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The purpose of the encyclopedia is to provide a one-volume reference to Augustine, his life, his thought, his teachings, and his books. What did he believe about a particular doctrine? Look up the doctrine, get a synopsis of his thought, and find the appropriate reference(s) in his writings.
Wonderful for both Catholics and Protestants, esp. those branches of Protestantism which revere Augustine. Applicable for the layman or the cleric; for the serious student as well as for someone who simply wishes to be informed.
I highly recommend this volume.
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[from the text, pp.4-7]: "Suppose we charged ourselves with the task of providing in chronological order a detailed account of everything that occurred to us NOT last night...but in the first half-hour of last night's sleep. The 'hole affair' [535.20], (and a 'hole', unlike a 'whole', has no content), will likely summon up a sustained 'blank memory' [515.33]: 'You wouldn't should as youd remesner, I hypnot' [360.23-24]. What would become equally obscure, even questionable, is the stability of identity...No one remembers the experience of sleep at all as a sequence of events linked chronologically in time by cause and effect."
Joyce remarked to his friend William Bird:
"'About my new work - do you know, Bird, I confess I can't understand some of my critics, like Pound or Miss Weaver, for instance. They say it's OBSCURE. They compare it, of course, with ULYSSES. But the action of ULYSSES was chiefly in the daytime, and the action of my new work takes place chiefly at night. It's natural things should not be so clear at night, isn't it now?'"
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Horgan's biography succeeds magnificently in two ways. First, for those who will be coming to the book from reading Cather, one will find vastly greater depth and detail than was possible in that novel. So, the book is a boon for Cather fans. Second, even if one has not read Cather, the book tells a magnificent story of a truly heroic man and his closest friend. Their story is also the story of the West as a whole, and Santa Fe in particular.
There are biographies that record the rote facts about an individual, and unfortunately most fall into this category. And the there are biographies that almost manage to bring you into contact and introduce you to someone you have never met. Lamy emerges almost as someone you know, instead of someone you merely know things about.
I heartily recommend this book to anyone interested in either history of the American West or in Willa Cather's great novel. Although I am not myself Roman Catholic, it would probably also be enjoyed by those whose main interest is in Church History. It is a tragedy that this book is not currently in print. With so many much weaker and less interesting biographies available, it is unfortunate that many of the truly excellent ones are not.
Author Paul Horgan won a Pulitzer prize for this book and it is not difficult to see why. It was readily apparent that Horgan had done exhaustive research from the numerous details contained in the book.
All in all, a meticulously researched book on a most remarkable individual of the American Southwest written by a diligent author.
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THE FERRY WOMAN is such a tale; so far as I know, the only one. By seeing the incidents and events of those dark days through the eyes of a fictional storyteller, the conflicts and struggles and relationships become personal and emotional, hence more affective than a cold recounting of history. Throughout the book, Emeline (the ferry woman) wrestles with faith, loyalty, authority, loneliness, love, and hate in very human and understandable ways.
The story's end is, maybe, a mite tidy. And some Mormons will be offended by Grimmett's portrayal of Brigham Young, legendary builder of the West. It is well to remember, though, that in THE FERRY WOMAN we see this complex man solely through one set of eyes--Emeline's--and as her view is distorted by her experiences, it is both authentic and acceptable.
A primary feature of early Mormon social relations was the aggressive practice of polygamy, which was only abandoned officially by the church as part of a strategy to prevent a military confrontation between Utah, whose leaders were also those of the church, and the US Army contingent then on its way to enforce Mormon compliance with federal laws against plural marriage. The Ferry Woman was one of the wives of John D. Lee, one of those leaders whose directed mission within the church was to settle and develop the Harmony area between Cedar City and St. George Utah. Grimmett is at his best describing the interactions between his characters and their environment.
This reader confesses to some uneasiness in the early pages, at the prospect of accepting a woman's perspective from the narrative pen of a male writer. That is dispelled by the surprising sensitivity and care apparent in the effort. One observes that if this is not true to the way of thinking and self-expression of a young orphaned immigrant serial wife of a much older man, and a formidable, hard-working community leader, devoted husband and father, well it should be. Reading, one is overtaken by a growing sense of the book as literature, especially remembering that the Ferry Woman, although realistically and plausibly detailed in the narrative, is still a fictional construct.
Knowing its subject already, I went into this book skeptical of its potential for a full and courageous exploration of the dark scenario at its heart. After the first 100 pages, I couldn't stop reading it. I closed the book at last with the feeling that the author had succeeded in something extraordinarily important here. Grimmett has skillfully illustrated how even a humanity motivated, in extremis, by patently flaky beliefs about the nature of existence, can thrive. This is a book with legs, and the time was well spent reading it.
A reader with roots in that area of the US that is today within the sphere of influence of the Church of Jesus Christ of Latter Day Saints (LDS), with its epicenter in Salt Lake, is likely to agree with the statement of the Poet Laureate of the State of Utah, as quoted on the jacket, that the reaction to the book by modern descendants of the times and personalities described in it, is awaited with eager anticipation. The story is told with a surprisingly precise sense of the supernatural aura that surrounds Mormon history itself, especially as it manifests itself in the 'testimony' borne by modern believers. To a gentile growing up surrounded by it, an ardent love of the church and its teachings is one of the most salient characteristics of expressions made about it by its followers. A less blatant expression, but no less potent one, is a fear of the church and its retribution for non-conformity or apostasy. At the time of events narrated in the novel, when the young church collectively labored not just for legitimacy but for survival, that fear may have been the predominant organizing principle, especially where the rights of women were involved.
