might also open your eyes to new ways of seeing.
In 1999 it would be interesting to compare Las Vegas to Pleasantville...and to learn in the process about change and the American culture that seems to embrace an ever changing urban landscape. Just as in the mythical Pleasantville in the movie of same name, Venturi upsets the status quo and gets us to see the colors (though sometimes messy and glaring) of the REAL city.
his brothers do the magic tricks. then when the blittle boy is losing in the race but then stanley takes off his balloon and goes help the little kid.
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