This is a wonderful example of the 18th century enlightenment. In this work, Rousseau states that inequalities of rank, wealth, and power are the inevitable result of the civilizing process, something most of us have found to be very true if unfair. This new translation also includes all of Rousseau's own notes.

I enjoyed this tremendously, and am always amazed that the thought pattern and process is oneof the few things that hasn't changed over the centuries.

Excellent discourse. This book discusses some of the rudiments of the history of inequality and how its self supporting and ever existing in human nature. I recommend this book for those readers who either want to increase their knowledge on Jean-Jacques Rousseau or historical development of inequality

For those who want to further their command over Rousseau's life- I suggest them to read 'Confessions' by Rousseau.

I find Rousseau especially creative in the way he describes how inequality progressed from the time the first humans made contact. He makes a good case for the solitary life. I think Rousseau believes it is destructive whenever humans come together in groups. Governments were formed to protect the weaker from the stronger or as Rousseau thinks to actually protect the rich from the poor. This is an outstanding book. It will haunt you.

The Five Keys is a very interesting book. It's written a bit differently. I found it very useful in several ways. First, in its simplicity. I now use these five key factors in the research that I conduct. "The keys" is a very good framework to help me make decisions on various investment opportunities while taking on different perspectives. The book also provides powerful clues to finding great investment ideas by using ordinary publications such as Barron's or the Wall Street Journal. Third, I really enjoyed stepping inside the mind of a Wall Street guy. I felt as if I was the one working on Wall Street and having to answer tough questions myself! A little bit of drama was good (particularly in chapter one). Fourth, the author makes a strong case as to why no single valuation tool (such as P/E ratios) is superior to others when considering an investment. Lastly, the book was a short read and very inviting.

I am a portfolio manager and I've worked with Dennis Jean-Jacques. I am very happy to see him assemble these lessons from the great investors in a simple framework. My. Jean-Jacques did a great job giving all the credit to those superb investors like Peter Lynch, Michael Price, Warren Buffett, Benjamin Graham, etc. While Mr. Jean-Jacques does not claim to be (or compare himself with) great investors in the book, he makes a solid case that the lessons of the great ones are still useful and valid today. He then goes on to simplify the lessons into these 5-key lessons as he calls it (like Ben Graham's "Margin of Safety" principle) by explaining each "key" from the vantage point of an investment analyst. That is one of the most important benefits from the book - how value analysts analyze companies starting from a company's annual report on down. After reading this book, I have gained a deeper appreciation of how the mind of a value investor works (or should work). This is not a portfolio manager's book. It is simply a solid book written from the perspective of a solid business analyst. It will be a great addition to your library.

Mr. Jean-Jacques has distinguished himself as "one of the greats" in the value investing world. Putting himself in a class w/ Buffet, Mr. Jean-Jacques has navigated the volatile world of stock market investing. He explains how not to get caught up in technical analysis or other silly investment techniques. He offers readers a golden opportunity on how he drove the investment process at Mutual Series and helped trained many of the investment professionals there, not to mention the absolute fortune he has made his investors over the years. Some people claim they are great investors, Mr. Jean-Jacques has the muscle to prove he rightfully deserves a spot in the Value Investors Hall of Fame.

Like too many others, my journey to becoming a Barzun addict was a slow, steady build. Yes, it was through first reading 'From Dawn to Decadence' that I came to admire his electrifying prose and sparkling wit. And his books on culture and education...my gosh, man!

So there I was in the neighborhood bookstore and I see a brand spankin' new Barzun reader. Since I read in tangents, the format seemed a bit scattered but I bought it, knowing that I would always, no matter what tangent I was on, find something of interest in this volume.

I couldn't have been more right!! I've had the book for, maybe, nine months now and I'm STILL finding, savoring and rereading these excerpts. So many topics covered- from baseball to Berlioz, crime-fiction to higher education, race to romanticism. These days, whenever someone writes about so many subjects, there's always a suspicion that we, the readers, will find ourselves slighted- how can one person actually EXCEL in so many areas and still retain quality and grace. Barzun is a stunning example of someone who can and if you're anything like me (not reading all the way through, but reading each exerpt as it strikes your fancy), this book will rank on your 'most rewarding purchases' list

Michael Murray, editor of "A Jacques Barzun Reader," has compiled a beautifully varied collection of the great cultural historian's essays -- many of which even we hardcore Barzun admirers have never read & never thought we'd have the chance to read. For example, Barzun's provocative distinction between the "craft" of criticism & art in literature is a seldom-seen essay, & shed light on an aspect of Barzun's thinking that was unknown to me.

