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Crime wave is a book of short stories, actual true crime cases, and a few essays written by Ellroy for GQ Magazine.
Reading Ellroy is almost like singing along with a tune on the radio, it's all about rythm. Included are a story about Ellroy's Mother's unsolved murder and another fictitious story involving Dick Contino. The stories that I loved most of all though, were the stories told by Danny Getchell, the dirt digger for HUSH-HUSH magazine.
All in all, I loved Crime Wave because it is a look at 1950s crime in L.A. I think Ellroy fans and non-Ellroy fans alike, should do themselves a favor and pick up a copy of CRIME WAVE.
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This story is told through the eyes of Jimmy, a young boy who is forced to grow up at a very young age, because his father has died, and has left the family to run their Indiana farm without him. They are hungry, the baby is sick, and they're all tired from trying to keep the farm going.
But Jimmy's Uncle James is their savior. He will be coming to help out, and make things great. He has been logging out west, and writes the family of his many, incredible adventures. Only when Uncle James shows up, things aren't so great. He is not the success story he has made himself out to be. He's not perfect. He has problems. But Uncle James, and everybody rises above this, and works to make things better.
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Oops, that didn't do it, added lot of pages, but not enough. Add several non-related chapters of Alex Cross' girl friend flying from the West Coast to the East Coast for some gratuitous sexual encounters. Then add a few chapters of his buddy Sampson bedding a witness in the investigations.
If one can put up with a lot of extra page turning and chapter breaks that generally ruin the flow of the novel and speed read through the rather ridiculous sex scenes, Patterson is good enough to keep one somewhat entertained on a plane ride from say, Boston to St. Louis. If you're going all the way to LA, better bring another book.
Oh, the story is about Vietnam vets who are killing for hire and setting up other vets to take the fall...for no apparent reason. In Alex Cross' world, people are tried, convicted and executed with alacrity not even seen in Texas. Of course, quick executions are key to the story line.
FOUR BLIND MICE opens with Cross' long-time partner and friend, John Sampson, requesting Alex's help to investigate the murder conviction of one of Sampson's Army buddies. Ellis Cooper, Sampson's buddy, has been accused, tried and convicted of the murder of three women along with the bizarre arrangement and paintng of the bodies. Cooper has been sentenced to die by lethal injection; the execution is set to be administered in three short weeks and Sampson believes only his friend and supersleuth Cross can unravel the injustice befalling Cooper. As Cross begins his investigation, he runs into one stone wall after another but hasn't quite determined if those are Army walls (i.e. "we take care of our own") or something quite different. Although doggedly determined, Alex cannot crack the case and Ellis Cooper is executed. The one and only piece of evidence Cross has is the eyewitness account of a teenage boy who indicated he saw three men outside the home of the murder victims that night. However, Alex was never able to corroborate this statement.
As the story continues, Patterson introduces the reader to three very skillful and very sick assassins. Even before Cooper's execution, the reader knows these "THREE BLIND MICE" are responsible for the triple homicide. As time passes, the Mice continue their spree but it is definitely not for kicks. It appears there is a puppetmaster; one who has given the Mice their marching orders albeit mercenary orders at that. This portion of the story winds throughout the book until the end where it fizzles without much surprise or intrigue. The climax is satisfying but certainly not surprising.
Two very poignant subplots revolve around the love lives of Cross and Sampson, nothing really new for Alex but quite unconventional for Sampson. True to VIOLETS, Jamilla Hughes returns as Alex's love interest. And, as always and timeless, Alex still has Nana Mama to care for his three children including his infant son, Alex.
All-in-all, a decent book but I find myself waiting for the next great Cross book. Something in the spirit of KISS THE GIRLS. I haven't given up on Patterson and I certainly will continue to check out his newer "off-Cross" books. As I mentioned, I found the JESTER to be a fabulous read, a storyline and subject matter totally different to Patterson's norm. It's proof that Patterson has the skill yet it seems he has turned his efforts more into a Stephen King-like machine, pumping out one book after another. While this satisfies the volume requirement for fans, it is obvious that quality has taken a fairly staunch hit.
Worth the read but not his best.
Clearly this was a labor of love for them, and their dedication, not to mention their scholarship, is commendable. It has been said, however, that an author should resist the urge to tell the reader EVERYTHING he or she knows. I know that rule gets thrown out the window when what is being written is more academic than artistic, but this book was apparently intended as both, and I can't tell you how boring it was to read paragraphs that consisted of nothing more than the names of all the plants the author saw around her. The bird lists made for only slightly less dull reading, but only because I'm a birder.
The book is really a combination travelogue/biography/history. It succeeds best at the last two, and some passages and descriptions are quite poetic. But less minutia, no matter how fascinating to the author, would have been most welcome. The urge to record and relate everything (including a photograph of the authors' makeshift drying rack, moist socks included) kills some of the joy of this book.
But I learned a lot about Audubon and grew to respect the authors' experience and knowledge of natural history - Harwood seems to be a highly expert birder and ditto for Durant as botanist.
I will also be seeking out a permanent Audubon exhibit and the artist's grave, which I learned are nearby in New York.
Though the book often came across as a little too indulgent, the zeal and genuine love the Harwoods bring to their work (and they work very hard) is truly inspiring.