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This is a well-written, well-researched, easy to read book. I would recommend it to anyone interested in these largest and showiest of the U.S. moths.
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Fantasy books by authors from classic literature includes works of Johnathan Swift, Edgar Allan Poe, Charles Dickens, Emily Bronte, Robert Louis Stevenson, Oscar Wilde, and Franz Kafka.
Fantasy books from familiar Fantasy authors include works of Tolkien, Mary Shelley, Lord Dunsany, William Morris, E.R. Burroughs, Fritz Lieber, Ursula K. LeGuin, and many others.
Each review tells about the author, the book, and its significance in Fantasy literature. This book is really an indispensible guide for Fantasy fans looking to find significant Fantasy literature from the earliest works to the contemporary.
The only major flaw in the book is the under-emphasis of Michael Morcook's works. Because Michael Moorcock is a co-author, the authors felt that his works should be de-emphasized as a matter of journalistic integrity. Too bad.
I think you will find this book much more helpful than Pringle's "Modern Fantasy" guide as Pringle's review only covers works since 1946--after so much of the world's innocence and romanticism had been lost.
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These 4 tapes (four hours) are a golden tapestry woven by three men who use combinations of ancient stories, poetry and psychology (stripped bare) to unmask the problems men face in todays relationships, work place and most of all, the talk of "what is desire". Poet Robert Blye (Iron John & Sibling Society), psychologist-author James Hillman and mythologist and story teller Michael Meade lead this 4 hour session interacting with 750 men.
The problems we face as men are great. With more than 50% of the homes in divorce, there is a hunger for the father and for mentors. Women don't want to be mothers to their men, they want men who can be responsible. Kids are killing each other and pressure is building on what is left of the family. Men have become soft, passive. Many have never been initiated, taken a mentor or have never gotten close to their elders. When the marriage comes under pressure, men and women run to their families and Lawyers, the men move out and and responsibility and outcome is decided by the court. The excerpt from Iron John that Blye recites about the work that the boy does "in the Walled Garden, where the lovers meet" meant so much more to me in this setting, combined with all the other material.
I loved James Hillman's translations of older cultures and language as well as his poking at the modern Therapy gurus. Blye, whose book Iron John lead me to these tapes, paints a very graphic view that our trouble, as men, has been evolving/growing long before the industrial revolution. Woodstock, Vietnam and now Clinton (who did not inhale) are just recent road signs on this journey. Michael Meade address and moves the throng with "Sooner murder an infant in it's cradle than nurse unattended desire" as well as his telling of "The Firebird" story. All three also recite many poems that are also included in "Rag and Bone Shop of the Heart" which is a compilation of all their favorite poems.
I have listened to these tapes many times and grown as a man as a result. As Michael Meade warns that "if you are seeking to understand desire you are courting trouble". The alternative is to go through life "just window shopping! You gotta buy something. Become part of the give and take". So try these tapes, men (and women) and find out that there is more.
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Although Wendy seems a little prim, she is sweet and motherly. John was offhand and brave, Michael was tiny and believing. My favourite character was, however, Peter. The author really outdid himself on this one. Peter's innocent cockiness and love for dangerous adventures endeared him to me at once. He still has all his first teeth, and his first laugh - what more could we ask of him? His frightful happiness in danger reminds me of my seven-year-old self.
The book retains a magical quality right up to the last page. The midnight scene where Peter coaxes them out of the window has always stood out in my mind; there is a kind of magic in an ever-young boy, small and innocently cocky and always up to some mischief. The ending of the book is very sad, for only those who are gay and young and light-hearted can fly.
Definitely a book worth reading. Adults, trust me on this one: you might think you're too old to read this book, but once you do you'll find that a piece of Neverland still resides in your heart.
Enjoy,
Cris