Is the book too small? I don't know -- perhaps any such compilation of Barzun's extraordinary & humane writing would be too small, too exclusive. These essays are (presumably) Murray's choices, & I have no quarrel with them per se. But where are other long-treasured & fascinating Barzun essays, such as "James the Melodramatist" or a thoughtful (& negative) critique he wrote decades ago on Eric Partridge's "Usage & Abusage"?

I begin to see that, in fact, a complete collection of Barzun's written work -- all seven or eight decades of it -- is called for. It would, of course, require numerous volumes. "A Jacques Barzun Reader" is an excellent start. I am happy to learn from the dust jacket that Michael Murray is writing a biography on Barzun.

A minor cavil with Murray's method: He chose not to footnote or otherwise indicate his alterations to Barzun's original text for a fairly sensible reason. However, I found myself wondering just which passages or what information was omitted from the reprint of various essays in the book.

Barzun is one of the best thinkers of our time. It is great to have his thoughts on so many subjects assembled in this collection.

It is especially valuable since some of Barzun's most famous commentaries (for example, on baseball) are now out of print and hard to find. Buy this book, you will profit from having it on your bookshelf!

This short tale is illustrated by Christopher Denise, who also illustrated The Great Redwall Feast. Denise does a wonderful job of capturing the characters and mood of the Redwall
world. In this tale, traveling players visit the abbey and perform at a feast marking the last day of autumn. The dibbuns hear a bedtime tale of the Snow Badger, the lord of winter. Later the Snow Badger visits the abbey grounds with his army of snow hares to bring the first winter's snow. This is a "winter's tale," the kind of tale that might be told around a fireplace on a cold winter's night, and it includes an example of a winter's tale, the tale of the Snow Badger. A winter's tale typically involves some supernatural elements (See Shakespeare's Winter's Tale for another variation on this genre or Isak Dinesen's 7 Gothic Tales.)

Illustrator Christopher Denise does a superb job of bringing a visual feast of animal characters to life in Brian Jacques' "A Redwall Winter's Tale." Amazingly talented artist.

A traveling group of entertainers arrives at the Redwall Abbey on the last day of Autumn. The travellers put on a big show, and the Redwallers provide a huge feast. When it is time to put the Dibbuns (youngsters) to bed, Mighty Bulbrock Badger tells a bedtime story. Who brings the wintertime snows? Why, the Snow Badger, of course! But is the Snow Badger real, or just a fairy tale told to the Dibbuns? You'll have to read the book to find out. The pictures are wonderful, perfectly complementing the story. Like Brian Jacques' previous picture book The Great Redwall Feast, also illustrated by Christopher Denise, this is a perfect introduction to the Redwall series for younger readers and a great book for all ages.

There are lots of simple, elegant and flavorful recipes in here from master chef Jacques Pepin. Remember, he is cooking with his ditzy daughter, Claudine, so things are never too complicated. This is great for folks who want to start down the gourmet path without too much fuss.

My personal favorite is the butternut squash puree. I make it about once a month.

This is a great addition to any collection. The Mango dish is the best

Recipes are simple and yet show stopping. Delicious recipes I have made are Flan a'la Vanille,Peking Style Chicken, Warm Chocolate Fondue Souffle, Chocolate Paris-Brest, Chocolate Walnut and Apricot Cookies, and Potato and Watercress Salad to name a few.

Unlike a number of other books about the ranking of the "greatest" of the 20th century, this book does not rank anyone. This book lists the 200 men and women, in alphabetical order, who have made a difference during the last 100 years.

Cady blends detail with a personal touch in each biographical synopsis. The photos, in black and white, give the reader a face to put to the story. Photographer Jean-Jacques Naudet is a master of capturing the essence of the person on film.

While the price of the book is a bit hefty, your money is well spent in this collectable piece of work. For the past hundred years you have read stories about JFK, Ali, Mother Theresa, Michael Jordan now you can own a part of history.