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The poets of "Eight" are Theodore Roethke, Elizabeth Bishop, Robert Lowell, John Berryman, Anne Sexton, Sylvia Plath, Allen Ginsburg, and James Merrill. Each poet's work is prefaced by a substantial individual introduction.
There are many masterpieces in this book. Curiously, I found the most compelling poems to be those that focus on nature: Roethke's "The Meadow Mouse," Bishop's "The Fish," Plath's "Mushrooms," and Merrill's "The Octopus." Poems like these combine skillfully used language with keen insight, and reveal these poets to be true heirs of Walt Whitman and Emily Dickinson (two of the featured artists in "Six American Poets").
Overall, I felt that "Eight" was not as strong as its sister volume, "Six." Although there are many poetic masterpieces in "Eight," there is also much material which, in my opinion, hasn't aged well. The so-called "confessional poetry" of some of these writers strikes me as overwrought. Some of the longer poems failed to resonate with me. I was particularly disappointed by Berryman's "Homage to Mistress Bradstreet," especially since I am an admirer of Anne Bradtreet's own work. Admittedly, this criticism may merely reflect my own personal tastes, but I submit it for the reader's consideration.
The fact that so many of these poets either wrote about each other, or pop up in the editor's introductions to each others' work, sometimes gives the book as a whole a creepy, incestuous feel. And the fact that so many of these poets committed suicide, had long-term mental health problems, and/or suffered from addictions further gives the book as a whole a rather morbid feel. On second thought, maybe this group of eight is a bit problematic!
Still, editor Conarroe has assembled an impressive anthology that I would recommend for students and teachers, as well as to a general readership. Although a mixed bag, "Eight American Poets" contains some truly enduring work by an octet whose legacy is secure.
Like Conarroe's "Six American Poets", the anthology introduces us to each poet with a short biography that is presented before the poet's work. We learn about their lives and come to understand some of the primary forces that have shaped their poetry. I have found that this greatly enriches the experience of reading poetry because I better see the struggles that lead to each individual creation. After each collection, Conarroe offers a list of books and anthologies where each poet has been published so that we, should we wish, can come to know the work of a given poet much better.
This anthology is a wonderful starting place for someone who, like me, desires an introduction to some of the greatest American poetry ever produced. Personally, I feel, after reading this anthology that I have come to truly appreciate the work of Elizabeth Bishop and Theodore Roethke, in particular. I had never known their work well, but suddenly each jumped off the page at me, Bishop for her wonderfully vivid descriptions and Roethke for his intensely moving subjects. Plath and Sexton also really spoke to me, their work so reflecting their lives. Overall, this anthology is superbly worthwhile reading!
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This book has tons of great information and creative ideas (Melt chocolate on your coffee burner! Use a condiment shaker filled with flour to lightly flour work surfaces! Wedge a wine cork below the handle of a lid so you can have something to grab onto without burning your hand!) Very useful and practical information.
I've now had sufficient time and use of the volume to warrant giving an opinion. I am sorry that I waited so long to add this book to my collection!
' "Augustine through the Ages" presents anew the life, work, and influence of Augustine of Hippo (A.D. 354-430), one of the greatest figures in the history of the Christian church. Best known to modern readers for his "Confessions" and "City of God," Augustine has had a profound theological and philosophical impact on the Christian faith, and his legacy is also reflected in the development of Western thought as a whole.'
This book is organised and functions as an encyclopedia. Over 150 scholars in fields such as history, classics, theology, philosophy and political science have contributed to making this a very comprehensive and in-depth reference work. The contents include nearly 500 articles with appropriate bibliographic references for further research.
Entries involve his life, his work, and his influence. A few samples will illustrate:
His life: Life, Culture and Controversies
In this entry, a brief biography of Augustine is present, from birth in Thagaste in 354, in the province of Numidia, to his death in 430 in Hippo, as it was under siege from Vandal invaders. It details the major events and influences in his life, as well as the general cultural milieu of the time - education under the Roman system, the relationship of church and empire, and the influence of philosophy, particularly Neoplatonism. The controversies of his time, in which Augustine energetically participated, included the Arian, Donatist, Pelagian and Manichean trends.
His work: Confessions
This entry gives an overview of the 'Confessions', the most popular and widely-read of Augustine for twentieth-century audiences. As a result of this autobiographical work, the youth of Augustine is far better known than almost any other person in antiquity. The article includes translation and publication issues (the question about oral or written primacy is explored), as are the differing purposes of sections (autobiographical, polemical, exegetical). This work covers conversion and growth in faith and work.
His influence
Articles are included on those who influenced Augustine himself, such as Origen, Tertullian, Plotinus, and Plato, as well as upon those he influenced, from early figures such as Jerome and Ambrose, to later theologians like Aquinas, Luther, and Calvin, up to more modern figures such as Adolf von Harnack, Ernst Troeltsch, and Martin Heidegger. Similarly, Augustine's contributions toward topics that are of current (and recurring) interest such as social justice, war, suicide, contraception, etc. are explored.
The book also includes tables Augustine's works which show Latin titles, English translations, common abbreviations (very necessary for scholarship) and dates. Articles are cross-references, particularly with a view toward shared bibliographic information.
The editor, Allan D. Fitzgerald is professor of patristics at the Augustinian Patristic Institute of Rome. He also is editor of Augustinian Studies published by Villanova University. Jaroslav Pelikan offers a word at the front, which is an interesting choice, given Pelikan's Eastern Orthodox leanings, and the strained love-hate relationship Eastern Orthodoxy has traditionally had with Augustine.
This is a truly monumental work that will find an honoured place in the library of any scholar.