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Raymond Benson's version of 007 is adequate. This time 007, in order to save the world, must find a deadly virus. This virus is a highly altered version of the West Nile virus.
Benson takes you through the beautiful country of Japan and its nearby provinces. You'll learn about the Japanese mafia. You'll be intrigued by some unusual customs practiced their. This was a bare bones thriller. Fast-paced and quick to read.
Recommended for the hardcore Bond fan
James Bond has been given an assignment to babysit the prime minister at a G8 conference in Japan. Meanwhile, he is to investigate the death of an English businessman. This investigation will take Bond on a slow journey all over Japan, and ultimately a good one. Bond fans know that 007 has deep emotional roots in Japan, and can appreciate Benson's choice of Japan as a locale for the novel. The addition of Bond's old friend Tiger Tanaka is also quite welcomed.
Benson's writing has a few flaws this go around. It is slow moving and tedious at times. This is a direct contradiction from Benson's usual style. Also, it is obvious that Benson tries to write as an English author would. Sometimes, he fails in that quest with words like "stuff" and "whatever". However, it must be said that you are immersed in Japanese culture as you read and the vilain's motivations are chillingly genuine. That being said, if you enjoy good reads, buy Benson's THE MAN WITH THE RED TATTOO today.
But a straightforward plot doesn't mean RED TATTOO is lacking complexity of character. Just the opposite is true. Japan holds dark memories for Bond, and that aspect is not ignored. Whereas John Gardner might have given a passing reference to Bond's legendary ordeal in YOU ONLY LIVE TWICE, Benson uses the "ghosts" of Bond's past as a full-fledged complication. Fans will not be disappointed in how Benson weaves elements of the Fleming masterpiece into this current book, nor will they be disappointed in the action. Gunfights and fistfights abound in RED TATTOO. It's probably Benson's most violent book to date -- the body count is quite high -- but this seems to be in keeping with the Asian action movie milieu the book frequently evokes. The methodology of the villain's master plan is ingenious and is the best conceived caper we've had, book or film, in quite some time. And speaking of films, have I mentioned that RED TATTOO would make an amazing Bond movie? Well, it would.
For the seasoned Bond fan THE MAN WITH THE RED TATTOO is the perfect book at the perfect time. For those who have yet to read a Benson book and are looking for a classic cocktail of Bondian action, suspense, and exotic locales, you would be well advised to start right here.
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However, although it gets off to a slow start, I would have to say that (so far) "Win, Lose or Die" is arguably a highlight of the Gardner books. It is also the only one that I feel could actually work as a Bond film. The characters are a bit more respectable than most of Gardner's creations, especially his usual cookie-cutter villains. The book also carries some of the wonderful, sinister, almost supernatural imagery that Fleming was so fond of, portraying Bond and the other characters as players in a strange spiritual plane that seems to stretch beyond Earthly bonds.
Now, if only Gardner could have learned to do away with all those...one-liners he has Bond spout after he does something. This is supposed to be Fleming's Bond, not Roger Moore's. Furthermore, the book continues to slip with the horrid scenes in which Bond interacts with M and Bill Tanner. In Fleming's books, M was a man of few words, and when he said something, it was to the point and deadly serious. Unfortunately, Gardner again sinks to the level of having Bond and M trade barbs, if you will. Fleming's Bond would NEVER smart off to his boss the way Gardner's does.
However, once you get past the tepid first third of the novel, the narrative really picks up. This book actually has enough high points to outweigh the low points. The section where Bond is used as bait at the Italian villa is almost up to Fleming's speed. And the climax aboard the hijacked carrier is absolutely spellbinding.
"Win, Lose or Die" is one of the few Gardner Bonds that those of us "Fleming purists" can get through without rolling our eyes darn near every page.
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The only problem I have with Cold Fall is that it ended too soon! What will happen to James Bond and the newly reorganized British Secret Service? Will Gardner write another installment? One can only hope so.
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Gardner's stories suffer from two basic weaknesses: He doesn't have the full range of Cold War enemies to work with and his doesn't have the same hard edge to his characters and writing.
Death is Forever veers back toward the Fleming books by involving Wolfgang Weisen, onetime director of East Germany's Security Service. He makes for a truly fascinating villain. Fleming would have made him even more fascinating, but you will enjoy him and his plot to destabilize the West. Although the Cold War is over in this book, Gardner finds a way to create an extension of the Cold War. That is good for all of us readers.
In all other ways, the book is a typical Gardner offering -- serviceable plot and relentless Bond.
If you have a choice between reading a Fleming novel and a Gardner one, you should always read a Fleming one first. If you have read and liked all of the Fleming books, you will be pleased with this Gardner offering. Enjoy!
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