I was most impressed by the author's ability to remain unbiased in the reporting. While I may not have include some of the people, I was no doubt impressed by the list. I am certain that this book will be real family or school crowd pleaser well into the next century.

But, alas, too American in the perspective. The selection includes people who are only of importance in the U.S. area. I.e. baseball & football players and t.v. entertainers (Oprah!)And in choosing Oppenheimer and Fermi instead of the far more important Niels Bohr. Further, Karen Blixen is presented by her alias Isak Dinesen - quite embarassing. The photos, though, are phantastic and the layout creative. In spite of an American chauvenism in the selection, the book makes a brilliant statement heading for the millennium.

The clear, concise and lively text that accompanies this information packed book is a pleasure to read. The beautifully reproduced photographs are unusual and surprising. Not the stock pictures you would expect in a more common end-of-millenneum tome. The people here range from the well known like John F. Kennedy to the less well known but important Emmeline Pankhurst (look her up). A most enjoyable and informative book that you'll go back to again and again.

Two centuries or so before "modern" writers began writing experimental novels, Denis Diderot, the force behind the Encyclopaedia effort, wrote this strange and indeed very "modern" novel in which the author leads a conversation with the reader, asking him where he (or she, of course) would want to go and what to do with the characters and the story. Here we see the author in the very process of creation, exposing his doubts, exploring his options, and playing with the story.

There is really no plot as such. Jacques, a man who seems to believe everything that happens is already written "up on high", but who nonetheless keeps making decisions for himself, is riding through France with his unnamed master, a man who is skeptic of Jacques's determinism but who remains rather passive throughout the book. Fate and the creator-author will put repeatedly to test Jacques's theory, through a series of more or less fortunate accidents and situations, as well as by way of numerous asides in the form of subplots or stories.

The novel is totally disjointed and these asides and subplots blurb all over the place, always interrupted themselves by other happenings. The most interesting of them is the story of Madame de Pommeroy and her bitter but ultimately ineffectual revenge on her ex-lover.

Diderot confesses to having taken much from Sterne's "Tristram Shandy" and Cervantes's "Don Quixote". This last novel's influence seems obvious at two levels: Cervantes also talks to the reader, especially in Part Two, and also reflects abundantly on the creative process. Moreover, the tone and environment of the book is very similar to the Quixote: two people engaged in an endless philosophical conversations while roaming around the countryside and facing several adventures which serve to illustrate one or antoher point of view.

Diderot's humour is bawdy and practical and the book is fun to read. The exact philosophical point is not clearcut, but it will leave the reader wondering about Destiny, Fate, and Free Will.

Yeah. Believe all the reviews below. This book really is amazing. It would feel like it was written yesterday, if it was more derivative -- but it's fresh! The language is incisive, no waste, and the pacing and structure are brilliantly fluid. It's smart and funny, too, and completely unpredictable, filled with weird offhand bursts of bewildering narrativity. And yet balanced, apparently sane. I truly enjoyed reading it. It's great.

This book is amazing. It will make many of your conceptions of where things belong in the history of the novel fall apart. Not coincidentally, that is one of the points of this book, being an exercise more than a message: that all apparent armatures of order are one more perspective away from disintegration. This book is really quite sneaky as well. In the beginning, the constant references to the inscriptive certainties in the heavens seem silly. But then little explanations come along (like the geneology of Jacques' crazy horse), and the novel heads down a dark, yet very enchanting road, into a fuzz that's every bit as modern as any you've read. This thing alternately looks like Bunuel, Zola, Stendhal, Faulkner, Kerouac. The picaresque, the uncertain narrator, the structuralists, all seem to be swimming around in this amazing book.

Surely many writers and artists from this era (like Goya) depicted the nobles as effete and incapable of carrying out the governance of the most basic requirements of existence, but here, they also appear (in the image of the 'master') as so withdrawn from the world as to be blind. If you take away all the stories that are told, the only thing that's left of a plot here is the master having his horse stolen right from under his nose while Jacques was gone and then Jacques finding it for him at the end in a beautiful, mock sort of deus ex machina.

Angkor: Cities and Temples by Claude Jacques, et al undoubtedly presents one of the most enchanting illustrative descriptions of Khmer architectural design and history I've ever seen. The photos are crisp and clean and the printing quality is first class. However, the text, translated from French, is overly technical and lacks a sense of cohesiveness, which would have otherwise made it easier to percieve the "big picture" concerning the period of Angkor.

