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Her home is also her studio, where she is constantly experimenting. She favors the romance and elegance of antique French pieces tempered by clean, airy surroundings. Passionate about color, Quartermaine appreciates beauty in both grand and mundane objects-from the peeling paint of a fine old gilded chair to a pretty ice cream wrapper. The exquisite photographs show yards of luscious silk in robin's egg blue, vivid pinks, and tangerine against a backdrop of crisp white. Calligraphy-both Asian and Western-is another passion of the artist. Her contemporary twists on the classics are smart, fresh, and entertaining.
Essentially Quartermaine seems to live in a splendid world of her own creation, and the book gives readers glimpse in to it.
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Truth is, it's about people. How you work with them. How they work with the system. How you treat them.
Passino is a strategist who would agree with Michael Porter that information can help give you strategic advantage, but advantage only comes through people.
This book is a must read for any serious student or executive who has a lasting belief that technology can benefit enterprises of all kinds. It's a mandatory read for anyone responsible for a multimillion dollar systems investment.
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I enjoyed this tremendously, and am always amazed that the thought pattern and process is oneof the few things that hasn't changed over the centuries.
For those who want to further their command over Rousseau's life- I suggest them to read 'Confessions' by Rousseau.
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There is really no plot as such. Jacques, a man who seems to believe everything that happens is already written "up on high", but who nonetheless keeps making decisions for himself, is riding through France with his unnamed master, a man who is skeptic of Jacques's determinism but who remains rather passive throughout the book. Fate and the creator-author will put repeatedly to test Jacques's theory, through a series of more or less fortunate accidents and situations, as well as by way of numerous asides in the form of subplots or stories.
The novel is totally disjointed and these asides and subplots blurb all over the place, always interrupted themselves by other happenings. The most interesting of them is the story of Madame de Pommeroy and her bitter but ultimately ineffectual revenge on her ex-lover.
Diderot confesses to having taken much from Sterne's "Tristram Shandy" and Cervantes's "Don Quixote". This last novel's influence seems obvious at two levels: Cervantes also talks to the reader, especially in Part Two, and also reflects abundantly on the creative process. Moreover, the tone and environment of the book is very similar to the Quixote: two people engaged in an endless philosophical conversations while roaming around the countryside and facing several adventures which serve to illustrate one or antoher point of view.
Diderot's humour is bawdy and practical and the book is fun to read. The exact philosophical point is not clearcut, but it will leave the reader wondering about Destiny, Fate, and Free Will.
Surely many writers and artists from this era (like Goya) depicted the nobles as effete and incapable of carrying out the governance of the most basic requirements of existence, but here, they also appear (in the image of the 'master') as so withdrawn from the world as to be blind. If you take away all the stories that are told, the only thing that's left of a plot here is the master having his horse stolen right from under his nose while Jacques was gone and then Jacques finding it for him at the end in a beautiful, mock sort of deus ex machina.
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This book presents an unsparing view of ufology in the '90's, Bill Cooper, John Lear, Linda Moulton Howe, Bob Lazar, William Moore, and Paul Bennewitz all make appearances. The ruling obsessions of the "ufo community", MJ-12, Philadelphia Experiment, Roswell, Implants, are examined and found to be red herrings on their best days.
I can't imagine the amount of rubbish I avoided by reading this book first. Thanks Dr. Vallee!
Written with penetrating insight, and at times wry humor. The insitence of this author that the reader think for himself may irritate some people while delighting others. Interesting and thought-provoking light is shed on the disinformation activities of those who continue to claim that UFOs officially do not exist. This book can be read as a stand alone, or as the conclusion to the observations made in the first two books in the trilogy (Confrontations and Dimensions).
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