I had always wanted to visit the Angkor temples.And I was looking for some good books on Angkor. When I saw this book, I immediately bought it inspite of its price. The text is crisp and illuminating. And the photographs are the best I have seen of Angkor. They are so real and dramatic that you feel right there. The only drawback with this book is its size. It is mammoth, making it a reference guide rather than a guide you can bring with you on your travel to Angkor. Nevertheless, only in this book has justice been done to the magnificent temples of Angkor. If there is only one book you buy this year, make it this one.

Angkor Cities And Temples is perhaps one of the most beautiful books I have ever had the pleasure of owning. Everything about it beckons the reader to remain absorbed in its pages. The text by Claude Jacques is erudite, well-written, and very well translated. The photography by Michael Freeman is astonishingly good. Not only by virtue of his technical skills, which are considerable, but because he handles the art and architecture of the monuments with a tremendous sensitivity to detail and a glorious feel for the way in which light interacts dramatically with stone. Together, the flowing text and luminous colour images provide a wondrous exposure to an ancient world of great sophistication and profound aesthetic development.

"Dessert Circus" is the companion cookbook to Jacques Torres' television series, filled with step-by-step instructions and photos to help you recreate all his delicacies at home. After flipping through the book, I had my doubts.

Every recipe I tried was delicious. My favorite recipe has to be his "Chocolate Cornflakes". Delicious and fun to make.

Things I noticed about these recipes: They seem designed for parties and less for home cooking. Yields were large, with servings for 8 seeming to be the magic number. If you want to impress, you'll love this book. There is a fair amount ingredients that may be hard to find.

To recreate many of the recipes listed will require: time, talent, and a little prayer to pull off. This is not to say that the results aren't worth it. Desserts like the impressive "Nougatine Basket with Fruit Sorbets" (three diamonds) can be accomplished, you simply have to take your time and be prepared.

If you've ever looked at an issue of "Chocolatier" or "Pastry: Art & Design" magazines, you have a good idea of what you'll be in for with this cookbook. Cooks looking for a challenge will find plenty of recipes to choose from.

From a rainbow of sorbets served on a chocolate artists "palette" complete with chocolate "paintbrushes", through to the strawberry and raspberry Fraisier Cake beautifully presented with layers of fresh strawberries, Jacques' highly original desserts win me over each time I open this book, and my guests each time I serve one of his creations.

The directions are clearly written, and every dessert recipe is accompanied with a finished photograph, and quite a few feature step by step pictures aswell. Jacques dedicates the first chapter solely to equipment and ingredients, plus a glossary of all terms used throughout the book. The second chapter covers basic or ingredient recipes, such as the perfect puff pastry and homemade chocolate sauce. He also shows you how to prepare my personal favorite, chocolate sculptures. You can also adapt these sculptures, turning just one of the pieces into an amazing garnish.

I highly recommend this and the second volume by Torres, "Dessert Circus at Home".

I have Jacques Torres first book and I plan on buying his second. I watch his show on TV and find his book a great buy. If you love desserts I highly recommend his book.

The author brings the science of history to a new paradigm. The book is written in an excellent way and is result of intensive and extensive experience from the author. He will keep receiving many thanks for his research and publishing work. The book confirms that History is a scientific field and not a dogmatic field. The book must be read by all. The book helps to find answers questions. Reading the book, one can crystally see that the Pelasgian language is the same as the present-day Albanian language. Moreover, it tells what brush paintings had been put on Pelasgian (Albanian) culture and language.

Being my self an Albanian,it has surpassed all my expectations.it is truly true in its content,revealing much of the truth about albania,that even albanians themselves do not know.my deepest sympathy goes to the author with this touching review of albania`s history.i think it made me prouder being an albanian then ever before.i strongly advise all albanians and friends of albania to add this rare item to their collection.

thanks again to the author....deeply gratefull.

If you truly have an interest in the people of Albania there is no better book available. I have read most of the writing (in English) on Albania and this book always checks out with other sources. It is the one complete, unbiased (important in this reagion) account of the Albania people. If you are only casually interested, you will find it ponderous.